思想上

It pointed out the basic historic mission of the first generation of CPC people headed by Zedong Mao is the independence of the country and national liberation, to overthrow the "three big mountains "pressing on the heads of Chinese people and all reactionary forces to hinder Chinese social progress, and from this formed the mode of thinking with the main character of revolution; The basic historic mission of the second generation CPC people headed by Xiaoping Deng is to transform the rigid economic and political system of traditional socialism, from thinking theory, eliminate the bookishness and"Left"dogmatism which hindered economic development and social progress and spread seriously, and from this formed the mode of thinking with the main character of transformation; Then, the basic historic mission of the third generation CPC people headed by Zemin Jiang is, on the basis of the cause opened by the first and second generations CPC people, to open up the new situations of building the socialist cause with Chinese characteristics, in theory and practice, realize overall creation in all fields of life, and from this formed the mode of thinking with the main character of creation; The historic mission undertaken by the new central leading group headed by Jintao Hu is to completely realize the objective of well-off society, strengthen international competitive, the main point is economic development, the stress is in the countryside, and the difficult point lies in social development.

指出：以毛泽东为代表的第一代中国共产党人的基本历史使命是国家独立和民族解放，推翻压在中国人民头上的三座大山和一切阻碍中国社会前进的反动力量，并由此形成了以革命为主要特征的思维方式，以邓小平为代表的第二代中国共产党人的基本历史使命是变革传统社会主义的僵化的经济政治体制，在思想理论上革除阻碍经济发展和社会进步的严重泛滥的本本主义和"左"倾教条主义，并由此形成了以改革为主要特征的思维方式；那么，以江泽民为代表的第三代中国共产党人的基本历史使命，则是在第一代、第二代中国共产党人所开创的事业的基础上，开拓建设中国特色社会主义事业的新局面，在理论和实践上，在社会生活的所有领域实现全面创新，并由此形成了以创新为主要特征的思维方式；以胡锦涛为代表的新的中央领导集体所肩负的历史使命是要实现全面建设小康社会的目标，增强国际竞争力，要点是经济发展，重点在农村，而难点在社会发展方面。

From the reform and open to the outside world,the civic consciousness in our country has developed fully,but it still can not adapt the current development of the market economy.Especially in the rural area, the civic consciousness of our country's peasants restricts the fast development of rural market economy to a large extent.Consequently,it is a great significance to cultivate the peasants' civic consciousness.This paper discusses some opinions in this field,In detail:The first part starts with the concept of the civilians and the civic consciousness,and mainly discusses what are the civilians and its historical development.Then the paper analyzes the meanings of the civic consciousness and its formation conditions,and based on which analyses the characteristics of the contemporary peasants in our country and its influence on the formation of our country's civic consciousness.At present,the lifestyle of our country's peasants is mainly agricultural.They are the subordinate to the dominant in the field of the political right,possess the low quality in the whole in the cultural aspect and relatively lag behind in the aspect of ideology.All hinder the development of the peasants' civic consciousness,affect the enlargement of the peasants' political participation,and go against the cultivation of the peasants' collective consciousness.

改革开放以来我国公民的公民意识得到了长足的发展，但仍然不能适应当前市场经济的发展，尤其是在农村，我国农民的公民意识在很大程度上制约了农村市场经济的快速发展，因此，培育农民的公民意识具有重要意义，本文即是想在这方面谈谈自己的想法，具体来说：本文的第一部分首先从公民和公民意识的概念入手，主要论述了公民意识的形成及其在我国的历史发展，接着进一步的分析了公民意识的含义及其构成，在此基础上分析了当代我国农民的特点以及其对我国农民公民意识的生成所产生的影响，当前，我国农民在生存方式上，仍以农业为主，在政治权利方面，仍是权势力量的从属者，在文化素质方面，整体素质仍然偏低，思想观念方面还是相对落后的，这些特征在很大程度上阻碍了农民的主体意识的发展，影响了农民政治参与的扩大，不利于农民公共精神的培养。

When concerned narration time, they predigested modern narration time of western novel to hyperbaton narration, and then focused on " the abrupt beginning", and never grasped the flexibility that western novel narration time can cut time according to expression requirements; when concerned the narration angle,"I" in the works of new-novel critics is only the thread to link the stories, and the works never cares about the idea and sensation of "I"; when concerned the narration framework, for the obstinacy of the tradition of Chinese novel preference in plot, it is the most difficult to take in.

