性感

Today, I thought it would be sexy to surprise my boyfriend by hiding in the closet naked and pouncing on him as he came to get his pants. I never got to the pouncing. Apparently my boyfriend has heightened reflexes so instead I got slapped hard across the face. My ear is still ringing. FML

今天，我想裸体藏在衣柜里并且在我男朋友打开衣柜拿他的裤子的时候打他一下会很性感，然而我根本没达到我的目标，显然，我男朋友反映过度，所以我得到了一个巨大的巴掌，而且我到现在还在耳鸣。

Her pouting lips are always the main attraction in her face.

她那微噘的性感双唇是她的脸的魅力所在。

He's kind of got that sexy, intellectual, preppy thing going on.

他看上去很性感，理智，有预知力。

Yes they truly are The Beautiful People but their sexiness as portrayed to the world is manufactured and presumptive.

不错，他们当然是潇洒漂亮，可他们所展现世人面前的性感，那是按照既定的标准，经过包装制作的。

I'm attracted to women who dress in provocative clothes.

我会被穿着火辣性感的女人吸引。

You'd have to be a prude to not to want something "sexy" or to not to want sex, according to pop culture.

根据流行文化的说法，你可能必须装出一副不想要"性感"东西或者不想要"性"的假正经模样。

Of or relating to the third stage of psychosexual development in psycholanalytic theory during which the genital organs first become the focus of sexual feeling .

性器期的在精神分析理论中性变态发展的第三个阶段，此时生殖器官首次成为性感受的焦点；或与之有关的

I went from a down-to-earth surfer girl, to a sexy punker chick.

我从一个认真的冲浪女孩，变成一个性感的叛逆少女。

Coleridge的词条前再加一条Purchas的词条,如下::: Purchas his Pilgrimage, or Relations of the World and the :: Religions observed in all Ages and Places discovered, from the :: Creation unto this Present...

的诗是英语中最为性感的，这不过是一个品味问题。我们要关心的是Purchas这个人，Coleridge在写这首诗的时候并不是在读马可波罗的游记，而是在读Purchas的书。

The flower purfle which handle myself impenetrate the collection is the brilliant point.

褶皱及贴身设计突出曲线，性感且个性十足。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。