心目

And the netizen that comes from Indonesia " tongueless rainbow " express: Chinese main leader passes millions upon millions public of abroad of straight face of contemporary internet network, can saying is be in office formal innovation, be helpful for changing what stay for a long time in their memory to concern the certain figure bias of Chinese leader.

而来自印度尼西亚的网友"缄默之虹"表示："中国主要领导人通过现代互联网络直面国外亿万公众，可以说是一次执政形式的创新，有利于改变长期停留在他们心目中的有关中国领导人的某些形象偏见。"

It was that topmost apple on which he had set his mind.

他心目中所渴望的却正是这只位置最高的苹果。

She is. To my mind, Lisa is tops.

在我的心目中，利萨比谁都强。

I think that the sage who wrote the book had been dead so the tour de force in his heart, which he could not impart to other, must have vanished.

我认为写你那本书的人，如果他是早已仙逝，那麼他心目中的那些绝技、那些不能传授的绝窍，肯定也随著他的离世而消失无踪矣！

In Singapore, the Tourist Promotion Board...

如果是心目中的"政府"或"旅游促进局"，那就要明言，不要用不清不楚的 it

So, needless to say, we're very excited to see that some topics near and dear to our heart are currently at the top of the list of topics for the upcoming Townhall.

所以，不用说，我们非常高兴地看到，附近的一些专题和亲爱的，以我们的心目前正处于清单的最上方的课题，为即将举行的市政厅。

"In fact, this scaffold constituted a portion of a penal machine, which now, for two or three generations past, has been merely historical and traditionary among us,"

事实上，这座刑台是构成整个惩罚机器的一个组成部分，时隔二、三代入的今天，它在我们的心目中只不过是一个历史和传统的纪念

Naturally, I want the men of my heart to be both responsible and transcendent.

我当然喜欢我心目中的男人应当责任而超越。

Naturally, I want the man of my heart to be both responsible and transcendent.

我当然喜欢我心目中的男人应当责任而超越。

Naturally ,I want the men of my heart to be both reponsible and transcendent .

我当然喜欢我心目中的男人应当责任而超越。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。