情感

Word Affect Disambiguation is an important part of text affective computing.

词汇情感消歧是基于文本的情感计算的重要组成部分。

4Some job stressors can predict job burnout, stresses form ecomocial-socail treatment, workload and school management entered emotional exhaustion regression equation, stresses form student factors entered depersonalization regression equation, stresses from workload and examination entered reduced personal accomplishment regression equation. It is clearly that stresses from ecomocial-socail treatment and school management have positive influence to turnover intention; also emotional exhaustion and reduced personal accomplishment have positive influence to turnover intention.

部分压力源对职业倦怠的三个维度有预测作用，来自经济社会待遇、工作负荷、学校管理的压力进入情感衰竭的回归方程，学生因素进入去个性化的回归方程，学校管理的压力和考试压力进入个人成就感降低的回归方程；学校管理、经济社会待遇的压力对离职倾向有显著的预测作用；情感衰竭和成就感降低对离职倾向有显著的预测作用。

A new method of speech emotion recognition via voting combination of multiple classifiers is proposed for improving speech emotion classification rate.

为了提高语音情感的正确识别率，提出一种基于多分类器投票组合的语音情感识别新方法。

Having a good knowledge of LLS is essential to understanding

因此在教学中，教师不仅仅是传授知识，而且还应当关注每个学生的情感，利用专业知识，利用一切可能的机会让学生在学习语言之际汲取情感素养的精华，从而接受品德教育，形成美好的心灵品格。

There is a timidity, a fear of expressing feelings in a world in which these seem to be more and more marginalised.

这是一种怯懦。一种在各类情感似乎越来越被边缘化的世界里对情感表达的畏惧。自从己故的R.D。

The moderations embodies as that within the group of low organizational affective commitment, people with higher power distance are with higher purpose in life than those with lower power distance while in the group of high organizational affective commitment, people with lower power distance carry a much higher purpose in life than those with higher power distance.

这一调节作用表现在：组织情感承诺较低时，权力距离高的员工对人生意义的自我评价显著高于权力距离低的员工的人生意义自我评价；而组织情感承诺较高时，权力距离低的员工对人生意义的自我评价显著高于权力距离高的员工的人生意义自我评价。

Old man, daddy, dad, father, male parent Start, begin, commence Kid, child, offspring c Synonyms that differ in their emotive or evaluative meaning There are words that bear the same meaning but express different emotions of the user, indicating the attitude or bias of the user toward what he is talking about.

情感意义或评价意义有所不同的同义词。有着相同的意义却表达了使用者的不同情感的词语，这些词暗示使用者对他所谈论的事情的态度或倾向。

As a postgraduate majoring in vocal music, I developed a deep passion for the piece of music through the study of the original materials and practical singing on the concert. I feels that is of great value to make further study about it. Therefore, I gathered a lot of materials, study of the German pronunciation, analysis of the videotapes and other comprehensive devices to explore deeply the implication of the divertimento and its ideological thoughts.

因此，本人通过有关文献的收集、德语语音的学习、音像资料分析以及综合分析等研究方法与途径，结合自己的演唱实践与体会，分析了整部套曲的音乐特点，挖掘了套曲所蕴涵的独特意境、情感深思和思想内涵，立足于研究声乐套曲《妇女的爱情与生活》的演唱所包含的诸多方面：套曲演唱的语音、套曲演唱的音准与节奏、套曲演唱的音色与力度、套曲演唱的情感表现与演唱处理等作进一步深刻地研究，从而对这部声乐作品有更加形象、生动的认识及更深入的了解。

If we separate emotions, or affects, from the thought of an external cause, and join them to other thoughts, then the Love, or Hate, toward the external cause is destroyed, as are the vacillations of mind arising from these affects.

如果我们使心中的情感与一个外在原因的思想分开，而把它与另一个思想联接起来，那么对于那外在原因的爱或恨以及由这些情感所激起的心灵的波动，便将随之消灭。

This thesis attempts to explore into the protagonist david levinsky's emotional innermost with the"i-thou" philosophy preached by martin buber, one of the most famous theological philosophers in contemporary world, and to illustrate the fact that levinsky's poverty in love after transforming from rags to riches is rooted in his deep-seated "i-it" outlook of the world.

本文通过结合当代宗教哲学家马丁·布伯的&相遇&哲学对该作品主人公戴维·莱文斯基的情感世界进行透析，指出莱文斯基之所以在成为百万富翁之后反而沦为情感上的乞丐主要是由于他的&我－它&人生哲学。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。