德

Carmela was precisely the age and figure of Teresa, and Teresa was as handsome as Carmela.

卡美拉的年龄和身材和德丽莎恰巧一模一样，而德丽莎也如卡美拉一样漂亮。

Certainly, in the eyes of an artist, the exact and strict costume of Teresa had a very different character from that of Carmela and her companions; and Teresa was frivolous and coquettish, and thus the embroidery and muslins, the cashmere waist-girdles, all dazzled her, and the reflection of sapphires and diamonds almost turned her giddy brain.

当然罗，在艺术家的眼里，德丽莎那种古板严谨的服装，与卡美拉和她同伴的比较起来，的确风格很不相同。但德丽莎原是生性轻佻而好卖弄风骚的，所以那些刺绣呀，花纱呀，克什米尔呢子的腰带呀什么的，都使她目迷心醉，而那蓝宝石和金刚钻的反光几乎使她的脑子晕眩起来。

"On another occasion," continued Steiner in still lower tones, Leonide got her tenor down to Montauban. She was living in the Chateau de Beaurecueil, two leagues farther off, and she used to come in daily in a carriage and pair in order to visit him at the Lion d'Or, where he had put up.

"还有一次，"斯泰内悄悄说道，"莱奥妮德把她的男高音歌手叫到蒙托邦①，她自己住在两法里外的博尔科的别墅里，她每天乘坐一辆两匹马拉的敞篷马车，到他下榻的金狮旅馆去看他，她在旅馆门前下车……车子停在那里等她，莱奥妮德一呆就是几个小时，一些人聚集在那儿观看那两匹马。"

BEN DOLLARD:(Nakkering castanet bones in his huge padded paws, yodels jovially in base barreltone) When love absorbs my ardent soul.

739本。多拉德：（肥胖的大手奏着骨制响板，愉快地用约德尔唱法发出低沉的桶音）。当狂恋使我神魂颠倒之际。

This paper carries out full analysis on Aristotle's theory on categorical proposition and points out that he introduced,for the first time in logic history,term variable,established opposition matrix,and laid basis for syllogism.

对亚里士多德的直言命题理论作了全面的分析，指出亚里士多德在逻辑史上第一次引进词项变元，建立了对当方阵，为三段论奠定了基础。

Politics and law are the application of ethics, and both have to comply with the categorical imperative.

第三章阐述了康德政治哲学的主要内容，即康德对自由、法、国家、和平等问题的论述。

The research is to discuss the effect of the different storage temperature, concentration of sucrose and application of ethylene on the senescence of the cattleya cut flower. The senescence symptom appeared in the cattleya cut flower in the vase at 25℃at 4th day, complete senescence happened at 5th day and lost the ornamental value .

本研究探讨不同贮藏温度、蔗糖浓度及外加乙烯对嘉德丽雅兰切花花朵老化之影响，嘉德丽雅兰切花於25℃下瓶插第4天花朵已开始出现老化症状，第5天花朵已完全老化且失去观赏价值。

The cattleya cut flower treated with 0.1 ppm, 1 ppm and 5 ppm ethylene for 24 hrs at 25℃compared with the control. The control had normal flower at 2nd day after treating, but 0.1ppm ethylene treatment had slight wilt in the petal and still had ornamental value. Treatments with 1 ppm and 5 ppm ethylene had complete wilt in the corolla and lost ornamental value. The treatments with different concentration of ethylene caused considerable flower senescence, the decrease of water uptake and fresh weight of cattleya cut flower in the vase. Data showed that cattleya cut flower was one of orchids very sensitive to ethylene response.

嘉德丽雅兰切花以不同浓度外加乙烯(0.1ppm、1PPm、5PPm)於25℃下处理24小时后，瓶插第2天，以0.1ppm处理者切花花瓣已稍萎凋，以1ppm及5ppm处理者，花朵已完全萎凋而无观赏价值，对照组花朵仍然完好，乙烯处理之切花吸水量和鲜重亦於第2天明显下降，显示嘉德丽雅兰切花对乙烯非常敏感。

Edmund de Waal's elegant celadon site-specific vessel installations are renowned for their meditative presence.

埃德蒙德瓦尔的优雅青瓷具体地点的船只设施都是世界有名的沉思存在。

Those currently working with Studio Azzurro in various roles include: Marco Barsottini, Elisa Bolis, Reiner Bumke, Matteo Cellini, Mario Coccimiglio, Daniele De Palma, Elisa Giardina Papa, Francesca Gollo, Tommaso Leddi, Carmen Leopardi, Chiara Ligi, Chiara Longo, Mauro Macella, Alberto Massagli Bernocchi, Daniela Mezzela, Elisa Midali, Alessandro Pecoraro, Silvia Pellizzari, Giulio Pernice, Sonia Ragno, Lorenzo Sarti.

目前蓝色工房与各类艺术人才合作，他们是：马可。巴索提尼、艾丽莎。薄丽丝、雷讷。布恩可、马泰奥。切利尼、马里奥。可齐米里奥、达涅莱。德。帕尔玛、艾丽莎。嘉尔迪娜。帕琶、弗朗切斯卡。戈洛、托马索。莱迪、卡门。雷欧帕尔蒂、基娅拉。丽姬、基娅拉。隆歌、茅罗。马切拉、阿尔贝托。马萨丽。贝尔诺基、达涅拉。梅泽拉、艾丽莎。米达丽、阿莱桑德罗。贝科拉罗、希尔维娅。佩丽扎礼、朱里奥。佩尔尼切、索妮娅。拉妮奥、罗伦佐。萨尔蒂。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。