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And he spread it before me; and it was written within and without: and there was written therein lamentations, and mourning, and woe.

他将书卷在我面前展开,内外都写著字,其上所写的有哀号、叹息、悲痛的话。

He lamented over the death of his wife.

他为妻子的去世而悲痛。

He deeply lamented the death of his wife.

他对妻子的去世深感悲痛。

Thus this chapter is entitled: Lamenting the Consequence of War.

所以这一章被命名为:悲痛战争的后果。

Landor, a book of an unusual destiny.

这位与拜伦爵士同时代的作家,在悲痛中将作品题献给了一位朋友。

There's nothing I can say to lessen your unhappiness, but you must take care of yourself.

我没什么话可以减轻你的悲痛,但你得珍重自己。

In some people the same influences produce melancholia instead of mourning and we consequently suspect them of a pathological disposition.

同样的影响,在有些人身上在发展为抑郁而不是悲痛。因此,我们可以设想他有一种病理素质。

A time to morn and a time to dance

有悲痛,也有起舞的时候

I feel mournful when I saw the pictures of dead children.

当我看到那些死去孩子的照片时感到悲痛。

To me, the remembrance of our last parting has been ever mournful and painful.

想起我们上一次的分手,我就一真觉得悲痛。

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We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称;三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起,称之为挽歌体诗人或者史诗诗人,他们被称为诗人,似乎只是因为遵守格律写作,而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。

This is not paper type of business,it's people business,with such huge money involved.

这不是纸上谈兵式的交易,这是人与人的业务,而且涉及金额巨大。