得福

Sophocles's version of the Electra story was written around 410 BCE, and it is difficult to read it without thinking of Euripides's Electra and the middle portion of Aeschylus's trilogy, the Oresteia, which recounts the same events.

索福克勒斯的版本的恋父的故事写在公元前410 ，这是难以阅读它没有思想的欧里庇得斯的恋父和中东部分埃斯库罗斯的三部曲的奥瑞斯提亚，其中叙述了相同的事件。

Flaubert had strong positive attitude towards Emma's bravery of pursuing true perfect and beautiful love ,otherwise he wouldn't describe her so charming and tempting ,nor wouldn't betroth her a righthearted husband who loved her forever.

福楼拜对艾玛勇敢追求爱情的真、善、美是持肯定态度的，否则也不会把她描绘得如此美丽动人，也不会把她许配给一个善良正直，深爱她到死的丈夫。

All day long they fought by the Scaean gates and would have taken the city there and then, had not Apollo vouchsafed glory to Hector and slain the valiant son of Menoetius after he had done the Trojans much evil.

他们在斯卡亚门边奋战终日，当天即可攻下城堡，倘若福伊波斯·阿波罗不在前排里杀了墨诺伊提俄斯骁勇的儿郎――他已把特洛伊人捣得稀里哗拉――使赫克托耳争得荣光。

Apollo with his arrows took his stand to face King Neptune, while Minerva took hers against the god of war; the archer-goddess Diana with her golden arrows, sister of far-darting Apollo, stood to face Juno; Mercury the lusty bringer of good luck faced Leto, while the mighty eddying river whom men can Scamander, but gods Xanthus, matched himself against Vulcan.

福伊波斯·阿波罗手持羽箭，稳稳站立，攻战王者波塞冬，而灰眼睛女神雅典娜则敌战厄努阿利俄斯。对抗赫拉的是啸走山林的猎手，带用金箭的捕者，泼箭如雨的阿耳忒弥丝，远射手阿波罗的姐妹。善喜助佑的赫耳墨斯面对女神莱托，而迎战赫法伊斯托斯的则是那条漩涡深卷的长河，神祗叫它珊索斯，凡人则称之为斯卡曼得罗斯。

Hold it therefore for a certain truth that you can have no good come into your soul, but only by the one way of a birth from above, from the Entrance of the Deity into the properties of your own soulish life.

抓住这个可靠有福的真理：除非你的灵魂有从上头来的新生，否则你乏善可陈，如要自然的正义就得有新生的体验，也就是藉著爱的灵运行在生命中而有的结果，爱是光明灿烂荣耀的，否则不能在受造之物中得以升华，在此过程中亦须具有喜乐，神之所以必须道成肉身，就是因非藉此不能使恢复本性，而靠人自己的力量无法达到这种光荣的境界，这完全是藉爱的灵所运行而成。

Hold it therefore for a certain truth that you can have no good come into your soul, but only by the one way of a birth from above, from the Entrance of the Deity into the properties of your own soulish life.

抓住这个可靠有福的真理：除非你的灵魂有从上头来的新生，否则你乏善可陈，如要自然的正义就得有新生的体验，也就是借着爱的灵运行在生命中而有的结果，爱是光明灿烂荣耀的，否则不能在受造之物中得以升华，在此过程中亦须具有喜乐，神之所以必须道成肉身，就是因非借此不能使恢复本性，而靠人自己的力量无法达到这种光荣的境界，这完全是借爱的灵所运行而成。

A tragic car accident took the life of fortlands area computer software entrepreneur , William Sud..

一场悲惨的车祸夺去了一个福得电脑软件公司业主的生命，威廉

The toadlike witch on his right, however, merely gazed at Dumbledore, her face quite expressionless.

然而，坐在福吉右边的那个长得象癞蛤蟆一样的女巫却仅仅是瞪了丹伯多一眼，她的脸上面无表情。

This was a great relief, and Buck caused even the weazened face of Perrault to twist itself into a grin one morning, when Francois forgot the moccasins and Buck lay on his back, his four feet waving appealingly in the air, and refused to budge without them.

这大大减轻了痛苦，以致于一天早上福楼沙忘了给他穿鞋，巴克便仰面躺着不肯走路，四只脚恳求地在空中乱舞，后来他的脚坚硬得适应旅程了，穿破的鞋套也就扔掉了。

Since he wined the Nobel Prize for literature of 1949,he has gained higher and higher comments.

今天，福克纳已成了除莎士比亚外被研究得最多的英语作家。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。