悲剧因素

Before giving a name to that other spectator, let us stop a moment and call to mind what we have said earlier of the incommensurable and discrepant elements in Aeschylean tragedy.

在指出这另一个观众的名字之前，让我们稍停片刻。回忆一下上文讲过的，埃斯库罗斯悲剧本质中一些不调和与不可测的因素所产生的印象。

This article attempted to take this feminine community as the research object, and union social environment and characters intrinsic factor to analyzes the root of the feminine tragedy that time.

本文试图以这1女性群体为研究对象，结合当时的社会环境与人物的内在因素来探析造成那个时代女性悲剧的根源。

Brought into contact with tragedy, the elements of our being fall, for the moment at any rate, into an ordered and beautiful pattern, as the iron filings arrange themselves under the influence of the magnet.

一旦与悲剧相接触，我们生命中的种种因素，至少在这短短时刻，便纳入一种井然有序、异常美好的规范之中，正如铁屑在磁体的吸引下聚拢起来一样。

Euripides' basic intention now becomes as clear as day to us: it is to eliminate from tragedy the primitive and pervasive Dionysian element, and to rebuild the drama on a foundation of non-Dionysian art, custom and philosophy.

从悲剧中排除这种原始的万能的酒神成份，并且在非醉境的艺术、道德观和世界观上建立一种新的纯粹的因素：——这就是现在了如指掌地揭露在我们眼前的欧里庇德斯的倾向。

Chapter 2 centres around the spiritual contents of her works. It penetrates through the skin to their core, that is, the tragic sense. Her works take the most ordinary people as characters. Unexpectable elements befall on these people, change their fate considerably. The helplessness of being fooled by destiny overshadows most of her works, leaving readers sign in vain. Then, her portrayal of characters bears a tinge of rootlessness, unsteadiness loneliness, filling the works with deep pensive mood. And finally, she exposes the ugliness of man from this covering of brilliance. Man dares not face his true being. What he shows and sees of himself tends to be his bright side. But his ugly side steels out, which gives himself a deadly blow.

第二章围绕作品的精神内蕴展开论述，侧重于由表及里的层层挖掘，悲剧意识构成王安忆作品精神内蕴的核心，其作品多写芸芸众生，在展现这些人的人生际遇时，难以预料的偶然因素总是改变着他们的命运，宿命感使作品笼罩在虚无的阴影之中，令人怅然；其次作家在写人物时，那种无根的漂泊感、孤独感，使作品有着深深的悲凉意蕴；再次就是对隐藏在绚烂表象之下的人的丑陋本质的发现，人总是无法面对自己真实的存在，看到的或表现出的总是冠冕堂皇的一面，但是那丑陋的一面总会在不经意中呈现出来，给人以毁灭的打击。

The absurd comedy is an ultra-morphology that makes the base on the tragicomedy and ironic comedy, it merges the feelings stimulating function of the two theatricals that results in the feelings tending to bereavement for their colliding with each other.

荒诞喜剧也可以说集悲剧和喜剧于一体的喜剧，它把这两种戏剧类型的情感激发功能加以融和，最终致使情感因素互相抵触而趋于丧失。

Based on the dramatic social change and other factors, unfortunately, Willa Cathers love stories are often tragic and lacking in romance.

但是很遗憾的是由于凯瑟的爱情故事常常处于激变的社会年代，再加上其他一些必要的因素，那些故事的结局通常是具有某种悲剧意味，同时也缺乏浪漫。

Tess' tragedy coagulates with much more different color of the society and person. It destroys this daughter who was born in nature, and owned man's simple natural character.

苔丝的悲剧凝聚着社会和个人多重色彩，各种复杂的因素交织成种强大的压力，摧毁了这位生于自然，具有大地般朴实本性的女儿。

Tess' tragedy coagulates with much more different color of the society and person. It destroys this daughter who was born in nature, and owned man's simple natural character.

苔丝的悲剧凝聚着社会和个人多重色彩，各种复杂的因素交织成一种强大的压力，摧毁了这位生于自然，具有大地般朴实本性的女儿。

The classic form of the tragic hero always has one flaw that ultimately brings about his downfall.

构成典型的悲剧英雄的重要因素总是一个足以导致他们最终走向衰落的缺点。

In the negative and interrogative forms, of course, this is identical to the non-emphatic forms.

。但是，在否定句或疑问句里，这种带有"do"的方法表达的效果却没有什么强调的意思。

Go down on one's knees;kneel down

屈膝跪下。。。下跪祈祷