恋

But the bottle gourd remind you in time:The net feeling net love and love deeply love again really love again again sweet, had better don't meet.

但葫芦及时提醒你：网情网恋，恋得再深，恋得再真，恋得再甜，最好是不要相见。

Each kind of story type also disclosed the author to love present situation exposure and the fantasy, the human god loves through the goddess makes accommodation on own initiative, every male accepted passively deducts imaginary really also fuzzily is also in love withfeel deeply attached to, has stayed people's strong ethics morals thought; The human ghost loved unfolds the human nature which unreasoning passion demoness wooed boldly to be beautiful, had reflected the Wei Jin time people to the pursue and the manner which was in love withfeel deeply attached to; The mortal loves to the reader brings a sound inspiring to sigh sighs, appreciates the mortal to love the surmounting life and death the difficulty.

每种故事类型又透露出作者对爱情现状的揭发和幻想，人神恋通过神女主动俯就，凡男被动接受来演绎亦真亦幻的模糊爱恋，寄寓了人们浓重的伦理道德思想；人鬼恋展现了痴情女鬼大胆求爱的人性美，反映了魏晋时代人们对爱恋的追求和态度；凡人恋给读者带来一声声可歌可泣的喟叹，体味凡人之恋超越生死的艰辛。

Each kind of story type also disclosed the author to love present situation exposure and the fantasy the human god loves through the goddess makes accommodation on own initiative every male accepted passively deducts imaginary really also fuzzily is also in love withfeel deeply attached to has stayed people's strong ethics morals thought; The human ghost loved unfolds the human nature which unreasoning passion demoness wooed boldly to be beautiful had reflected the Wei Jin time people to the pursue and the manner which was in love withfeel deeply attached to; The mortal loves to the reader brings a sound inspiring to sigh sighs appreciates the mortal to love the surmounting life and death the difficulty.

《搜神记》作为古代第一部较多涉及爱情领域的志怪小说，里面的爱情故事包含了人神恋、人鬼恋、凡人恋三种爱恋类型。每种故事类型又透露出作者对爱情现状的揭发和幻想，人神恋通过神女主动俯就，凡男被动接受来演绎亦真亦幻的模糊爱恋，寄寓了人们浓重的伦理道德思想；人鬼恋展现了痴情女鬼大胆求爱的人性美，反映了魏晋时代人们对爱恋的追求和态度；凡人恋给读者带来一声声可歌可泣的喟叹，体味凡人之恋超越生死的艰辛。

The first is a discussion of "anxiety" and "depressing memory" from the level of psychology, spirit and culture, which are regarded as both obstacle and impetus of self-identity. Next is self-identity's image cast upon intimate relationship, that is, Electra complex, Oedipus complex, homosexuality and heterosexuality among women. The last is an analysis of narcissism that is the source and result of the above intimate relationship, which from individual narcissism to a age's or cultural narcissism, that is from sub-consciousness to historic scene, directly results in the plight of women writers and their writings.

首先对作为自我认同的障碍和动力因素的"焦虑"和"创伤性记忆"进行了心理、精神和文化层面的论析；其次对自我认同在亲密关系建立上的具象投射进行了分析和论证，即女性自我所表现出来的恋父情结、恋母情结、同性恋情结和异性恋，并指出其在女性写作发展中的历史表现；最后对作为以上亲密关系的根源和结果的自恋情结进行了分析，从个人的自恋到时代和文化的白恋，即自恋的从潜意识场景到达历史场景，直接造成了女性写作者和女性写作本身的困境。

In a way, this is a funny question for a necrophile to pose himself. A pedophile cannot become a child, a shoe fetishist cannot become a shoe, but a necrophile can and does flip over to the other side.

