德彪西音乐的

Beijing: People's Music Publishing House, 1983.7 ② Dawes Fran · Debussy's piano music .

北京：人民音乐出版社，1983.7 ②弗兰·道斯德彪西的钢琴音乐。

Q: Other than Debussy, what kinds of music does Edward listen to?

问：除了德彪西，爱德华还喜欢哪种风格的音乐呢？

The correlated background of Debussy's music, music analysis and some related study to be covered in other areas is introduced to the point.

绪论部分主要就德彪西音乐研究的相关背景、音乐分析以及本文研究所要涉及的其他学科研究的相关内容进行了扼要的介绍。

The harmony language used is the most creative in Claude Debussy's musical art.

和声语言的使用是克洛德·德彪西音乐艺术中最有独创意义的部分。

As a result of these creative features and style of impressionist painting very similar to Debussy's music is known as Impressionist music.

由于这些创作特征与印象派绘画的风格非常相似，因此德彪西的音乐被称为印象主义音乐。

Relaxing, beloved classics by Debussy, Satié, Ravel, Faure, Tchaikovsky, Sibelius and more, beautifully played by one of America's great orchestras.

这是一张汇集了德彪西、萨替、拉威尔、福莱、柴可夫斯基、西贝柳斯和更多音乐家的休闲、倍受喜爱的古典音乐碟。

La Mer' reflected China classical aesthetic ideology, especially the aesthetic ideology consistency that China ancient scholars and painters reflected on the performance of natural landscape ,which was 'harmony between the heaven and human ','Sound outside what the string is making between the lines ' and 'approach determined by figure'. Its music reflected gamelan creative skills in many aspects,...更多 for example, the use of continuous tone and fixed voice type, the texture counterpoint imitation, the similarity of pitch and the harmony, etc. It could be seen that Debussy once studied Javanese gamelan music thoroughly on the analysis of 'La Mer' music ontology. Debussy choosed Japanese printer—Katsushika Hokusai's 'surfing in Kanagawa' as cover on the publication of 'La Mer', it was reflected that on the one hand he liked Japan Ukiyoe, on the other hand his work had painting factors.

大海》中体现了东方文化中的中国古典美学思想，尤其是与中国古代文人画家们在表现自然景观上所体现山的美学思想的一致性，即"天人和一"、"弦外之音"以及"以象立意"等；它在众多方面都体现山了加美兰的创作技巧，如持续音、固定音型的使用，织体对位的模仿，调式、和声的相似性等，在对《大海》音乐本体的分析中可以看出，德彪西对爪哇加美兰的音乐曾进行过深入的研究：作品出版时德彪西选择了日本版画家葛饰北斋的《神奈川冲浪里》作为封面，一是表现出他对日本浮世绘的浓厚兴趣，二是表达了他作品中具有的绘画性因素。

To bring the charm of Debussy's music, people often think of the piano song "Moonlight" It's a transparent floating slowly down the soft light;"Night in Granada," which is slightly lost in the guitar and pizzicato sound of distant ring sound board decorated by the Spanish style;"water reflection" in the reverse position to carry out the chords to the music mode constitutes a symbol of water ripple, ripple the surface, the dynamics of continuous proliferation; symphonic sketch "spray games" are short motive , the phrase cheerful, bright colors and sound, the playing of the background chatter String outlined noisy waves, wave jumping, laughing water, sunlight flashing screen play.

提起德彪西音乐的魅力，人们常常会想起钢琴曲《月光》那缓缓向下漂浮的透明的柔和光芒；《格拉纳达之夜》中稍现即逝的吉他拨奏与远方响起的响板声所点缀的西班牙情调；《水中倒影》中反向进行的和弦对位构成的音乐模式象征水波荡漾、涟漪泛起，不断扩散的动态；交响素描《浪花游戏》则以短小动机、欢快的乐句，色彩明朗的和声，弦乐颤奏的背景勾勒出波涛喧闹、浪花跳跃、水珠欢笑、阳光闪烁的嬉戏画面。

The technique task takes the method of comparison, the comparison between the etude of Czerny and of Chopin.

关于前者主要是采取比较的方法，分别与车尔尼与肖邦的练习曲进行对照，找出其异同，揭示德彪西《钢琴练习曲》第一集中技术课题的表现方法及训练手段，并以此为基础来说明这部作品作为教材在实际教学过程中的地位和作用；关于后者是以音乐语言的特点和表现手段为基础，从术语、踏板及技术课题三个角度，间接或直接的来表现德彪西钢琴音乐色彩性的目的。

La Mer' reflected China classical aesthetic ideology, especially the aesthetic ideology consistency that China ancient scholars and painters reflected on the performance of natural landscape ,which was 'harmony between the heaven and human ','Sound outside what the string is making between the lines ' and 'approach determined by figure'. Its music reflected gamelan creative skills in many aspects,...更多 for example, the use of continuous tone and fixed voice type, the texture counterpoint imitation, the similarity of pitch and the harmony, etc. It could be seen that Debussy once studied Javanese gamelan music thoroughly on the analysis of 'La Mer' music ontology. Debussy choosed Japanese printer—Katsushika Hokusai's 'surfing in Kanagawa' as cover on the publication of 'La Mer', it was reflected that on the one hand he liked Japan Ukiyoe, on the other hand his work had painting factors.

大海》中体现了东方文化中的中国古典美学思想，尤其是与中国古代文人画家们在表现自然景观上所体现山的美学思想的一致性，即&天人和一&、&弦外之音&以及&以象立意&等；它在众多方面都体现山了加美兰的创作技巧，如持续音、固定音型的使用，织体对位的模仿，调式、和声的相似性等，在对《大海》音乐本体的分析中可以看出，德彪西对爪哇加美兰的音乐曾进行过深入的研究：作品出版时德彪西选择了日本版画家葛饰北斋的《神奈川冲浪里》作为封面，一是表现出他对日本浮世绘的浓厚兴趣，二是表达了他作品中具有的绘画性因素。

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。