恐惧地

Although impressively mounted on a reduced budget of $40 million, rather than the $70 million originally mooted when Brad Pitt was committed to the Jackman role, it almost becomes submerged in its own earnest pretentiousness and po-faced seriousness of intent.

其它： 一段创世纪里隐秘的永生，一株开在坟墓之上生命之树，一群奇异的玛雅武士、一艘球状的太空飞船，在阿洛诺夫斯基宏大的神秘幻想里，他野心勃勃地剖析着对死亡的恐惧和对永生的希冀。

She had an idea, for it was her ambition, that she successfully made a secret of that awkward oddity her proneness to be rendered unhappy by the presence of the dreadful.

她有一个想法，为了这是她的志向，她成功地做了那笨拙怪异秘密她的容易由出现令人恐惧使怏怏不乐。

Put it simply, that means fear of growth, which originates from a hypothesis in psychodynamics that people are not only afraid of failure, but also success, revealing a pathetic fear of one's greatness.

简单地说，就是对成长的恐惧。它来源于心理动力学理论上的一个假设：人不仅害怕失败，也害怕成功。

It is necessary to continuously pull out and throw away those weeds of fear, doubt and anxiety as soon as they appear.

不断地除掉一些不适合生长的种子----恐惧的，疑惑的，焦虑的才能使你心灵的花园郁郁葱葱。

It is necessary to continuously pull out and throw away those weeds of fear, doubt and anxiety as soon as them appear.

那些恐惧、疑惑与焦虑的野稗一长出来，就要持之以恒地把它们拔除扔掉。

It is necessary to continously pull out and throw away those weeds of fear ,doubt and anxiety as soon as theyappear .

那些恐惧、疑惑与焦虑的野稗一长出来，就要持之以恒地将它们拔除扔掉。

It is nece ary to continuously pull out and throw away those weeds of fear, doubt and anxiety as soon as they a ear.

那些恐惧、疑惑与焦虑的野稗一长出来，就要持之以恒地把它们拔除扔掉。

It is also used as a purifier of scared space.

用它来净化污秽恐惧之地。

It can't be true, she thought vehemently, trying to push back the fear.

这不可能是真的，她热切地想，试着把恐惧挡回去。

This kind of fear causes reader's deep thinking more.

这种恐惧更多地引起读者深沉的思考。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。