悲剧的

Regular direct borrowing terms are: the Fates god of destiny, the lifeline from the textile Clotho, the fate of Lachesis arrangements and cut the lifeline of the goddess Atropos three components; the Erinyes goddess of revenge, Tisiphone, Megaera and Aleeto Goddess Group 3 % of the Muses literary goddess, for the history of Clio, in charge of astronomy Urania, in charge of the tragedy Melpomene, the competent comedy Thalia, in charge of dance Terpsichore, the competent epic Calliope, Love Poems for the Erato, the gods in charge of the hymns, as well as Polyhymnia Lyrics for the nine goddess of Euterpe

经常直接借用的词语主要有：the Fates命运之神，由纺织生命线的Clotho、安排命运的Lachesis和剪断生命线的Atropos三位女神组成；the Erinyes复仇女神，由Tisiphone、Megaera和Aleeto三位女神组成；the Muses文艺女神，有主管历史的Clio、主管天文的Urania、主管悲剧的Melpomene、主管喜剧的Thalia、主管舞蹈的Terpsichore、主管史诗的Calliope、主管爱情诗的Erato、主管神灵赞美诗的Polyhymnia 以及主管抒情诗的Euterpe九位女神组成

This thesis tries to analyze 'Carmen' by reviewing the characteristics of its musical score and the imagination of the character. The score in 'Carmen' applied the strong march and the local folk dance rhythm, sequence of beautiful melodies appeared time and again. Within the whole opera, Bizet illustrated the minute psychological changes of the character and the motifs by excellently using the elegant rhythmic expressions in a variety of styles; and he also used a different ploy to imply the development of tragedy.

本文试图通过对歌剧《卡门》中的音乐特征和人物想象进行分析，《卡门》里面运用了强烈的进行曲节奏和具有地方风格的舞曲节奏；优美的旋律层出不穷，比才很好的用优美的旋律体现把人物微小的心理变化；主导动机都以不同的形式贯穿全剧，对悲剧的发展作了不同手法的暗示。

Most critics mainly draw their attention to the analysis of the motif of the work, technique of writing and male characters of this novel. As for the female characters, they just mention them briefly. To the central character Caddy, they either give her a few words or simply take her for a frivolously dissolute woman. Few people try to scrutinize her tragic life and find the real cause of her tragedy. Few can feel her suffering in the course of the struggle against the patriarchal system and reconstruction of female's selfhood.

这部小说一直是评论家关注的焦点，然而他们的注意力大多集中于分析作品的主题、表现手法、男性角色等，而对于小说中的女性角色则较少关注，特别是小说的灵魂人物凯蒂，他们要么是一笔带过，要么是简单地把她归类为一个轻佻放荡的堕落女性，而很少能真正切入她悲剧的人生轨迹，去剖析并体验这位开始觉醒的女性在反抗男权专制、重构女性自我的艰难历程中所受到的磨难与所进行的挣扎。

Before the late 18~ century, the difference between tragedy art and other arts are the following: first, the action of organizing tragic plot, followed by tragic character and tragic response Katharsis.

在18世纪末以前，悲剧艺术与其他艺术的区别：首先在于行动即组织悲剧情节，其次在于摹仿的对象悲剧人物、悲剧反应卡塔西斯。

Quite an excellent repast consisting of rashers and eggs, fried steak and onions, done to a nicety, delicious hot breakfast rolls and invigorating tea had been considerately provided by the authorities for the consumption of the central figure of the tragedy who was in capital spirits when prepared for death and evinced the keenest interest in the proceedings from beginning to end but he, with an abnegation rare in these our times, rose nobly to the occasion and expressed the dying wish that the meal should be divided in aliquot parts among the members of the sick and indigent roomkeepers' association as a token of his regard and esteem.

