得时

He was severeiy crippled and very short,and when we walked together,his {hand on my arm} for balance,people would stare.

他腿瘸得很厉害，个子又矮；我们一起走路时，他的手搭在我臂上以保持平衡，人们就会盯着看。

Finally, I don't much care for the joined eyepiece caps either as they are balky to remove.

我倒不介意宾得给目镜配上了连体式镜头盖，虽然这个镜头盖有时挺难摘下来。

My daughter will be like when we are walking on bandy legs, when I was not scared, then later, I heard people say that is not afraid.

我女儿会走路时就好象是罗圈腿，当时我也是吓得不行，后来听人说不怕。

Nothing like a nice barroom brawl… so easy to stick a knife in a man's back or club him with a bottle when he's lying under a table.

没有什么比得上酒馆里的一场漂亮械斗……当一个人躺在桌子底下时在他背上插把刀子或是用酒瓶子狠揍他是最容易不过的。

After a few days, somebody is carrying only broken bowl to say to him:"The banquet that the gentleman gets and bastinado, do not calculate ancient, see this bowl please, build when Xia Jie, often get than Zhou Gu much."

几天后，又有人端着只破碗对他说："先生得到的席和杖，并不算古，请看这只碗，是夏桀时造的，比周古老得多了。"

And when you are batching you become fully engaged in the tasks and more focused.

当你进行批量作业时，你会变得更投入并且精神更集中。

He poorly cloaked his feelings when he pronounced Bathsheba's name.

在他说到巴丝谢芭的名字时，他的感情掩饰得极不成功。

When I came to Paris I was still an innocent girl. I read only Villon and Baudelaire.

当时我在银行里有三十万瑞士法郎，我拼命享受，因为在俄国时他们总是把我管束得很严。

So by the time I first sat down to audition in front of a television camera, and somebody said,"Read this," what allowed me to read it so comfortably, and be so at ease with myself at that time, was the fact that I had been doing it a while.

所以，在我第一次坐在电视镜头前试播时，别人对我说"读这个"，我能读得非常轻松，非常放松，这是因为我曾经做过这个活。

I shall find them gathered in the thee when i awake and shall be free..

当我醒来时我得找到集中在你那里在一起的东西，我则会自由。。。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。