在小说的叙事时间上，新小说家把西方小说的现代叙事时间简化成了倒装叙事，又把倒装叙事集中在"开局突兀"上，根本没有领会西方近代小说叙事时间根据表达需要进行剪辑的灵活性；在叙事角度上，"新小说"家作品中的"我"只是串连故事的线索，作品根本没有关注我心里的思想和情感；在叙事结构上，因为中国小说重情节传统的顽固性，对西方小说叙事结构的接受也最难。

By introducing a concept of δ-fine partition on infinite interval the-integral of vector-valued functions on infinite interval was made entirely harmonic with that on finite interval.

通过引入无穷区间上δ-精细分法的概念，使无穷区间上向量值函数积分与有限区间上的积分在形式上完全和谐，并证明其与Cauchy扩张的方法和简单积分的思想是等价的。

Cosette was, moreover, passing through that dangerous period, the fatal phase of feminine revery abandoned to itself, in which the isolated heart of a young girl resembles the tendrils of the vine which cling, as chance directs, to the capital of a marble column or to the post of a wine-shop: A rapid and decisive moment, critical for every orphan, be she rich or poor, for wealth does not prevent a bad choice; misalliances are made in very high circles, real misalliance is that of souls; and as many an unknown young man, without name, without birth, without fortune, is a marble column which bears up a temple of grand sentiments and grand ideas, so such and such a man of the world satisfied and opulent, who has polished boots and varnished words, if looked at not outside, but inside, a thing which is reserved for his wife, is nothing more than a block obscurely haunted by violent, unclean, and vinous passions; the post of a drinking-shop.

珂赛特并且正在经历那个危险时期，也就是女性没人指点、全凭自己面壁虚构的那个一失足成千古恨的阶段，在这种时候，孤独的年轻姑娘便好象葡萄藤上的卷须，不管遇到的是云石柱子上的柱头还是酒楼里的木头柱子，都会一样随缘攀附。这对于每一个无父无母的孤女，无论贫富，都是一个危机，一种稍纵即逝、并且起决定作用的时机，因为家财并不能防止错误的择配，错误的结合往往发生在极上层；真正的错误结合是灵魂上的错误结合，并且，多少无声无臭的年轻男子，没有声名，没有身世，没有财富，却是个云石柱子的柱头，能撑持一座伟大感情和伟大思想的庙宇。同样，一个上层社会的男人，万事如意，万贯家财，穿着擦得光亮的长靴，说着象上过漆的动人的语言，如果不从他的外表去看他，而是从他的内心，就是说，从他留给一个妇女的那部分东西去看他，便只是一个至愚极蠢、心里暗藏着多种卑污狂妄的强烈欲念的蠢物，一根酒楼里的木头柱子。

New ideas this dissertation brings forth are as follows: 1 in the history technological cultures, man stepped into the technological epoch twice; 2 in ancient times, technology and poetry bore cognateness and identity; 3 discourse paradigms and value systems about poetry and technology of ancient China are first reconstructed; 4 the recognizable paradox and absurdity are first articulated when ancients combine simplicity, beauty and technology into one; and 5 the Taoist thinking on crime and punishment in the technological era is systematically combed out, and Zhuang Zi's metaphor about the death of muddiness is therefore interpreted.

此外，本文的研究作为中国文化系统内的跨类比较研究，研究的楔入点和研究行走于其中的空间具有独特的意义和价值，它在广义上可以视为是比较文化和比较诗学在研究视角、研究方法上的创新性探索。最后，本文在具体学术问题上的创新对于中国古代科技思想、诗性生存、诗学等领域的研究，都是一定意义上的学术突破，它至少可以引起相关的学术争论，从而起到推动学术发展的作用。

This paper first analyses and summarizes the ststus quo and evolution trend of encryption, some common used cryptograph are introduced, including the algorithms used in symmetric cryptosystem and asymmetirc cryptosystem. We describe the theory of each algorithms and compare the elliptic curve cryptosystem with the other two asymmetric cryptosystems to show the advantages of this algorithm. Second, the principle of ECC is discussed, including the math foundation of ECC, basic conception of elliptic curves, constructiong idea of ECC, operation on the elliptic curve and so on. Third, the current attacks of ECC were analyzed deeply, and an algorithm based on limited prime number field was constructed. We analyzed its realizability in theory, and implement it by using certain function of MIRACL software package. Latter half in this paper, the implementation model of a simple elliptic curve encryption system which based on GF has been introduced. The paper also put a deep analysis on the algorithm of point addition and point multiplication.

