思想感情

He accomplished this by getting rid of the irons with which his wrists and ankles were shackled, cutting through a double grille of oak and iron bars, descending twenty-five feet by a knotted sheet and blanket, and climbing a twenty-two-foot wall.

翻译长句时，首先要弄清原文的句法结构，找出主句和从句，以及它们之间的逻辑关系，同时，还要从词、句的字里行间捕捉作者所表达的思想、感情、笔锋、神韵，然后再按汉语的表达习惯加以翻译。

Beware of the neuronal phrenologists/determinists/reductionists, and the thought, imagination and feelings police/cullers/delimiters and prosecutors who are already literally and physically actively at work amongst us!!

我们更要警惕一些神经学家，有决定权的人，以及那些无论在思想，行为和感情上卷入虐待我们的警察，杀手，检察官。

One is his conceit which enables him to express his idea of love in an analytical way with the combination of subtle thought and strong emotion; and the other is the complexity of attitudes of the speaker in his love poems, which manifests Donnes complicated psychology about love.

首先是他的奇思妙喻使他能在传达其爱情观时采用一种分析方法，并将巧妙的思想和强烈的感情融为一体。

In W. B. Yeats' early four poetry anthologies, he has used large numbers of subject matters on Celtic and the ancient Ireland's myth legend and the folk ballad to symbolize his emotions, thoughts and life experience.

叶芝在他早期的四部诗集中大量使用凯尔特和古爱尔兰的神话传说及民间谣曲的题材来象征他的感情、思想和生活经历。

It is totality of awareness ,karmas , emotions , thoughts , and every action and reaction ,.

它是所有意识，行为，感情，思想和所有行为和创造的总体。

Steven is a student of botany who has written his doctorate paper on the theory that quot lants Are Sentient Creaturesquot;.

澍海是修读高级植物学的博士，他耗尽所有时间和精神，去证明&植物等同生物&的理论，他认为植物都有思想、感情甚至语言。

Steven is a student of botany who has written his doctorate paper onthe theory that quot lants Are Sentient Creaturesquot;.

澍海是修读高级植物学的博士，他耗尽所有时间和精神，去证明「植物等同生物」的理论，他认为植物都有思想、感情甚至语言。

She had never seen such determination ; likings, feelings, haBits were like dead leaves upon the strong wind of his mind.

她还从未见到过这样的决心，什么爱好、感情、习惯，遇上他那思想的狂飙，都成了枯死的叶子。

In their feelings and thoughts, in the wanderings of their short lives, are ambiguous

他们的感情和思想，迸发在他们短暂的一生之中，都是含混且自相矛盾的，其中混杂着永恒与

In the present-day chaotic and colorful social life, artists should cultivate their moral character and not to be swayed by the exaggerative trends and puzzled by the superficial phenomena, but to get a clear understanding of the social nature and catch sight of human relations and the essential aspects of human nature to explore, extract and convey with poeticized language the poetic flavor so as to purify and promote the emotion and feeling of the people.

在当今纷乱的、五颜六色的社会生活中，艺术家要修炼自身，不为虚夸潮流所动，不为表面现象所惑，要认清社会本质，看到人际关系和人性中的主流，发掘和提炼诗意，用诗化的语言加以表达，以净化和提高人们的思想和感情。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。