德彪西音乐的

Debussy is the end of the 19th century and early 20th century's greatest, most important and creative composer is one of the founders of Impressionist music.

德彪西是19世纪末20世纪初最伟大、最重要、最富于创造性的作曲家之一，是印象派音乐的奠基人。

These studies to better understand and perform this work, and even more Debussy's piano works, and mastery of teaching in the work of the impressionist style of piano music in general have grasped the...

认为这些研究对于更好的理解和演奏这部作品乃至德彪西更多的钢琴作品，在教学工作中对印象派钢琴音乐总体风格特点的把握上，都会有比较重要的意义。

Trying to reappear the composer" s original works, I further my studies at the touch key, footplate and music of Debussy" s Etudes and set forth some relative problems in the course of performance.

在尽量还原作曲家的作品后，本人又进一步对德彪西《钢琴练习曲》中的触键方式、踏板应用以及音乐特征进行了分析和研究，阐述了演奏过程中的相关问题。

Indeed,"Luminosa" boasts choral numbers arranged by Prizeman from a surprising variety of sources, including Saint-Saens'"Carnival of the Animals," Beethoven's Seventh Symphony, Pachelbel's "Canon," and Debussy's "Clair de Lune." Set to Latin words and recorded in an echoey acoustic style, the results have a churchy feel without being doctrinal.

的确，luminosa专辑中包括了很多出色合唱歌曲，是罗伯特从众多的音乐类型中选取出来的，包括Saint-Saens'"Carnival of the Animals，"贝多芬的第七交响曲，巴夏贝尔的圣颂和德彪西的月光，以拉丁文和回响式的音响风格编奏，因此演唱具有教堂的氛围，却不刻板。

S from the beginning of the 19th century, Debussy's creative artists, like Impressionism, Symbolist poet like, select the perception of nature's most beautiful moments in the impression that means the performance of music.

从19世纪90年代开始，德彪西的创作也像印象主义画家、象征派诗人一样，选择对大自然的观感中最美丽的瞬间印象，用音乐手段予以表现。

Debussy at the Paris Conservatory of Music students, they began to read and Symbolist poet Mallarme's works, and generate interest.

德彪西在巴黎音乐学院就读时，就开始阅读象征派诗人魏伦和马拉美的作品，并产生浓厚的兴趣。19世纪80年代，他从罗马深造

Indeed,"Luminosa" boasts choral numbers arranged by Prizeman from a surprising variety of sources, including Saint-Saens'"Carnival of the Animals," Beethoven's Seventh Symphony, Pachelbel's "Canon," and Debussy's "Clair de Lune." Set to Latin words and recorded in an echoey acoustic style, the results have a churchy feel without being doctrinal.

的确，luminosa专辑中包括了很多出色合唱歌曲，是罗伯特从众多的音乐类型中选取出来的，包括Saint-Saens'&Carnival of the Animals，&贝多芬的第七交响曲，巴夏贝尔的圣颂和德彪西的月光，以拉丁文和回响式的音响风格编奏，因此演唱具有教堂的氛围，却不刻板。

And the understanding and appreciation of his musical work, which has brought up a new subject about the piano playing skills, requires one to go beyond the old tradition and an overall renewal in the impression of his sense...

德彪西的钢琴音乐不但对钢琴演奏技术提出了新的课题，而且要理解和体验它们，还要从听觉感受、观念意识、心灵体验上，都要超越传统进行全方位的更新。

Debussy's musical presence can be felt in the Stately pavanes of Fauré and Ravel.

德彪西的音乐表现在福莱和拉威尔庄严的孔雀舞曲当中也可见一斑。

The piano music passepied,debussy's early work,is an innovative composition on the basis of inheriting classic and romantic traditions.and it does not truly belong to the impressionist style.the use of pedal is very dainty in this dance music.the author labels and annotates the pedal,trying to produce abundant sound effects and enhance expressive force of the music.

德彪西早期创作的《帕斯比叶舞曲》，是在继承古典主义和浪漫主义传统基础上的创新之作，不属于真正的印象主义风格。此舞曲踏板运用十分讲究，作者标注了踏板并加以诠释，以求制造出丰富的音响效果，增加音乐的表现力。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。