思想感情

He found that the newspaper storiette should never be tragic, should never end unhappily, and should never contain beauty of language, subtlety of thought, nor real delicacy of sentiment.

他发现报纸小故事不能是悲剧，必须有大团圆结局；语言不必美，思想不必细致，感情也不必微妙，但一定要有感情，而且要丰富，要纯洁高贵，要是他少年时在剧院廉价座位上为之大喝其彩的那种感情——那种"为了上帝、祖国和国王"的感情，"穷归穷，要穷得志气"的感情。

He found that the newspaper storiette should never be tragic, should never end unhappily, and should never contain beauty of language, subtlety of thought, nor real delicacy of sentiment. Sentiment it must contain, plenty of it, pure and noble, of the sort that in his own early youth had brought his applause from "nigger heaven"- the "For-God-my- country-and-the-Czar" and "I-may-be-poor-but-I-am-honest" brand of sentiment.

他发现报纸小故事不能是悲剧，必须有大团圆结局；语言不必美，思想不必细致，感情也不必微妙，但一定要有感情，而且要丰富，要纯洁高贵，要是他少年时在剧院廉价座位上为之大喝其彩的那种感情--那种"为了上帝、祖国和国王"的感情，"穷归穷，要穷得志气"的感情。

The first level of energy is defined by feelings of apathy and thoughts of victimization.

第一级能量是根据冷漠的感情和牺牲他人的思想而定义的；第二级能量的人怀有愤怒的感情和对抗的思想；人的能量级别越高，他的感情和思想也就更加积极。

This essay analyzes how the Iceberg Principle is reflected in Hemingway's "A Clean, Well-lighted Place", Presented in four parts: a brief introduction to the whole essay; major contents of the Iceberg Principle; a textual analysis of the short story in terms of style, images, emotions and thoughts, and a summary in the final part.

本文旨在分析&冰山原理&是如何体现在海明威的《一个干净明亮的地方》这一短篇小说中。全文包括四个部分：第一部分是对整篇论文的简要介绍；第二部分阐述了&冰山原理&的主要内容；第三部分是从&冰山原理&的四个特点，即从文风，形象，感情和思想的角度所进行的文体分析，最后一个部分是一个全文的总结。关键词：冰山原理；简洁的文风；鲜明的形象；丰富的感情；深刻的思想

Ji Kang is free to spirit clinging, make oneself thought feeling and lay, be in power person form contrary situation.

嵇康对于精神自由的执著，使自己的思想感情和世俗、当政者形成对立的局面。

Many grammarians have contributed a lot to the teaching grammar of Chinese teaching as a foreign language .

这种学习要求对所学语言进行高层次的决策和处理，能够使用特定的方式去调用认知能力，包括表达思想感情，表达合乎语境的，合乎行事目的的正确语言形式等。

The tune, which is based on full-bodied li race folk tone and the rhythm of li race dance characteristic, describes a warmth and exciting picture of li race people seeing off delegates to go to beijing and expresses proud and happy of li race people and get-up-and-go feelings. li race people use their special ways to show their love for their mother nation.

音乐以浓郁的黎族民间音调和具有黎族舞蹈特色的节奏为基础，描绘了黎家人民欢送代表上北京的热烈而激动的场面，表达了黎族人民喜悦自豪、积极向上的思想感情，黎家人民用他们特有的方式表达了自己对祖国母亲的热爱。

The author has limited the topic to only five of the new approaches:1 the reaction to the Romantic criticism by the historical critics, 2the attacks on the "God of Idolatry" by the unbradleyan critics, 3the revelation of Shakespeare s temperament by linguasymbolic critics, 4the study of Shakespeare s motivation for his dramatic creation by the psychoanalytic critics, and 5the selfportrait of Shakespeare by Rowse.

他们以纯粹审美的观点来研究剧作中人物的思想感情和一言一行，企图从中发现莎翁深刻的、首尾连贯的戏剧意图，并且根据人物的内心规律来解释人物的一切表现。这些有着敏锐批评洞察力的浪漫派莎评家们依靠自己的艺术直觉把握莎士比亚，揭示了莎士比亚在戏剧手法和人物刻划方面的惊人天赋；但这种莎士比亚评论最后发展成了莎士比亚崇拜。

There is the little domestic scenery of the well-known apartment;the chairs,with each its separate individuality;the center-table,sustaining a work-basket,a volume or two,and an extinguished lamp;the sofa;the book-case;the picture on the wall--all these details,so completely seen,are so spiritualised by the unusual light,that they seem to lose their actual substance,and become things of intellect,Nothing is too small or too trifling to undergo this change,and acquire dignity thereby,a child's shoe;the doll,seated in her little wicker carriage;the hobby-horse-whatever,in a word,has been used or played with during the day is now invested with a quality of strange ness and remoteness,though still almost as vividly present as ba daylight.

小小的房间里一切都是那么熟悉：一把把椅子，每把都有不同的特征，一张中心桌，上面放着一袋工具包，一两卷册，一盏熄灭的灯，沙发，书柜，强上壁画--所有的这一切尽收眼里。在月光的照射下，他们仿佛有了灵性，失去了实体，蕴含了思想感情。在渺小在微不足道的事物，也能体验这种转变，彰显高贵。孩子穿过的鞋，坐在柳条编成的小马车里的洋娃娃以及玩具马--无论什么在白天时用过或玩过的东西，现在都变得那么遥远而陌生，尽管白天的情景还历历在目。

The strongest manner, the previous accounts, received fromAndagoya and others, of a rich Indian empire at the south, which

思想感情以后，他利用他在总督身上所具有的一切影响使总督对阿尔马格罗

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。