怀旧

Because of personal fascination and love of the past, I create an interface with analogic cassette tapes, using my experiences of cross-culture languages try to rethink and show the subtle relationships of communication between machines to people and people to people.

藉由对类比磁带的怀旧与著迷、及其媒材的特性，创造了一个介面，用自身生活中跨文化语言的经验，尝试去思考与呈现机器、人以及人与人之间沟通表达的微妙关系。

In this version, the spike columns were given heavily textured surfaces, employing a style reminiscent of Antonio Gaudi, architect of Barcelona's Cathedral of the Holy Family in Spain.

在这个设计里，尖顶圆柱被赋予一种沉重粗糙的表面，使用了一种安东尼奥·古地——西班牙巴塞罗纳圣家族大教堂的建筑师——的怀旧式样。

The common characteristics are : firstly, these works reflect selective,consumption-oriented and commercialized nostalgia,and secondly,the popularity of these works is closely related to the establishment and expansion of the middle class discourse.

在这一章里，通过对陈丹燕、程乃珊等作家怀旧文本的解读，分析了散文类怀旧作品的共同特征：首先，这些作品反映出来的是一种被选择过的、用于消费的商业化怀旧；其次，这类作品的畅销与当今中产阶级话语的建立和扩张有着密切的联系。

Genealogically analyzing writers dealing with "nostalgia for Shanghai" facilitates the thorough understanding of the phenomenon.

而关于"上海怀旧"作家的谱系分析，使本文对于"上海怀旧"现象的研究更加完整。

The main findings were as follow: Part 1: Conceptual structure of nostalgic operation image The concept of nostalgic operation image was composed of five sub-concepts:"rhythmic application of force to man-powered device","children's game that involves aiming then shooting","clumsy feedback generated by sudden squeezing action","motion that requires manual skill to keep going stably" and "rotary mechanism that requires effort".

主要结果归纳如下：第一部分：怀旧动作意象之概念结构怀旧动作意象的概念，可由「节奏性施力於人力机具」、「瞄准后弹射的童玩游戏」、「瞬间挤压产生笨拙的回馈」、「熟练手技维持稳定的转动」、「费力转磨机械式的器具」五项子概念组成。

Those of us whose,objective chronological youth has already passed have at least two possible ways of dealing with the situation nostalgically fetishizing an idealized "lost" youth from a position of self-congratulatory "maturity",or thinking up new ways to capture something of the spirit of youthfulness.starting a new venture – a new web magazine , or a new column,a new career – is one such new way.

我们这些按出生年代来论已经不再年轻的人至少有两个可行的方法来解开我们怀旧的心结，满足于体验从已经"逝去"的青春岁月迈向成熟；沉湎于以一种新的途径去捕获一种是曾相识的青春魂灵。开创一个全新的风险事业–或称作一本新创电子杂志，或称作一个新的专栏，这个全新的职业正是一种解开我们怀旧心结的途径。

Reminiscence is a kind of emotional need and a kind of psychal reflection that has profound historiacal foundation.As a stylist,he must transmit this reminiscent theme through his designing works.

怀旧作为一种情感需要，一种有着厚重历史基础的心理反映，作为一个设计师来讲，他要通过设计作品来传达这一怀旧主题。

This research adopted the method of the literature review, in which to structuralize relations between the emotions that cling to the nostalgia and their influences.

本研究利用文献回顾的方式，建构怀旧情感与影响因素之间的关系，怀旧情感分为空间怀旧、时间怀旧与情绪怀旧三类；在影响因素上分为游客动机、游客态度、游客偏好、年龄、重游次数和拥挤感等。

Those of us whose,objective chronological youth has already passed have at least two possible ways of dealing with the situation nostalgically fetishizing an idealized "lost" youth from a position of self-congratulatory "maturity",or thinking up new ways to capture something of the spirit of youthfulness.starting a new venture – a new web magazine , or a new column,a new career – is one such new way.

我们这些按出生年代来论已经不再年轻的人至少有两个可行的方法来解开我们怀旧的心结，满足于体验从已经&逝去&的青春岁月迈向成熟；沉湎于以一种新的途径去捕获一种是曾相识的青春魂灵。开创一个全新的风险事业–或称作一本新创电子杂志，或称作一个新的专栏，这个全新的职业正是一种解开我们怀旧心结的途径。

As one of the famous art film directors, Wang Kar-wei's 2046 thraws expectation on the visual level through his use of music and language to build up his visual notes by juxtaposing the contrasted world of the nostalgic 60s and futuristic kingdom. His movie subverts certain widely accepted norms between the new and the old.

王家卫在《2046》中呈现60年代怀旧氛围与后现代多语／音的未来世界，这两种迥异的影／音风格，看似对立与矛盾，却凝聚一种绝佳的戏剧张力，怀旧情愫与科幻想像的不连贯叙事影像美学，在搭配独特的音乐与语言后，反造成独树一格的影音魅力。

This paper demonstrated the impact on the environment today, an important factor is Education.

本文主要展示了当今影响环境的一个重要因素——教育。

Article 16 The power to interpret these Procedures shall remain with the Ministry of Agriculture and CAA.

第十六条本程序由农业部、国家认证认可监督管理委员会负责解释。