心平气和

Going on, as we do, obsessively trying to improve our conditions, can become an end in itself, and a pointless distraction. Would people in their right mind think of fastidiously redecorating their hotel room every time they checked in to one?

我们不要注定两手空空地走向未知的死亡，而要即刻开始发掘人生的意义，视当下的每分每秒皆为改变的契机，诚心诚意、了了分明、心平气和地为死亡和来生铺路。

He had even gone so far as to put on, with great labour, a pair of skates, with a view to taking a turn on the frozen surface of the fish-pond, and had fallen ignominously at the first attempt, lying placidly extended on the flat of his back until such time as the bystanders should think fit to pick him up.

他甚至曾经费了好大的劲儿穿上一双溜冰鞋，要想在鱼池冻结的冰面上转个弯儿，初试身手便不光采地倒了下来，心平气和地直挺挺地仰天躺在冰上，一直躺到旁观者觉得应该把他扶起来的时候。

He would still be placid, good-tempered and forbearing.

他仍然会心平气和，宽容忍耐。

A gent next to her, trying to calm her down a bit,calmly suggests, I don't know...

旁边一位男士想要安抚她，心平气和的说：「我不知道。。。

But he added that the vast majority of demonstrators were good-humoured.

但他补充说大部分的抗议者都是心平气和的。

In the past she had a great delight in good-humoured argument in intellectual play.

过去，她陶醉于心平气和的争论，忘情于智力的角逐。

The key is to be even-tempered, good-humoured and let the facts speak for themselves, but not to close eyes and talk irresponsibly.

关键是，要心平气和，用事实来说话；而不要闭着眼睛瞎说。

That was really unsettling, but I fended off the taunts and jibes of the family good-humouredly.

这真叫人不好意思，但我心平气和地顶住了全家人的嘲笑和奚落。

That was really unsettling ,but i fended off the taunts and jibes of the family good-humouredly.

x x 这真叫人不好意思，但我心平气和地顶住了全家人的嬉笑和奚落。

That was really unsettling, but I fended off the taunts and jibes of the family good-humouredly and soon everybody got used to the idea.

这真叫人不好意思，但我心平气和的顶住了全家人的嘲笑和奚落。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。