悲观的

Whatever they borrowed, this pessimism they did not borrow -- not from Greek thought, which was a joyous acknowledgment of and homage to the beautiful and noble in this world, with a studied disregard of the element of sorrow; not from Egyptian thought, which did not allow its elaborate speculations on retribution and judgment in the netherworld to cast a gloom on this present existence, but considered the universe created or evolved under the presiding wisdom of Thoth; not from Iranian thought, which held to the absolute supremacy of Ahura Mazda and only allowed Ahriman a subordinate share in the creation, or rather counter-creation, of the world; not from Indian Brahminic thought, which was Pantheism pure and simple, or God dwelling in, nay identified with, the universe, rather than the Universe existing as the contradictory of God; not, lastly, from Semitic thought, for Semitic religions were strangely reticent as to the fate of the soul after death, and saw all practical wisdom in the worship of Baal, or Marduk, or Assur, or Hadad, that they might live long on this earth.

无论他们借来的，这悲观，他们并没有借用-而不是从希腊思想，这是一个欢乐的承认和致敬，向美丽的和高尚的在这个世界上，一个研究无视元素的悲哀；并非来自埃及的思想，不容许其拟订的揣测对报应和判断，在地狱投忧愁就这本存在，但认为宇宙的创造或演变下，主持会议的智慧，透特；不是来自伊朗的思想，举行以绝对优势的阿胡拉马自达和只允许ahriman下属分享在创造，或者更确切地说，反创造，整个世界的；不是从印度brahminic思想，这是泛神论单纯和简单，或上帝在住家，在NaY查明，宇宙，而不是宇宙现有的作为矛盾的上帝；没有，最后，从反犹思想，为犹太人的宗教是奇怪的沉默，以命运的灵魂，死亡后，看到所有实际可行的智慧，崇拜巴力，或马尔杜克，或杆，或哈达，他们可能活，只要这个地球上。

Whatever they borrowed, this pessimism they did not borrow -- not from Greek thought, which was a joyous acknowledgment of and homage to the beautiful and noble in this world, with a studied disregard of the element of sorrow; not from Egyptian thought, which did not allow its elaborate speculations on retribution and judgment in the netherworld to cast a gloom on this present existence, but considered the universe created or evolved under the presiding wisdom of Thoth; not from Iranian thought, which held to the absolute supremacy of Ahura Mazda and only allowed Ahriman a subordinate share in the creation, or rather counter-creation, of the world; not from Indian Brahminic thought, which was Pantheism pure and simple, or God dwelling in, nay identified with, the universe, rather than the Universe existing as the contradictory of God; not, lastly, from Semitic thought, for Semitic religions were strangely reticent as to the fate of the soul after death, and saw all practical wisdom in the worship of Baal, or Marduk, or Assur, or Hadad, that they might live long on this earth.

不管他们借来的，这悲观他们不借钱-而不是从希腊认为，这是一个愉快的承认，并表示敬意的美丽和崇高在这个世界上，一个研究无视元素的悲哀；不是来自埃及认为，这不允许其拟定的报复猜测和判断中的地狱，以投下了阴影对本存在，但认为宇宙的创造或进化的主持下智慧的托提；不是来自伊朗的思想，举行了向绝对优势的胡马自达并只允许Ahriman下属份额的创造，而不是对抗或创造，对世界，而不是从印度Brahminic认为，这是泛神论纯粹和简单，或住在上帝，不查明，宇宙，而不是宇宙现有的矛盾上帝；没有，最后，来自犹太人的思想，为犹太人的宗教有奇怪的沉默，以命运的死亡后的灵魂，看到一切实际智慧的崇拜巴力，或马尔杜克，或亚述，或哈达，他们可能长期生活在地球上。

On the other hand , mices desperate struggle when dying expresses a strong death consciousness , but it is still in natural layer , which result it the division of feeling between lives and deaths . Axolotls sudden death rises to the philosophic layer , which achieves the graciousness and grace to all flesh , as well as a mood of pessimism and world-weariness .

蜜蜂的自然死亡给人提供了一种对死亡的日常自然的&亲切感&，死亡意识尚未突显出来；老鼠临死亡前的拼命挣扎喻示了一种强烈的死亡意识，但仍然是自然层次上的，导致死者与生者之间不能沟通；蝾螈的偶然之死则上升到对死亡的哲学思考，达到了对万物和众生的亲近感和慈悲心，但也带来一种悲观厌世的情绪。

Among tragic novels,at first,by creating Unbalanced People,Hardy proved that at that time people were in division with society,nature,other people and theirselves,therefore,he made a new definition about """"people"""" and depicted the modern's basic outline:lonely,broken and pessimistic.Secondly,by courting persistently to """"Paganism Spirit"""",he not only criticized a great deal of drawbacks of Englightenment Modernityrdecrepit ethics,rigid reason,etc,but also drew the """"aesthetic""""prescription for the modern in predicament and called people to get back to t heir own existence,resume due status of perceptuality,impules and desire,etc.Thirdly,by profoundly conveying of pessimism,he revealed people's miserable situations under the violences of civilization and undependence after losing the God.Thus he refused the deformities of Enlightenment Modernity and enlightened people to look for new way of existence.At last,though dominated by realism,through the unique use of """"coincidence"""" and """"psychological depiction"""",his creation ,hi form,was somewhat similar with the modernism novels in the 20th century.

哈代在他创作的悲剧小说中，首先，通过对&非平衡性人物&的塑造，反映了当时的人们正处在与社会、自然、他人和自我的四重分裂状态中，由此他对&人&进行了重新的定义，描绘出了现代人的基本轮廓：孤独、破碎和悲观；其次，通过对&异教精神&的执着追求，他不仅批判了启蒙现代性的诸多弊端：衰朽的伦理道德、僵化的理性等等，同时，亦为困境中的现代人开出了&审美&的药方，呼唤人们回到自身的存在，恢复感性、冲动、欲望等的应有地位；第三，通过对&悲观主义&的深刻表达，他揭示了现代人的悲惨处境和失去上帝后的无所归依，从而拒绝了启蒙现代性的畸形规划，启示人们寻找新的存在之路；最后，虽然为现实主义所主宰，但通过&巧合&和&心理描写&手法的独特运用，他的创作又在形式上与20世纪的现代主义小说一脉相通。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。