情感

He provides a panoramic account of social and emotional life in 1940s Italy, with a stress on trauma, dislocation and brutishness .

他描绘了一幅20世纪40年代意大利社会和情感生活的全景图，突出了当时社会的伤痛，混乱和狂野。

All the fear one has endured, the dissimulation one has been forced into, all the painful and degrading buffoonery,*（1.a ludicrous person,2.a jester, a mocker）and, worst of all, perhaps, the feeling of having displayed one's cowardice-all this settles and accumulates somewhere in the bottom of our social consciousness, quietly fermenting.

事实上没有什么东西被遗忘，一个人曾经忍受的恐惧，他被迫进入的掩饰状态，所有那些痛苦的和低下的插科打诨，也许，最坏的还是展示一个人怯懦的情感，所有这些将在我们社会意识深层的某个地方安家和积累，它们正在平静地发酵。

This is a burning emotion I feel, a need to find out who I am.

「这是一个燃烧的情感，我觉得，有必要找出我是谁。

Treating the humanism spirit as the thread, this paper concludes the intension and extension of the humanism spirit by comparing the soul of humanism spirit in the China and foreign countries, and then explains them from three parts: the true, the selflessness and the beauty. First, the content of writings expounds the essence of human nature, human rights and humanism that are the intensions of humanism spirit. Second, the purpose of writings reflects intensively the special and active method of constructing the author's morality by analyzing the connection of humanism and religion in thewritings of Bajin, and obvious religious sensibilities of Bajin. Third, from the viewpoint of artistic style, we can get the conclusion that the buskin style of Bajin's writings has close relations with humanism spirit by the method of inducing the buskin style of his writings.

全文以"人文精神"为根基和线索，首先通过梳理和比较中西人文精神传统及精髓，确定了巴金作品人文精神的内涵和外延，然后以此为统领，从真、善、美三个方面展开论述：从巴金作品的内容上看，它对人性、人权、人道作出的真理性阐释，恰恰就构成其"人文精神"的具体内涵；从创作意图看，通过分析巴金作品人文与宗教的相互关系及其流露的鲜明的宗教情感，从而突显出其特别的、积极的理想道德建构方式；最后从艺术风格看，通过归纳其作品的悲剧范式，亦得出了巴金的悲剧风格与人文精神旨向密切统一的关系。

The digestive tract has its own extensive system of nerve cells lining the esophagus, stomach and intestines -- known as the gut brain -- that are extremely sensitive to thoughts and emotions. That's what creates the feeling of butterflies in the stomach.

在消化道系统中，食管、胃部和肠部分布有广泛的神经细胞，这些细胞被称为内脏的大脑，它们对人的思维和情感变化反应极其灵敏，这也是某些情绪会引起胃部抽搐的原因。

Thedigestive tract has its own extensive system of nerve cells lining theesophagus, stomach and intestines -- known as the gut brain -- that areextremely sensitive to thoughts and emotions. That's what creates thefeeling of butterflies in the stomach.

在消化道系统中，食管、胃部和肠部分布有广泛的神经细胞，这些细胞被称为内脏的大脑，它们对人的思维和情感变化反应极其灵敏，这也是某些情绪会引起胃部抽搐的原因。

His eyes were a buttery, burning gold; his perfect face was almost severe with the depth of his emotion.

他的双眼呈现漾着灼烧着金色；他绝美的脸上几乎显现出他所有的情感。

When it cornea to raw emotion. The once buttoned-up Brits are now happy to drop tears quite openly.

当触及到情感深处，一贯紧闭襟怀的英国人现在喜于公开地落泪。

A new survey showed . When it cornea to raw emotion. The once buttoned-up Brits are now happy to drop tears quite openly.

一项新的调查显示，一旦涉及到情感真实流露时，曾经是心扉紧锁的英国人现在也乐于公然撒泪了。

You can choose your happiness comes within,and it can't be forced by outside force.

你可以选择你自己的情感，真正的幸福来自于自身，它不能受到外力的强迫。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。