怪诞的

This paper analyses three tendency of network pioneer poem,"Sensual Composition","Breakage" and "Ant- elevation"."Sensual Composition" give a hard shock on current poem which had a aged character, but it also interflows with the utility of commercial society."Breakage" brings a valiant tidal current in poem composition, also forms a wild style."Ant- elevation" lead poem to the ground, hoist the flag of criticizing social problem, but it can also fall poem into trap of politics.

论文重点分析了先锋诗学中出现的&肉身化&、&破坏性&、&崇低&等三大倾向，认为&肉身化&写作对当下诗歌写作中陈腐的&中老年&特征进行了一次重大冲击，但客观上也迎合了&消费社会&的功利性；&破坏性&力量带来了一股强悍的诗歌写作潮流，解构、反讽、审丑、怪诞等写作手法形成了一种粗暴的美学风格，但也引发了诗歌写作新一轮的戏噱和狂欢；&崇低&将诗歌写作再度引向&地面&，重举批判现实的大旗，拆解虚伪的假面，但其借助网络所强调的&政治性批判&和对写作&政治禁区&的突破正让它面临沦为意识形态工具的危险。

There has always been, however, a critical tension between Sontags aesthetic ideas and popular culture as she never allows herself to follow the trend in a blind way.

桑塔格早期的小说《恩人》和《死亡套件》是对她理论的诠释，形式的实验旨在创造出一种反常规的美学叙事，两部小说的怪诞和意识探索的模式带有明显的&反对阐释&的设计动机。

Ian Findlay speaks of the richness of Cheng's vision as "a world familiar to us but made unfamiliar through singular juxtapositions;" This world "is also possessed of a certain eeriness, an uncommon and subtle sensation of violence, and an uneasiness of the spirit, which eventually overwhelms any nuances of the romantic or sentimental in his art."

Ian Findlay 说到 Cheng's 的视觉富裕当做&一个世界熟悉的对我们但是透过单数制造不熟悉并排；&这一个世界&特定的怪诞，暴力的不寻常的和敏感感觉和精神的不舒适也被持有，最后淹没他的艺术任何浪漫的或感伤性者的配色。&

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。