心目

He is a heroin the eyes of public.

在公众的心目中他是一个英雄。

However, in most people's minds, and culture is a high-level things.

但在多数人的心目中，文化是一种高层次的东西。

You hold a very special place in his heart.

你在他心目中地位特殊

Beauty gains little, and homeliness and deformity lose much, by gaudy attire.

事物的美存在于仔细观察者心目中。

The potential woman in my life should be an excellent homemaker, she must posses style and grace.

我心目中的女人是个顾家的人，她必须有风格和优雅。

The deep meaning of the ideal environment model for Chinese people has been explored,and it is found that the prototype of such an ideal model is the ecologically optimum environment that our hominoid ancestors inhabited and that the Chinese culture had experienced during its finalizing period.

通过心理统计数据和考察中国古代寺庙及陵墓的选址规律，以及观察人们在环境中的日常行为，文章揭示了中国人心目中的理想环境模式，并以进化及中国文化发展规律为依据，探讨了这种理想环境模式的深层意义，认为它的原型正是中国原始人类

The crab homunculus produced from h is sac of semen and sea-water was very far from the perfect,vicious child he' d hoped to produce: a hymn to the glories of testosterone.

虽然这个从充满精子和海水的人造子宫中降生的小家伙远远没有达到他心目中完美邪恶的要求，但这又有什么关系呢？

The crab homunculus produced from his sac of semen and sea-water was very far from the perfect, vicious child he'd hoped to produce: a hymn to the glories of testosterone.

虽然这个从充满精子和海水的人造子宫中降生的小家伙远远没有达到他心目中完美邪恶的要求，但这又有什么关系呢？

Like a Huguenot imagining rome , he built up a picture of frivolity, viciousness and corruption

就象胡格教徒心目中的罗马城一样，他幻想了一幅淫乱，堕落，腐化的图画。

BUCK the eyes of the Americans occupy a dominant position can not be replaced, as in China, references to "Wang Mazi", like knives, scissors and known for its classic product is a 110,119-type hunting knife and a lot of mold tool design and manufacture of Osaka and reference objects.

在美国人的心目中BUCK占有不可替代的主导地位，就像在中国提及"王麻子"刀剪一样出名，其经典产品110，119型猎刀是很多刀具设计制造的模坂和参考对象。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。