悲痛的

He fellsintosextreme agony for the death of his mother.

母亲的死使他陷入极大的悲痛之中。

He fellsinto**treme agony for the death of his mother.

母亲的死使他陷入极大的悲痛之中。

He fellsintosextreme agony for the death of his motIT.

母亲的死使他陷入极大的悲痛之中。

Although we do not know the long-term consequences of separation or deprivation , we do know that they can produce

虽然我们不知道分离和丧失亲人的长期后果，但我们知道它们能立即引起剧烈的悲痛。

She was greatly distraught, for her love, like Jennie's, was sincere.

她觉得非常悲痛，因为她的爱也同珍妮一样，是诚挚的。

Yet I couldn't make my hand fire that flashbulb and intrude on the poor man's island of grief.

但我始终不忍心就这样按下去，去闯入这个可怜的老人的悲痛世界。

I had to spend much time in freeing from sadness once I failed in an examination.

我不得不在考砸一次测试的悲痛中挤出更多的时间来释放压力。

Again, he generously offered rides to his friends and fellow students.

所有关心，爱护他的朋友都陷入了深深的悲痛中。

I see the world's grief.

我看到的是人间的悲痛。

He stopped carrying it, because it was just causing grief in his life.

他停止进行，因为这只是造成的悲痛在他的生命。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。