性感

I mean, this woman was unbelievably sexy, and beautiful, intelligent, unattainable...

我是说，这个女人确实非常性感，漂亮、聪明、难得。。。

I mean, this woman was unbelievably sexy...

我是说，这女人性感

Her lips were full, sultry or sulking, her expression unblinking; she seldom smiled.

她虽然有一双性感饱满的嘴唇，却总是撅着，同时眼睛一眨不眨，面无表情；她很少微笑。

He had a sensual way of uncovering his teeth when he laughed, and his bearing was stupid.

他笑时总是露出性感的牙齿，但他的举止风度却傻乎乎的。

I know how to undress me - Yeah... listen.

我知道怎样性感-听我说。

Rabbit comes standard with 196/65R15 tires on steel wheels covered by sexless, decidedly unhip hubcaps.

"兔子"标配196/65R15（195/65R15 此处估计原文笔误——译者注）轮胎、钢轮毂，带着不性感，很不时髦的装饰罩。

Don't wait until you're in bed with your guy to unleash your sexy beast.

不要等到你的男人在床上时再释放你的性感野兽。

Recently, many foreign researchers found that the tetrodotoxin-resistant voltage-gated sodium channel, Nav1.8, which is expressed only by unmyelinated small-diameter sensory neurons associated with nociception in dorsal root ganglion and trigeminal ganglion, is involved in pain pathways and play a key role. Thus it provides a new idea in pain research.

近年来，国外众多学者发现河豚毒素(tetrodotoxin，TTX)不敏感型(TTX-resistant，TTX-R)电压门控钠通道Na_v1.8与疼痛的关系极为密切，其仅分布在背根神经节(dorsal root ganglion，DRG)和三叉神经节(trigeminal ganglion，TG)中的与伤害性感受密切相关的无髓鞘的小直径感觉神经元胞体上，它为疼痛的研究提供了新的思路。

391 Via Uno 女鞋/ Your feet can be sexy too...

640*393 你的脚也可以很性感。

More importantly, street dances are characterized by emotions simply not found in the ballroom dance: passion, sex, exuberance, and unrestraint.

更重要的是，街舞有着与标准舞不一样的特点：激情、性感、活力四射和自由无拘束。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。