恐惧地

Leaning my face against the left side of his flesh, I place my right hand gently now upon his belly, hoping not to wake the horrors of that half- forgotten sense.

我的脸靠在他身体的左侧，我温柔地把右手放在他的小腹上，希望不要唤起那半被遗忘的恐惧。

And I began to run towards the anchorage, my terrors all forgotten; while, close at my side, the marooned man in his goatskins trotted easily and lightly.

我一下子把所有的恐惧都抛到了脑后，开始向大船停泊的地方跑去，那个穿山羊皮的被放逐的水手轻松地跑在我的身边。

And I began to run towards the anchorage, my terrors all forgotten; while, close at my side, the marooned man in his goatskins trotted easily and lightly.

于是我开始朝着锚地跑去，把恐惧都忘在了脑后；而就在我身边，那个被放逐的破衣烂衫的水手也跟着轻松地小跑着。

The groupers in another group were requested to keep their diaries earnestly everyday, including their fear and aches.

另外的一组被要求每天认真地写日记，包括他们的恐惧和疼痛。

But as the song surged up in increasing loudness, even the most timid lost their fear and joined in, and all the things that King had said at the meeting in the ballroom, things that they hadn't believed or had only half-believed, became suddenly and powerfully true.

但是当歌声越来越响时，连那些最胆小的人也没有什么恐惧了，他们也跟着唱起来，金在舞厅里开会时所说的一切，那些他们曾经不相信或半信半疑的话，忽然很有力地变成是真的了。

He saw her yearning, hungry eyes, and her ill-fed female form which had been rushed from childhood into a frightened and ferocious maturity.

他看见她那期待的眼神和她那营养不良的女性的身子。那身子正带着恐惧匆忙而残忍地成熟起来。

He saw her yearning, hungry eyes, and her ill-fed female form which had been rushed from childhood into a frightened and ferocious maturity; then he put his arms about her in large tolerance and stooped and kissed her on the lips.

他看见她那期待的眼神和她那营养不良的女性的身子。那身子正带着恐惧匆忙而残忍地成熟起来。

Similarly, an experiment carried out in Long Island a few years ago, which was intended to produce a form of matter known as strange quarks, caused a few imaginative worrywarts to fear that the entire planet would be converted into subatomic particles called strangelets.

同样地，几年前在长岛进行了一次实验，旨在制造一些名为&奇夸克&的物质形态。这次实验也引起了一些杞人忧天的恐惧，害怕实验会将整个地球变成一种名为&奇异滴&的亚原子粒子。

A melancholy song trip upon trenchers, and dance upon dishes, my mother sent me for some barm, some barm; she bid me go lightly, and come again quickly, for fear the young men should do me some harm.

忧郁歌 在挖沟者之上跌倒，而且跳舞在盘子之上，我的母亲为一些酵母泡送我，一些酵母泡；她竞标我轻轻的去，而且很快地再一次来，对于恐惧年轻的男人应该对我有害。

Then in that blessed stillness my terrors fell little by little away, and I was at peace and slept

然后在那可喜的清静之中，我的恐惧心理慢慢地消除了，我才安心睡了觉。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。