性感

And he's got a sexy voice.

还有他的声音很性感。

I have to say she is a very sexy and beautiful girl, but TCM is my only love!

我不得不说她是一个非常性感和美丽的姑娘，但TCM是我唯一的爱！

If this is your idea of sexy talk...

你觉得这是性感的谈话

She is shapely, romantic and sexy, caring and loving, loyal and devoted to her beloved.

她身材要好，浪漫并性感，关心人和忠诚，对爱人奉献。

Cute, sexy, and love her cat eyes with sharp nose !

可爱，性感，和爱她的猫的眼睛尖鼻子！

Try over clear or nude gloss for a sexy, shimmery look.

尝试添加在透明或裸唇色唇蜜上可制造性感，晶莹剔透的妆容。

If the sheer numbers didn't seem very wearable, Sui balanced them with an extensive array of little silk shirtwaist dresses with puff sleeves and hems ending several sexy inches above the knee.

如果纯粹的数字似乎并不十分耐磨，穗平衡他们与广泛的阵列小丝shirtwaist礼服搭配自卖自夸袖子和hems结束几个性感英寸以上的膝关节。

Young designer Estrella Archs and star designer Lindsay - Luo Han's first collaboration, mini shirt and shocking pink silk, all were Lindsay - Luo Han's sexy style.

年轻设计师Estrella Archs和明星设计师林赛-罗寒的第一次合作，迷你上衣和令人震惊的粉红色丝绸，全显林赛-罗寒的性感风采。

Restricting himself to a palette of black, navy, white, silver, and shocking pink, and keeping the silhouette Edie Sedgwick–short, Lagerfeld came up with a graphic collection in which the space-age sixties and the sexed-up eighties played equal parts.

在色彩上，拉格费尔德恪守了对黑色、海军蓝、白色、银色以及亮粉色的应用；另外，他还沿袭了 Edie Sedgwick 式的短打外形轮廓；除此之外，他还在整个设计过程中引进了60年代的太空时代以及70年代标榜性感的图绘集锦，且两者在其设计中所占的份额相当。

Nicole Phelps的Fendi原文: Restricting himself to a palette of black, navy, white, silver, and shocking pink, and keeping the silhouette Edie Sedgwick–short , Lagerfeld came up with a graphic collection in which the space-age sixties and the sexed-up eighties played equal parts.

"而该位编辑的版本是："整个系列呈现出Karl Lagerfeld经典的黑色，海蓝色，白色，银色和一点亮粉色，服装大多是超短的，Karl Lagerfeld大大发挥了60年代太空装的形象，再加入了80年代性感元素。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。