对于恋尸癖来说，把自己设身处地于这样的问题，以某种方式来看是有趣的：一个恋童癖不能变成儿童，一个恋鞋癖不能变成鞋子，可恋尸癖能而且真正地成为另一端的东西。

Vinci is narcissistic, therefore, his own image is revealed in processing of his beloved works; Michelangelo is narcissistic and his works David and God Hand is filled with ineffable energy and vigor, presenting to be strong in inspiration and homoerotism sense "comprehension by the bosom friend" is revealed as well; Stein is narcissistic and her elaboration "when narcissism becomes to be a kind of virtue" could be called modern sutra; Magritte Duras is narcissistic, she admits frankly that "she is a complete narcissistic fascination"; Zhang Xiaogang is narcissistic, he could be called an artist living in his own world and his world is filled with narcissism; Clemente is narcissistic, who observes his own body with the view of a spectator and analyze his own inner world….

达芬奇是自恋的，因此在处理他心爱的作品时总会流露出自己的影子；米开朗基罗是自恋的，《大卫》与《上帝之手》充满了令人不可言喻的能量与活力，不仅感染力深，而且透露出"知者得其味"的同性恋情感；格特鲁特·斯泰因是自恋的，她的论述"当自恋成为一种美德"堪称巴黎艺术界的经典；玛格丽特·杜拉斯是自恋的，她坦承"自己就是个彻底的自恋狂"；张晓刚是自恋的，他是活在自己世界的艺术家，他的世界总有些自怜的情节；克莱门特是自恋的，他以旁观者的角色来观察自己的躯体，剖析自己的内心世界……。

In light of Edgar Allan Poe's personal love experience,we find that many of his male characters undergo a psychological process from Oedipus complex to narcissism,to fetishism and to necrophilia while his female characters are primarily treated as "the other" who merely serves as the object for male observation and their exercise of sentimental intoxication,therefore the doomed

以爱伦·坡的情感经历作为参照，对其怪诞小说中的两性关系进行分析，我们发现作者笔下的男性经历着一个由恋母到自恋甚至恋物、恋尸的畸形心理演变过程；女性则多属于男性自我陶醉而创造的"他者"，这一角色定位和她们终被谋杀的厄运，都折射出男权思想的严酷。

In light of Edgar Allan Poe's personal love experience,we find that many of his male characters undergo a psychological process from Oedipus complex to narcissism,to fetishism and to necrophilia while his female characters are primarily treated as "the other" who merely serves as the object for male observation and their exercise of sentimental intoxication,therefore the doomed victim of murder when analyzing the gender relation in his grotesque tales.

以爱伦·坡的情感经历作为参照，对其怪诞小说中的****关系进行分析，我们发现作者笔下的男性经历着一个由恋母到自恋甚至恋物、恋尸的畸形心理演变过程；女性则多属于男性自我陶醉而创造的"他者"，这一角色定位和她们终被谋杀的厄运，都折射出男权思想的严酷。

In light of Edgar Allan Poe's personal love experience, we find that many of his male characters undergo a psychological process from Oedipus complex to narcissism, to fetishism and to necrophilia while his female characters are primarily treated as "the other" who merely serves as the object for male observation and their exercise of sentimental intoxication, therefore the doomed victim of murder when analyzing the gender relation in his grotesque tales. The fate of those female characters reflects the relentlessness of Poe' zs patriarchal ideology.

以爱伦坡的情感经历作为参照，对其怪诞小说中的两性关系进行分析，我们发现作者笔下的男性经历着一个由恋母到自恋甚至恋物、恋尸的畸形心理演变过程；女性则多属于男性自我陶醉而创造的"他者"，这一角色定位和她们终被谋杀的厄运，都折射出男权思想的严酷。

They showed us that no matter whom we choose to love, be the heterosexual, homosexual,asexual,bisexual,trisexual,quadrisexual,pansexual, transsexual, omnisexual,or that thing where the chick ties the belt.

而最重要的是，他们向我们展示了无论我们决定爱谁，异性恋，同性恋，无性恋，双性恋，三性恋，四性恋，泛性恋，变性恋，全性恋，或者是哪个所谓的人兽恋。

For a big chunk of credit-card losses; the number of filings (and thus charge-off rates) would be rising again, whether

年美国个人破产法的一个改动使得破产登记急速下降，而后引起了信用卡大规模的亏损。

Eph. 4:23 And that you be renewed in the spirit of your mind

弗四23 而在你们心思的灵里得以更新