本文首先对密码技术的发展现状及其发展趋势进行了分析和综述，详细的介绍了私钥密码系统和公钥密码系统的发展，说明各种算法的原理和优缺点，并给出了一些典型的密码体制的简要分析，重点将椭圆曲线算法与其它几种公钥密码算法比较，说明椭圆曲线算法的优势；其次，探讨了椭圆曲线密码体制的原理，包括椭圆曲线密码的数学基础、基本概念、椭圆曲线密码体制的构造思想等问题；第三作者对椭圆曲线的攻击现状作了详细的分析，针对所使用的大素数域F_p，设计了素数域上安全椭圆曲线产生的算法，从理论上做了可实施性分析，从软件上做了具体实现；在本文的后半部分，提出了一个简单的基于有限素数域上的椭圆曲线加密方按算实现模型，并对SECES中设计的点加和点乘运算进行了深入分析。

But, such as, upper biased of target , upper relativity of content lag behind the unitariness on nature , method , strength losing estimating that the upper block of wood is all-round , social value guiding weightlessness composes in reply model waits for the aspect problem to be in the present stage our country in middle school ideological and political education middle but existence.

然而，在现阶段我国在中学思想政治教育中却存在着诸如目标上的偏颇性、内容上的相对滞后性、方法上的单一性、评价上的不全面、社会价值导向的失重和榜样力量的丧失等方面的问题。

The historical meanings of earlier Arab national movement are that: First, the rising of nationalism in Arab world pioneers a new routine different from traditional one; Second, the new conception of constructing country causes Arab people to be separated from formulation of religion / empire, and be immersed in construction onrush in neoteric world; Third, the grown-up of nationalism awakens and changes Arabs traditional idea, and adapts them to the new one of national development; Fourth, the thoughts of nationalism rebuilds Arab nation in the background of new era; Fifth, the babyish Pan-Arabism especially in King Era establishes development contrail of Arab world.

早期阿拉伯民族主义运动的历史意义：第一，民族主义在阿拉伯世界的兴起开辟了一条有别于传统的民族发展新路；第二，新型国家构建理念使阿拉伯人逐渐走出宗教／帝国范式，融入近代以来世界范围内的民族国家构建洪流；第三，民族主义的崛起唤醒和改造了阿拉伯人尘封已久的民族自我意识，使其适应新时期民族发展的需求；第四，民族主义思想在新的时代背景下重塑了阿拉伯民族；第五，早期特别是&王政时期&的泛阿拉伯主义运动虽然看起来显得那么稚嫩，但却奠定了阿拉伯世界的发展轨迹：在民族目标上，谋求民族独立或自由成为全民族各阶层的首要共识；在民族统一的问题上，独立的民族国家间的全面合作逐渐取代政治上的统一；在泛阿拉伯主义的另一面旗帜——巴勒斯坦问题上，巴勒斯坦战争预示着武力解决方案的失败，承认以色列、通过和平谈判的方式解决这一问题成为唯一的选择。

La Mer' reflected China classical aesthetic ideology, especially the aesthetic ideology consistency that China ancient scholars and painters reflected on the performance of natural landscape ,which was 'harmony between the heaven and human ','Sound outside what the string is making between the lines ' and 'approach determined by figure'. Its music reflected gamelan creative skills in many aspects,...更多 for example, the use of continuous tone and fixed voice type, the texture counterpoint imitation, the similarity of pitch and the harmony, etc. It could be seen that Debussy once studied Javanese gamelan music thoroughly on the analysis of 'La Mer' music ontology. Debussy choosed Japanese printer—Katsushika Hokusai's 'surfing in Kanagawa' as cover on the publication of 'La Mer', it was reflected that on the one hand he liked Japan Ukiyoe, on the other hand his work had painting factors.

大海》中体现了东方文化中的中国古典美学思想，尤其是与中国古代文人画家们在表现自然景观上所体现山的美学思想的一致性，即&天人和一&、&弦外之音&以及&以象立意&等；它在众多方面都体现山了加美兰的创作技巧，如持续音、固定音型的使用，织体对位的模仿，调式、和声的相似性等，在对《大海》音乐本体的分析中可以看出，德彪西对爪哇加美兰的音乐曾进行过深入的研究：作品出版时德彪西选择了日本版画家葛饰北斋的《神奈川冲浪里》作为封面，一是表现出他对日本浮世绘的浓厚兴趣，二是表达了他作品中具有的绘画性因素。

Singer Leona Lewis and former Led Zeppelin guitarist Jimmy Page emerged as the bus transformed into a grass-covered carnival float, and the pair combined for a rendition of "Whole Lotta Love".

歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车，和一双合并为一移交&整个lotta爱&。

This is Kate, and that's Erin.

这是凯特，那个是爱朗。