怪异的

When Dion Semele moves to Napa, all he wants is to fit in. But his new life soon becomes a twisted nightmare, as mysterious townspeople claim he is the vessel for the resurrection of the god, Dionysus. Soon Dion and his girlfriend Penelope are caught in a battle for control of their souls and their town as malignant forces plunge Napa into an abyss of debauchery and blood.

当一对少男少女初尝爱情的甜蜜时，隐藏了几世纪的古希腊魔咒改变了他们的一切，恐怖的气氛也笼罩了整个城镇，接二连三的谋杀事件使人们陷入了疯狂和怪异，由此引发了一场爱与恨、本能的欲望和理性的良知之间的强烈冲突。

Stressing on "fine reputation","quality","service","credit","practice", not only the grandeur.④Encouraging the innovation, not the unearthliness, playing down the effect of entertainment stars or idols, decreasing the fashion index.⑤"personality" is not the "self central". Social sense of responsibility and interpersonal "feeling of affinity" are both intensified.3.1.2 Factor analysis, revealing 19 value element vectors, which include "comfort","personality","simple","fine reputation","responsibility","service","price","wisdom","distinction","enthusiasm","stimulation","taste","sex difference","quality","vigor","idol","fashion","affinity","aesthetic" and so on. Four orientation diagrams coordinated with the average factors and the standard deviations of these 19 value elements, described the multi directional value orientation structure for China college students' sportswear consumption.3.1.3 Clustering analysis are applied to classify the former 19 value elements, which discovered that three inferior group are classified from the college students' consumption group based on the whole specimen data. It could be the reference of enterprise brand building for the orientation of consumption values.3.2 General personal values, self conception and demographic are lead into as three major variables for the interrelationship analysis of sportswear consumption value system.3.2.1 Firstly, the college students having their general values and existing the inferior group feature regarding to the consumption values.

三、研究的主要成果及其意义对中国大学生休闲服消费价值体系进行探索性分析1、首先对中国大学生休闲服消费价值观量化问卷所调查的样本数据进行频数统计趋向性分析，发现呈现的主要特点有：(1)"个性化"和"简约"已成为潮流，而寻"刺激"、找"激情"总体收敛；(2)追求"美感"，更不放弃"舒适"，两者兼得才是完美；(3)重"美誉"、讲"质量"，重"服务"、讲"信用"，求实际、不求高贵，"明智"有素；(4)求新不求怪异，明星、偶像效应淡化、时尚指数不高；(5)"个性化"不是"唯我化"，社会责任感和人际"亲和力"在强化。2、其次对样本数据进行因子分析，揭示出以"舒适"、"个性"、"简约"、"美誉"、"责任"、"服务"、"价格"、"明智"、"独特"、"激情"、"刺激"、"品位"、"性差"、"质量"、"活力"、"偶像"、"时尚"、"亲和"和"美感"等十九个价值元素为矢量的休闲服消费价值体系，并以因子均值和标准差为参数勾画出19个价值元素坐标四方位图，从总体上描述了中国大学生休闲服消费多维的价值取向结构。3、再者进行聚类分析，对上述十九个休闲服消费价值元素作不同量值的分类，发现在样本总量中可以细分为有较大区分度的三个类别，呈现出大学生消费群体中存在休闲服消费价值体系不同的亚群体，可为以消费价值观为取向的企业品牌价值定位提供参考基谱。

This is not only because the name "Dongxi" is monstrous and his novels are filled with "absurd","humorous" and "human organs", but because they are unique reveals and expressions of two main cultural themes—surviving and disaster—through "direct realism", and are showing stories and morals harmonistically through "straight to the nature", and most important, because Dongxi adopts fresh, unique and successful narrating skills and strategy in his writing.

这不仅是因为&东西&这一笔名的怪异和其小说富含&荒诞&、&幽默&与&身体器官&的特征，还因为东西的小说以一种&直接现实主义&对生存与苦难两大文化母题的独特揭示与表达和一种&直问本心&的人文精神的叙事伦理，更因为东西采用了比较新奇、独特而成功的叙事技巧与叙事策略。

The entire political practice of the present regime, as I have tried to outline it here step by step, confirms that those concepts which were always crucial for its program-order, calm, consolidation,"guiding the nation out of its crisis,""halting disruption,""assuaging hot tempers" and so on-have finally acquired the same lethal(causing or sufficient to cause death)meaning that they have for every regime committed to entropy.

这种现存制度的全部政治实践，像我在这里逐步描绘的，进一步证实了对它的纲领来说总是关键性的概念——秩序、安定、稳固，&带领民族走出危机&&停止分裂&&缓和激烈的情绪&等等——最终得到每一个提交*(这种译法殊为怪异，可译为&委身&)给熵的制度所具有的同样致命的意义。

Since her tenth birthday, Naida had lived in a mental hospital, in the ward where they put people who were strange in shape and ways—where old frail women were tucked under thin frayed bedspreads, waiting for the time when their jaws would drop suddenly in the night; where curious bland children with slit eyes and lips bubbling with saliva played with rag toys or a red wooden engine in a yard that was hidden from the outside world.

