性爱的

Young people reading this should be reminded that the supple protagonist of The Joy of Sex, Alex Comfort's illustrated 1970s primer for better carnal knowledge, had a beard, and what a time he was having.

读到这里的年轻人应该还记得，《性爱的欢乐》里那位温顺的男主角留着胡须，他所处的是一个什么样的时代啊。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

Barry felt he was a persecuted soul, and he painted himself as various ill-fated characters, most bizarrely ★Philoctetes[9], the sailor whom Odysseus abandoned on the island of Lemnos because he smelled so bad.

巴里的情景画《泪洒科蒂利亚亡体的李尔王》以及他那幅洋溢着性爱的《艾达峰上的朱庇特和朱诺》，现已成为科克城艺术家作品回顾展的一部分。

To young detractors,I will say only this:If orgasm is the pit of the fruit...then lyricism is its flesh.

对于那些年轻的诽谤者，我想说的是：如果性爱的高潮就是水果的核。。。那么抒怀的热情就是它的果肉。

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用户行为--你同意你不会上传，邮派任何提交或ICQ的内容为散发，以便分配或直接连接任何内容 1进攻，粗俗，色情、种族仇恨，歧视，非法、另创的隐私，剥削未成年识别资料未成年指示有关资料或违法活动，这是有害的信息，暴力、威胁、侮辱、骚扰、诽谤、污蔑、曲折、色情或其他不良；骚扰、威胁、虐待、丑化、贬低，造成困扰或尴尬或不适经另；索贿交流、买卖性爱的图象和/或有害物质的未成年人；包括但不限于任何照片、电影、录像、照片或图画或形象或计算机生成。

He does not instinctively realize that a woman generally needs to feel loved and romanced before she can feel her hunger for sex.

他并没有本能地意识到，一个女人在性爱的冲动到来之前，首先需要的是爱情的感觉和浪漫的味道。

Further, the early tangos not only represented a kind of sexual choreography, but often a duel, a man-to-man combat between challengers for the favors of a woman, that usually ended in the symbolic death of an opponent.

在另一方面，早期的探戈不仅是挑逗性爱的舞蹈，同时也是为获得心爱的女人而展开的男人之间的决斗，这种决斗往往以某个对手的象征性死亡而结束。

"Tell him," he spoke, gently blowing into the shell of her ear and sending rippling thrill through her body in tingling and licentiously erotic arousal.

& / &告诉他，他说，逐渐地进入她的耳朵贝壳之内吹而且送在兴奋方面经过她的身体使震颤起涟漪和随便性爱的觉醒。

Emmett's cybersex alter ego appears and gives him the courage to be the strong, tough man he dreams of being.

埃米特虚拟性爱的第二自我鼓励他要变成梦想中的健壮坚强的硬汉。

Still on the medical field, it is a funny sex fact that plenty of sex unblocks a stuffy nose.

还是站在医学的角度来讲性爱的趣事，足够的性行为可以防止鼻子不通气。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。