悲痛的

This is the greatest emprise in my history. We forget the Olympic Games, we forget Tibet, we forget Taiwan, we forget the fucking western, we forget everything because now the most important thing is to rescueour dear compatriots.

这是在我过去的人生中经历的一次最重大的悲痛的壮举，我们暂时忘却了奥运会，忘却了西藏问题，忘却了台海危机，忘却了无耻的西方媒体，我们忘却了所有的事情，因为现在对我们来讲，最重要的事就是拯救所有陷入灾难之中的同胞们。

To The Beloved and deplored memory of her who was the inspirer, and in part the author, of all that is best in my writings--the friend and wife whose exalted sense of truth and right was my strongest incitement, and whose approbation was my chief reward--I dedicate this volume.

译：谨以此书献给我的朋友，我的妻——那留给我最亲爱、最悲痛的回忆的人。她是此书灵感的源泉，亦是此书最优秀的部分的作者；她对真理与正义的崇高理念予与我最强的激励，她的赞美是我所得之最大奖赏。

I have no sorrow, but the fruits of solidified sorrows

我没有悲痛，只有悲痛凝结的果实

When he looked upon the plain of Troy he marvelled at the many watchfires burning in front of Ilius, and at the sound of pipes and flutes and of the hum of men, but when presently he turned towards the ships and hosts of the Achaeans, he tore his hair by handfuls before Jove on high, and groaned aloud for the very disquietness of his soul.

当他把目光扫向特洛伊平原，遍地的火堆使他惊诧，燃烧在特洛伊城前，伴随着阿洛斯和苏里克斯的尖啸和兵勇们低沉的吼声。随后，他又移目阿开亚人的海船和军队，伸手撕绞着头发的根梢，仰望着高高在上的宙斯，傲莽的心胸经受着悲痛的煎熬。

Unresolved grief in depressed people is usually either delayed grief, which has been postponed and then experienced long after the loss; or distorted grief, in which there is no felt emotion of sadness but there may be nonemotional symptoms, often physical.

通常人们在悲痛忧郁未决要么延迟悲痛这次推迟之后，再经历漫长的损失；或扭曲悲痛在没有感受到悲情，但可能会有情绪nonemotional症状，常常体力。

They were dead, and I lived; their murderer also lived, and to destroy him I must drag out my weary existence. I knelt on the grass and kissed the earth, and with quivering lips exclaimed, By the sacred earth on which I kneel, by the shades that wander near me, by the deep and eternal grief that I feel, I swear; and by thee, O Night, and the spirits that preside over thee, to pursue the daemon who caused this misery until he or I shall perish in mortal conflict.

他们死了，我却还活著；杀害他们的凶手也还活著，而为了杀死这个凶手，我必须苟延我疲惫的生命，我在草地上跪了下来，亲吻著脚下的土地，用颤抖的唇呐喊：以我膝下这神圣的土地的名义；以这些徘徊在我身旁的死者亡灵的名义；以这深深的永远无法忘记的悲痛的名义；我发誓；向妳，噢，这漆黑的夜，亡灵主宰下的漆黑的夜，我要追踪这个制造不幸的凶手，直到我与他之间有一人在决死的冲突中毁灭。

They were dead, and I lived; their murderer also lived, and to destroy him I must drag out my weary existence. I knelt on the grass and kissed the earth, and with quivering lips exclaimed, By the sacred earth on which I kneel, by the shades that wander near me, by the deep and eternal grief that I feel, I swear; and by thee, O Night, and the spirits that preside over thee, to pursue the daemon who caused this misery until he or I shall perish in mortal conflict.

他们死了，我却还活着；杀害他们的凶手也还活着，而为了杀死这个凶手，我必须苟延我疲惫的生命，我在草地上跪了下来，亲吻着脚下的土地，用颤抖的唇呐喊：以我膝下这神圣的土地的名义；以这些徘徊在我身旁的死者亡灵的名义；以这深深的永远无法忘记的悲痛的名义；我发誓；向你，噢，这漆黑的夜，亡灵主宰下的漆黑的夜，我要追踪这个制造不幸的凶手，直到我与他之间有一人在决死的冲突中毁灭。

Stone, sent to The New York Times in an e-mail message, said, in part: I am deeply saddened that a 10-second poorly edited film clip has besmirched my reputation of over 20 years of charitable services on behalf of international charities.

在由沙通的经纪人Cindi Berger通过Email发给纽约时代的声明中，沙通说：我深表悲痛的是，经过拙劣处理的10秒钟的短片，竟然将我为国际慈善事业提供的长达20年服务的形象玷污。

That statement, which Cindi Berger, a publicist for Ms. Stone, sent to The New York Times in an e-mail message, said, in part: I am deeply saddened that a 10-second poorly edited film clip has besmirched my reputation of over 20 years of charitable services on behalf of international charities.

在由沙通的经纪人Cindi Berger通过Email发给纽约时代的声明中，沙通说：我深表悲痛的是，经过拙劣处理的10秒钟的短片，竟然将我为国际慈善事业提供的长达20年服务的形象玷污。

That statement, which CindiBerger, a publicist for Ms. Stone, sent to The New York Times in ane-mail message, said, in part: I am deeply saddened that a 10-secondpoorly edited film clip has besmirched my reputation of over 20 yearsof charitable services on behalf of international charities.

在由沙通的经纪人CindiBerger通过 Email发给纽约时代的声明中，沙通说：我深表悲痛的是，经过拙劣处理的10秒钟的短片，竟然将我为国际慈善事业提供的长达20年服务的形象玷污。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。