心目

In your opinion, being my wife is more horrible than death, isn't it?

在你心目中，做我杨逍的妻子是不是比死更可怕？

The sun was, for Elizabethans, even a more potent affirmative symbol than it is for us

在伊丽莎白时代人们的心目中，太阳比之我们现在，是一种更为有力，积极的象征。

The sun was, for Elizabe than s, even a more potent affirmative symbol than it is for us

在伊丽莎白时代人们的心目中，太阳比之我们现在，是一种更为有力，积极的象征。

So China is in a more precarious situation than many Westerners think.

因此中国的局势比许多西方人心目中的更具不稳定性。

In interview large quantities of one heavyweight female star (include Zhang Ziyi, Zhou Xun, Lin Zhiling, Xu Xiyuan to wait) later, liandi arrives soon Shang Wei, maintaining her is the Wang Jiazhi among him memory,"Do not know why, there is kind of absorbing thing " on her body, and the opinion of Ling of playwrite king a species of orchid is more steadfast Li An's idea.

在面试了一大批重量级女星(包括章子怡、周迅、林志玲、徐熙媛等)之后，李安第一眼看到汤唯，便认定了她就是自己心目当中的王佳芝，&不知为什么，她身上有种吸引人的东西&，而编剧王蕙玲的意见更加坚定了李安的想法。

He is the most outstanding singer in my heart.

他是我心目中最优秀的歌手。。。。

In his mind,"the most sacred thing," is money, and all the rest is not important.

他心目中&最神圣的东西&就是金钱，其余的一切都不重要。

India is the secret place in most Europe people's eye.

在西方人的心目中，印度是一片神秘的土地。

The distasteful nature of that event notwithstanding, it had the effect of obliterating the contrived, plastic, clean-cut p_w_picpath of Kobe that existed at the time.

那件事让人很不爽，它也抹去了科比当时在人们心目中那种做作的，模仿的，轮廓鲜明的形象。

The above different opining can be reduced to two questions: First, is Sartre's ethics, which we believe there is one, based on his ontology set forth in Being and Nothingness?

以上大相径庭的观点可以概括为两个问题：第一，我们心目中的萨特伦理学，是否应建立在他在《存在与虚无》中所表述的本体论上？

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。