怪诞

In the mcantime,the main difference between grotesqueness and absurdness is that grotesqueness is qualified with some kind of creating techniques and styles while absurdness is more concerned about implications and conceptions.

怪诞与滑稽的区别主要在于反常程度、创作态度和审美价值的差异上；怪诞与荒诞的区别在于怪诞更多作为一种创作手法，荒诞更主要是一种观念和意识。

Generally,bizarrerie is characterized with extreme ugliness,funny and amusement,wonderful conception as well as astonishing images.

王小波的怪诞描写的数量和质量均为中国当代文学上乘，他是当之无愧的文学怪诞高手。

Bizarrerie description are spotted in 181 places in WANG Xiao-bo's novels and prose with strict choose according to the characteristics of bizarrerie formation,106 of which appearing in this article.

严格按照怪诞的形态特征进行筛选，王小波小说、散文中共有怪诞描写181个。本文引用原文展示其中的100个。这些怪诞总体上具有丑恶极端，滑稽膨体，构想妙绝，意象惊骇的鲜明特色。

Through the deep-going investigation and superficial analysis to the grotesque phenomenon in some literature works of the world,the paper expounds that grotesqueness is an unfixed notion with consistent changes and provides an initial summary and analysis on the characteristics of aesthetic judgment on grotcsqueness,including the formation principles of abnormality,astonishment mixed with fear and comicality,and the duality of grotesqueness.

曾耀农(1959-)，男，汉族，湖南师范大学文学院教授、博士，主要研究方向文艺学和美学；湖南师范大学文学院中文系，湖南长沙 410081肖莉(1980-)，女，汉族，湖南师范大学文学院学生，主要研究方向文艺学和美学。湖南师范大学文学院中文系，湖南长沙 410081本文通过对中外文学艺术作品中的怪诞现象的探源和浅析，认为怪诞是一个流变的概念。

Doll-dagga buzz-buzz ziggety-zag Got my grotesque burlesque drag Doll-dagga buzz-buzz ziggety-zag Got my grotesque burlesque drag All the goose step girlies with the cursive faces We know it's all braile beneath their skirts A bulletproof biz-op and swing heil I don't really care what gentlemen prefer Say all you pindown girls with bonafied ballers So manically depressed and manically dressed We got a venus not in furs but in uniforms If you're not dancing, then you're dead Doll-dagga buzz-buzz ziggety-zag Got my grotesque burlesque drag Doll-dagga buzz-buzz ziggety-zag Got my grotesque burlesque drag All the thug rock kids are playing All the punk got angels saying Tell all the rest of them we don't even know All the thug rock kids are playing All the punk got angels saying Tell all the rest of them we don't even know GO!

男扮女装怪诞的我——哆呕哒噶、哒噶、嗡嗡、嗡嗡，唧唧喳喳；男扮女装怪诞的我——哆呕哒噶、哒噶、嗡嗡、嗡嗡，唧唧喳喳；有着曲曲弯弯面孔的鹅群像姑娘忸怩地游荡，我们知道他们羽裙子下面所有的玩意展翅高歌纵情交配其实我不在意各位先生更喜欢什么你如此戏玩着女孩的胸部，如此男性式的挤压、挤压我们得到了一个一丝不挂却浑然一体的维纳斯只要你还没有死你一定会欣喜若狂男扮女装怪诞的我——哆呕哒噶、哒噶、嗡嗡、嗡嗡，唧唧喳喳；男扮女装怪诞的我——哆呕哒噶、哒噶、嗡嗡、嗡嗡，唧唧喳喳；孩子们奏着疯狂的摇滚所有庞克摇滚变成了天使的箴言吩咐着那些在他们中我们甚至不认识的人孩子们奏着疯狂的摇滚所有庞克摇滚变成了天使的箴言吩咐着那些在他们中我们甚至不认识的人走！

The second chapter introduces the "grotesquery" beauty in the vision of other cultures and oppugns the opinion that the vcham mask is grotesque. At last, it provides methodology basis for the next chapter, which brings forward the opinion that the beauty is in the situation.

第二章以质疑"羌姆面具是怪诞的"为指针，首先分析了异文化研究者所普遍认为的"羌姆面具是怪诞的"这一观点，进而通过对照西方美学史上对中国艺术的误读而提出质疑，并进一步为下文"羌姆面具：语境之美"的提出，提供方法论上的依据。

So keen and perceptive as to seem preternatural .Of, relating to, or suggestive of the preternatural or supernatural.

怪诞的，超自然的怪诞的或超自然的，有关于怪诞的或超自然的，表明怪诞的或超自然的

Weird.er , weird.est(1) Of, relating to, or suggestive of the preternatural or supernatural.

怪诞的，超自然的：怪诞的或超自然的，有关于怪诞的或超自然的，表明怪诞的或超自然的

Weird.er , weird.estOf, relating to, or suggestive of the preternatural or supernatural.

怪诞的，超自然的：怪诞的或超自然的，有关于怪诞的或超自然的，表明怪诞的或超自然的

Bakhtin points out that the main characteristic of Rabelais writhing is grotesque realism decided by culture of folk humor .

巴赫金认为拉伯雷的创作是一种怪诞的现实主义，其特征是极度的夸张、降格和双重性，而这些特征是源于民间诙谐文化，只有深入了解民间诙谐文化的形式、特征，尤其是它的深层本质，才能对拉伯雷的创作，对怪诞现实主义有更深一层的认识。

The absorption and distribution of chromium were studied in ryeusing nutrient culture technique and pot experiment.

采用不同浓度K2CrO4(0，0.4，0.8和1.2 mmol/L)的Hoagland营养液处理黑麦幼苗，测定铬在黑麦体内的亚细胞分布、铬化学形态及不同部位的积累。

By analyzing theory foundation of mathematical morphology in the digital image processing, researching morphology arithmetic of the binary Image, discussing two basic forms for the least structure element: dilation and erosion.

通过分析数学形态学在图像中的理论基础，研究二值图像的形态分析算法，探讨最小结构元素的两种基本形态：膨胀和腐蚀；分析了数学形态学复杂算法的基本原理，把数学形态学的部分并行处理理念引入到家实际应用中。