从十岁起，奈达就住在了一个精神病院，那些长相怪异，处世疯癫的人们被关在那儿的病房里。在那里，年老体弱的妇人蜷缩在磨损得不成样子的床单下，绝望地等待着在某天晚上咽下最后一口气。在那里，好奇且百无聊赖的孩子们眯缝着惺松的眼，嘴角挂着哈拉子，在他们与世隔绝的小天地－院子里－摆弄着他们的破玩具，或者是，那个红色的木制火车头。

Hence his hatred of photographs, blurbs, potted biographies and all else that might besmirch the plainness of a book-jacket—as well as the increasing weirdness of the work, thousands upon thousands of words about Seymour which both laboured to idolise and failed to describe, culminating in 1965 in "his" letter from summer camp,"Hapworth 16, 1924" in the ever- and over-indulgent New Yorker .

于是就有了他对于书的护封上的照片、宣传推荐语、简短肤浅的作者介绍以及其它可能会玷污其朴实品性内容的憎恶——其作品的愈加怪异就更不用说了：动用千言万语描写西摩只为表达无限崇拜之情，却未能给出一个清晰的人物轮廓。这种絮语式作品的顶峰是1965年&他&从夏令营寄来的信——《哈普沃思16，1924》，发表在对其一贯纵容且过分纵容的《纽约客》杂志上。

Hence his hatred of photographs, blurbs, potted biographies and all else that might besmirch the plainness of a book-jacket—as well as the increasing weirdness of the work, thousands upon thousands of words about Seymour which both laboured to idolise and failed to describe, culminating in 1965 in "his" letter from summer camp,"Hapworth 16, 1924" in the ever- and over-indulgent New Yorker .

护封 上的照片、宣传推荐语、简短肤浅的作者介绍以及其它可能会玷污其朴实品性内容的憎恶——其作品的愈加怪异就更不用说了：动用千言万语描写西摩只为表达无限崇拜之情，却未能给出一个清晰的人物轮廓。这种絮语式作品的顶峰是1965年&他&从夏令营寄来的信——《哈普沃思16，1924》，发表在对其一贯纵容且过分纵容的《纽约客》杂志上。

Civility seems suddenly to assume the garb and the air, and to use the gutturals of barbarism ; legal processes are gone through with the frantic howls and gesticulations of armed Ojibeways ; and while all this, to those who are ignorant of primitive times, seems mere idle pantomime, sometimes silly, sometimes odd, sometimes puzzling by its17 intricacy, to those who are prepared to receive their suggestions, the forms employed are pregnant with meaning and instruction.

文明似乎突然成了装演和旋律，而用着未开化的喉音；法律过程伴着武装的Ojibeways狂乱的吼叫和姿势贯彻；虽然这对那些不了解各原始时代的人，似乎完全只是无聊的哑剧，有时愚蠢，有时怪异，有时由于它的错综复杂而迷惑，而对那些有准备接受它们的暗示的人，所使用的诸形式却蕴藏含义和指示意义。

Hence his hatred of photographs, blurbs, potted biographies and all else that might besmirch the plainness of a book-jacket—as well as the increasing weirdness of the work, thousands upon thousands of words about Seymour which both laboured to idolise and failed to describe, culminating in 1965 in "his" letter from summer camp,"Hapworth 16, 1924" in the ever- and over-indulgent New Yorker.

于是就有了他对于书皮上的照片、宣传推荐语、简短肤浅的作者介绍以及其它可能会玷污其朴实品性内容的憎恶——其作品的愈加怪异就更不用说了：动用千言万语描写西摩只为表达无限崇拜之情，却未能给出一个清晰的人物轮廓。这种絮语式作品的顶峰是1965年&他&从夏令营寄来的信——《哈普沃思16，1924》，发表在对其一贯纵容且过分纵容的《纽约客》杂志上。

This wild, eerily compact novel Roberto Bolao's first work available in English recounts the tale of a poor boy who wanted to be a poet, but ends up a half-hearted Jesuit priest and a conservative literary critic, a sort of lap dog to the rich and powerful cultural elite, in whose villas he encounters Pablo Neruda and Ernst Jünger.

这野生，怪异紧凑小说罗伯托博拉诺的第一部作品中英文版本，讲述了一个可怜的孩子谁想当诗人的故事，但最后还是半心半意的耶稣会教士和保守的文学评论家，是哈叭狗排序有钱有势的文化精英，在他们的别墅，他遇到巴勃罗聂鲁达和恩斯特荣格尔。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了