这些容器装满后，就由他运到那家慈善机构去。当局还用意周到地为这场悲剧的中心人物提供了一份丰盛的膳食，包括火腿煎鸡蛋，炸得很好的洋葱配牛排，早餐用热气腾腾的美味面包卷儿，以及提神的茶。他精神抖擞，视死如归，自始至终极其关心这档子事的种种细节。他以当代罕见的克制，不失时机站起来，慷慨激昂地表明了自己临终的一个愿望：要求将这份膳食平均分配给贫病寄宿者协会的会员们，以表示他对他们的关怀和敬重。

This thesis intends to use a feminist perspective to analyze Caddy and other female characters. From the descriptions of her brothers', we sense the female's muteness and absence. By obliterating male's language hegemony, we can visualize an oppressed female image and see her endless efforts to fight against sexual oppression and reconstruct her female subject.

本文力图用一种新的女性视角去感悟女性的缄默与缺席，以期掀起男权主义的面纱，沥去男性话语霸权的喧嚣，从凯蒂的兄弟有关凯蒂的片言只语的叙述中连缀起她的支离破碎的形象，深入挖掘造成以她为代表的女性悲剧的真正原因，展现她们为反抗性别压迫、构建女性主体所做出的不懈努力。

The red light was accompanied by a snatchy conversation of a woman making a phone call in an affected accent. Afterwards it was a man on the phone, talking the same thing as the woman. And then the blue light was on, there came thought the sound of turning pages of the ancient book, and the sound of tearing up papers.

这是一部温和的作品，其中的诙谐也好，反讽也罢，都是沉寂、静态而内省的，但艺术家的真实意图仍然可以被明确地捕捉到：当那双手翻动古书时，其影像的表现是端庄的，肃穆的，甚至带有悲剧的色彩--这是对已逝去的文化传统美学传统的当代性致意。

While theater scholars and historians have focused the critical lens largely on the heroic and tragic creations of the world stage, ordinary spectators have frequently doted on these creations' laughter-provoking counterparts. Actors playing the cunning valet Arlecchino from the commedia dell'arte or the conceited Malvolio in Shakespeare's Twelfth Night had devoted fans in the 17th century.

当今世界上，正当戏剧研究者和史学家将大多数的注意力放到正剧和悲剧的创作上时，我们的大众却不断的对作品的喜剧效果情有独钟，这使他们极为不快。17世纪，在莎翁名剧&十二夜&中扮演狂妄的Malvolio的演员拥有无数拥趸。

Subsequently, based on the free spirit and unrestrained personality in Qu Yuan and in the tradition of Li Sao, these writers surpass themselves and make the image abundant with new significances. The traditional figure of self-query, of self-exile, and self-criticism, not only passes beyond the tradition of national tragedy, but also retrieves the essence of self-examination. Thus, these writers have obtained more freedom to interpret "Qu Yuan", and the tradition of Qu Yuan in oversea Chinese literatures has been reconstructed with modernity.

之后，借重于屈骚传统中的自由精神、狷狂人格展开自我超越的思路，使新马作家笔下的屈原形象不断呈现新的丰富含义，其自我质疑、自我流放、自我反省不仅走出民族悲剧的屈原传统，而且寻回了&内省&本质，获得了&屈原&言说的更大自由，海外华人文学中的屈原传统也由此得到了一种现代性的建构。

Through the situation of these two personages , let us see how two drops of broken soul moan in the agony, struggling in the despair, the man Dyer in Metz is in a sky of one's own top of the head, having lifted the storm that himself can't be put down again, special heart of sea silk is perplexed , the suspicion and dementia stir the dark sky of she herself's top of the head, the difficulty of the situation of inner world situation and external environment condition, has been destined their tragic final result.

透过这两个人物的处境，让我们看到了两颗破碎的心灵怎样在痛苦中呻吟，在绝望中挣扎，丁梅斯代尔在自己的头顶的一片天空上，又掀起了他自己无法平息的风暴，海丝特内心的迷惘、猜疑和疯狂则也搅暗了她自己头顶的天空，内心世界处境和外部环境的处境的艰难，注定了他们悲剧的结局。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。