心慌意乱

She was in a state of great agitation.

她极度心慌意乱。不适合

I don't know," replied Basque, intimidated and put out of countenance by his master's air;"I have not seen him.

我不知道，"被主人的神气搞得心慌意乱的巴斯克说，"我没有看见他。

All the faces in the street were in the windows; the little maidservant flew to the wicket?gate; the Mesdames Clapp looked out from the casement of the ornamented kitchen; Emmy, in a great flutter, was in the passage among the hats and coats; and old Sedley in the parlour inside, shaking all over.

这条街上的人都从窗口探出头来张望；那小丫头飞奔到栅栏门口；克拉浦母女从兼做会客间的厨房窗口往外看；爱米心慌意乱，在过道里挂衣帽的地方等着；赛特笠老头儿在客室里浑身索索的抖。

In every ordinary day, in every distraught moment

在每一个平常的日子里，在每一个心慌意乱的瞬间

Mrs. Crisp was summoned from Buxton, and abruptly carried off her darling boy; but the idea, even, of such an eagle in the Chiswick dovecot caused a great flutter in the breast of Miss Pinkerton, who would have sent away Miss Sharp, but that she was bound to her under a forfeit, and who never could thoroughly believe the young lady's protestations that she had never exchanged a single word with Mr.

克里斯泼太太得到消息，连忙从勃克思登赶来，立刻把她的宝贝儿子带走。平克顿小姐想到自己的鸽笼里藏了一只老鹰，不由得心慌意乱，若不是有约在先，真想把她赶走。那女孩竭力辩白，说她只在平克顿小姐监视之下和克里斯泼先生在茶会上见过两面，从来没有跟他说过话。

I am all in a fluster.

我心慌意乱。

He gazed with terror on this beauty, which was blossoming out ever more triumphant and superb beside him, beneath his very eyes, on the innocent and formidable brow of that child, from the depths of her homeliness, of his old age, of his misery, of his reprobation.

这种青春焕发的美，在他身旁，眼前，在这孩子天真开朗、使人心惊的脸蛋上，从他的丑，他的老，他的窘困、抵触、苦恼的土壤中开放出来，日益辉煌光艳，使他瞪眼望着，心慌意乱。

Passed so the day of a paragraph of be in a state of anxiety, lie on the bed of hotel when him, lose one's balance, when be agitated despair, nerve is about to break down, he thought of Internet suddenly.

过了这么一段担惊受怕的日子，当他躺在旅馆的床上，心慌意乱、烦躁绝望、神经快要崩溃的时候，他忽然想到了互联网。

There is a soft-porn ★perversity[20] about many of Fuselis muscular super-heroes and ★nubile[21] ★nymphs[22], particularly his Titania from "A Midsummer Nights Dream".

富塞利画中肌肉结实的超级英雄和含苞欲放的美丽少女，尤其是取材于《仲夏夜之梦》的泰坦尼亚，模糊的色情描绘让人多少有些心慌意乱。

There is a soft-porn ★ per versity[20] about many of Fuseli's muscular super-heroes and ★ nubile[21] ★ nymphs[22], particularly his Titania from "A Midsummer Night's Dream".

富塞利画中肌肉结实的超级英雄和含苞欲放的美丽少女，尤其是取材于《仲夏夜之梦》的泰坦尼亚，模糊的色情描绘让人多少有些心慌意乱。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。