忿怒的

My anger had cooled a bit, but it was still there.

我的忿怒已经冷却一一点点，但是它静止的是在那里。

HERE ,BODHISATTVA IS IN WRATHFUL INCARNATION WITH PROTRUDING TEETH ,WIDE-OPEN EYES AND FEROCIOUS EXPRESSION ,THE HIGH HAIR IS IN THE FLAMING SHAPE ,WITH THE UPPER BODY NAKED AND A DHOTI INCISED WITH FOLIATE DESIGNS ,WHICH IS TYPICAL OF TIBETAN BUDDHA STATUES OF THE 14TH CENTURY .

菩萨呈现的是忿怒相，龇牙咧嘴，怒目圆睁，面相凶恶。梳火焰状高髻，裸上身，系短裙，短裙上有阴刻的旋草纹图案。这种图案在14世纪西藏造像中经常可以看到。

Gerhardt was still in a direfully angry and outraged mood.

葛哈德的心情还是那么忿怒那么暴戾的。

She tried to dissemble her anger with a smile on her face.

她试着用在她的脸上一个微笑掩饰她的忿怒。

You have taken away all Your wrath; You have turned from the fierceness of Your anger.

85：3 你收去了所发的忿怒，使你猛烈的怒气转消。

So they hanged Haman on the gibbet which he had made ready for Mordecai, and the anger of the king abated.

人们遂把哈曼悬在他自己为摩尔德开所做的刑架上；王的忿怒这才平息。

For the wrath of man will praise You; You will gird Yourself with the remainder of wrath.

76：10 人的忿怒，要使你得称赞；你要以你的余怒束腰。

But after thy hardness and impenitent heart treasurest up unto thyself wrath against the day of wrath and revelation of the righteous judgment of God

005 你竟任著你刚硬不悔改的心，为自己积蓄忿怒，以致神震怒，显他公义审判的日子来到。

But after thy hardne and impenitent heart treasurest up unto thyself wrath agait the day of wrath and revelation of the righteous judgment of God

2：5 你竟任着你刚硬不悔改的心，为自己积蓄忿怒，以致神震怒，显出他公义审判的日子来到。

5 But after thy hardness and impenitent heart treasurest up unto thyself wrath against the day of wrath and revelation of the righteous judgment of God

2：5 你竟任着你刚硬不悔改的心，为自己积蓄忿怒，以致神震怒，显他公义审判的日子来到。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。