恐惧地

But if, in your fear, you would seek only love 's peace and love's love' love' pleasure, then it is better for you that you cover your nakedness and pass out of love 's threshing-floor, into the seasonless world love' where you shall laugh, but not all of your laughter, and weep, but not all of your tears.

但是，如果你在恐惧之中只想寻求爱的平和与快乐，那你就最好掩盖真实的自我，避开爱的考验，进入不分季节的世界，在那里你将欢笑，但并非开怀大笑，你将哭泣，但并非尽情地哭。

Yes, Thurber, I decided long ago that one must paint terror as well as beauty from life, so I did some exploring in places where I had reason to know terror lives.

Thurber，我多年前就认定，如果美值得被人欣赏，那么恐惧也应该被膜拜，我因此曾花了不少时间到处寻找它的栖息之地。

The shark and tiger simply take on the fear of the human and act accordingly.

鲨鱼和老虎简单地接收人类的恐惧并对此做出行动。

The shark and tiger simply take on the fear of the human and

鲨鱼和老虎简单地接收人类的恐惧并对此做

It was with fear, and tremulously, and, as it were, by a slow, reluctant necessity, that Arthur Dimmesdale put forth his hand, chill as death, and touched the chill hand of Hester Prynne.

阿瑟 -丁梅斯代尔恰恰是心怀恐惧，周身战抖，并且事实上缓慢而勉强地伸出他那死人一般冰冷的手，触摸到海丝特-白兰的发凉的手。

It let her to be caught unawares and she does not know how she can do.

但是灰尘是不断地汹涌进屋子里，这时他感到无比的恐惧，他措手不及，他不知道该怎麽办。

It went undiscussed, but they each knew the other was touched by a profound fear of the uncanny.

对于城中近期接连发生的诡异事件，虽然嘴上谁也不说，三位将军却都意识到了各自心中的恐惧，大家心照不宣地保持着沉默的姿态。

It went undiscussed,but they each knew the other was touched by a profound fe ar of the uncanny.

对于城中近期接连发生的诡异事件，虽然嘴上谁也不说，三位将军却都意识到了各自心中的恐惧，大家心照不宣地保持着沉默的姿态。

Nbsp; It went undiscussed, but they each knew the other was touched by a profound fear of the uncanny.

对于城中近期接连发生的诡异事件，虽然嘴上谁也不说，三位将军却都意识到了各自心中的恐惧，大家心照不宣地保持着沉默的姿态。

He wondered uneasily what it meant, and began to feel vaguely apprehensive.

他心神不定地问自己：这到底是什么意思呢？他开始感到一种莫名其妙的恐惧。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。