情感

Based on the classification of meta-ethics; primary problems of the meta-ethics, the topic for the research is to discuss the dual ethical method of Stevenson's Emotivism, especially, its features and important roles in transition in west modern ethics.

本课题立足于元伦理学三种划分方法、元伦理学的三个基本问题、斯蒂文森情感主义的伦理学二元性特征，及其理论在元伦学发展过程中的多重转折意义展开对斯蒂文森情感主义伦理思想的研究。

Non-cognitivists think that moral judgements express non-cognitive states such as emotions or desires. Desires and emotions are not truth-apt. so moral judgements are not capable of being true or false. Ayer's Emotivism argues moral judgements express emotions, or sentiments of approval and disapproval.

按照这一理论，道德判断仅仅表达了非认知性质的情感或者态度，由于情感和情绪不像那些能表达世界如何的信念一样有真假，道德话语本质上不具有描述意义，道德判断不是事实陈述，无所谓真假。

In material teaching teachers should examine and adjust their emotion before class,demonstrate right and nice action,infect students by vivid language and fair-sounding intonation,etc.

情感教育在体育教学中既有信号功能，又有动力、感染等功能。情感教育

This paper mainly consists of five parts. The Introduction mainly defines the scope and relative concepts, and covers the present situation of research about it. The first chapter traces the Seeing-off-poetry's cultural origin, classifies its emotion contents and artistic achievements, and differentiates the flows from the base of comprehensive reorganization of the Seeing-off-poetry from pre-Qin to latter-Han Dynasty. The second chapter studies its variations about styles, artistic expressions, and gentries' spirit features. And in this part we also discuss the reasons of Four-word-see-off-poetry's booming and its peculiarities in Jin Dynasty. The third chapter demonstrates the influence on Seeing-off-poetry in the Early and Glorious Ages of Tang Dynasty such as the construction ways, poetry images and emotion styles. The Appendix enumerates all the 465 Seeing-off poems' tittles, authors, their birth and dead time, writing time and sources of quotation one by one, so that all of them can be checked to prepare the investigation.

论文主要有五个部分：&绪论&重在界定魏晋南北朝送别诗的研究范围和相关概念，并对其研究现状作一全面回顾；第一章&送别诗溯源&，在全面整理先秦两汉送别诗的基础上，对《诗经》以来送别诗的文化渊源、情感內容和艺术成就分类概说，辨明其源流；第二章&魏晋南北朝送别诗研究&，从诗体、艺术表达、士人精神风貌三个角度研究这一时期送别诗的演变，并探讨两晋时期四言送别诗的繁盛原因及其特点；第三章&对唐代送别诗影响&，从建构方式、诗歌意象、情感风格三个方面论证魏晋南北朝送别诗对初盛唐送别诗的影响；&附录&部分列出魏晋南北朝送别诗系年一览表，分朝代逐条列举魏晋南北朝465首送别诗的诗题、作者、生卒年、创作时间及其出处，以备查考。

Hamsters do not have human emotion, they do not feel Love or have emotional feelings like humans.

仓鼠没有人的情感，他们不感觉爱也没有像人的情感。

They also don't have a need to tell their partners because while men make an emotional investment in their woman, women reserve their emotional investment for their children.

她们也不需要告诉伴侣，因为男人在女人身上投资情感时，女人一般都把情感投资留给孩子。

But now she knew her feelings of that long-past night were those of a spoiled child thwarted of a toy.

现在她方才明白，自己那天晚上所经验的情感，实在还不过是一个纵容惯了的孩子得不到玩具时的情感罢了。

In the series works, I want to show some subtle emotional experience through the deferent sleeping posture of the lovers. And inspire the lookers thinking the traditional ,now and future of men and womens relationship of emotion. I hope them could experience the wonderful sweet that I feeled.

在整个系列作品的创作中，我通过情侣熟睡的姿态，旨在传达其微妙的情感体验，激起观赏者对传统，现在，未来男女间情感及关系的思考，并能如我般体验这人间至极之美。

Family structure(Ye milk daddy mama son daughter-in-law granddaughter children son-in-laws granddaughter), the complicated human nature, the living foundation, successfully marks Zhi, morals norm(health, sincerity, docile, fine), emotion world(the benevolence shows filial obedience, emotion, prestige, believe in), existence bosom territory(relatives, friend, colleague, neighbor), the material enjoys(cinema, cellular phone, car, computer), ability character(piano, chess, calligraphy, painting), amateur love, crime form, bad moral qualities(money-mad, selfish, snobbish, mean person) etc..

家庭结构(爷奶爸妈儿媳孙女儿女婿孙女)，复杂人性，生活基础(工作，房子，知识，钱币)，成功标帜(权力，别墅，书架，元宝)，道德规范(健康，真诚，善良，美好)，情感世界(爱心，孝敬，情感，信誉，信仰)，生存怀境(亲戚，朋友，同事，邻居)，物质享受(影院，手机，汽车，电脑)，能力素质，业余爱好，犯罪形式(色情，赌博，毒品，偷窃)，不良品德(财迷，自私，势利，小人)等等。

The emotional relationship with Mao envisioned in Yin Zhaoyang's painting reflects the ideological influence of his portrait during the childhoods of the post-revolutionary generation. This influence was strongest in visual impact after 1949 when Mao's portrait saturated the media and was seen everywhere.. The portrait visually invaded the self image of a generation and formed an emotional aesthetics that is also one of the roots of modern youth.

在尹朝阳的绘画中，和毛的想象性的情感关系，体现为肖像在后革命一代成长初期的一种意识形态影响，在这种影响中，肖像的视觉影响即毛在1949年之后大量肖像的扩散所产生的形象无处不在的大众传播，一种肖像对于一代人自我想象的视觉侵入所产生的情感美学，实际上构成了一种青春的现代性根源。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。