性感

Dolls were said to be sexist and should be passe.

据说是最性感的道尔斯应当成为过去

An estimated total of 4000 pairs of underwear were handed out to passersby by scantily clad street models.

大约有4000套内衣被性感的街头模特分发给路人。

Even evaluating my MBA qualitatively leaves so much unsaid - it is a bit like describing the "sexy move" on the Patagonian ice climb: you really have to be there and do it to fully get it.

就连对我的MBA学习进行定性评估都是那么难以言喻——就有点像描述在巴塔哥尼亚冰川攀登的"性感移动"：实在要身临其境，才能充分领会。

How can one resist the pure black patent leather, that sultry red sole and god-knows-how-high heel?

一个人如何抗拒这黑色的亮皮，那\性感的红色鞋底和那高跟？

For every stunning, smart, well-coiffed, hot woman over 40,there is a bald, paunchy relic in yellow pants

相对於每一个性感、迷人的40岁以上的女人，就有一个秃头凸肚的熟男

For every stunning, smart, well-coiffed, hot woman over 40,there is a bald, paunchy relic in yellow pants making a fool of

相对於每一个性感、迷人的40岁以上的女人，就有一个秃头凸肚的熟男

Paunchy relic in yellow pants, making a fool of himself with some 20-year old waitress.

相对於每一个性感、迷人的40岁以上的女人，就有一个秃头凸肚的熟男，厚脸皮地跟

For every stunning, smart, well-coiffed, hot woman over 40, there is abald, paunchy relic in yellow pants making a fool of himself with some

相对於每一个性感、迷人的40岁以上的女人，就有一个秃头凸肚的熟男，厚脸皮地跟

As he observed with a sigh, 'I've just learned that a bald, paunchy man in his forties is a sex symbol.

他感慨道：我现在才知道，原来四十多岁，秃顶，腆着个大肚子（这就是他老兄当年的形象），这就是性感的标志啊。

For every stunning, smart, well-coiffed, hot woman over 40, there is a bald, paunchy relic in yellow pants making a fool of himself with some 20-year old waitress.

相对於每一个性感、迷人的40岁以上的女人，就有一个秃头凸肚的熟男，厚脸皮地跟小他20岁的美眉调情。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。