很像

The following results are made from this research: Assessing data quality and band combination of different bands in line with geo-target features in desertification areas, and determining basic bands for desertification monitoring. And understanding and studying the spectral features and variation rules of geo-targets in the experimental area, raising that it is the basis of geo-targets information collection with imaging spectrometer data to understand spectral features and variation rules of geo-targets, realizing that in a great extent spectral-integrated-form-based classification method can remove the phenomenon of "different spectrum with same objects" resulted from reflection ratio curve translation because of the angle change among sensor, targets and observation direction, and the average and variance images can be introduced to solve the problem of two kinds of geo-target with similar spectral forms and much different values of whole reflectionratio. It is suggested that "red edge" range bands of vegetation, which has close relationship with vegetation cover and biomass, is the main characteristic bands and important basis for careful vegetation classification and quantitative retrieval, and pixel-based derivative spectral analysis is very useful for removing the effects of soil background values and quantitatively retrieving vegetation biomass and cover. The remote sense quantitative retrieval model is developed for main appraisable factors of desertification monitoring assessment with imaging spectrometer data and then the applicability of model is analyzed.

研究结果如下：首先针对荒漠化地区的地物特征，对高光谱数据不同波段的数据质量、波段组合进行了评价，提出了适用于荒漠化监测的基本波段选择集；初步了解和掌握了研究地区的地物光谱特性及变异规律，进一步明确了掌握地物光谱特征和变异规律是用成像光谱仪数据提取地物信息的基础；发现了基于光谱整体形状的分类方法在很大程度上能够消除由于传感器、地物目标观测方向之间的角度变化引起的反射率曲线整体平移的"同物异谱"现象，对于谱形相似而整体反射率的值相差较大的两类地物，通过引入均值和方差图像参与分类得到解决；研究还表明在植被"红边"范围内的波段是进行荒漠化监测的主要特征波段，这些波段与植被生物量和盖度都有密切的关系，是开展精细植被分类研究和植被定量反演的重要基础；像元的导数光谱分析可以消除土壤背景的影响，是进行植被生物量和盖度定量反演的有力工具；建立了荒漠化监测主要评价因子的定量反演模型，并分析了模型的适用性。

The croaked Black Metal narrative is carried on the shields of the twin guitar attack, I抎 point to early SETH for how they sound, there is the warmth in tone on one of the guitars, something that the French band employed, however the other guitar is more incisive and has that touch of ice. There is an audible bass which provides some depth for the trebly guitars to race above and there is some fine clatter-tat-tat blasting from the skins department. Tracks like 揊rom My Throne OF Winter?are a cavalry charge into the soft flank of the enemy, the pace letting up from time to time as they breach a line of defence. All of the Metal tracks on the album benefit from this mix of breakneck speed and more mid paced sections. The production is typically lo-fi but as usual that is part of the appeal, there is no point recounting tales of past Pagan glories if you have a crisp digital production to spoil the ambience.The 揚rologue?and 揈pilogue?

而最吸引耳朵的还是尖叫部分，而且我敢打赌你以前从未在碾核音乐里听过这种嗓音，但我很难用合适的语言给你形容出来那究竟是怎样一种动静，粗略一点说它就像是受到惊吓的女人所发出的尖利声音，这样一来可能会让大家把他们和INTESTINAL DISGORGE混淆，那么再补充一句，主唱发出的声音并不是一个单音，那样未免就太枯燥无味了，而是有着跳跃性的节奏，我的能力只能形容到此，具体还要大家自己去体会了，而最令人不可思议的是主唱一人包揽了这两种唱腔，而这两种嗓音之间就像是天与地的差别，如果可能的话我还真想研究一下这位仁兄嗓子的构造。

How many years have passed How many times have the walls been brushed Like clothes, and more like skins Testifying for former residents Furnishings get along well with each other Though they are covered with dust They are not in any disorder And still stiffly remember the past The fingers for the piano have been remarried The keys are still disseminating fragrance Love has moved to other eaves Whose face is still shimmering in the album The world map is like a holy saint Holding his ground at a distinct corner While covert walks and windows Will never be able to line out Solitude is accompanying meditation There is not a single book leaf left Friends have come to deliver complaints and wishes And have taken ashtray and flagon Other seasons will descend Smiles will be fresh in the rain And fill the whole half-old vase While covers are inhabiting all the walls There will be mirrors to consume beauty There will be shoulders to lift the brain Behind cleaning milk and vanishing cream There will be face half hidden The age of sail has gone Yet there are new routes to be inaugurated Glass will gain masks Vacant rooms will gestate once again

经过了这么多年墙壁刷了多少遍像衣服，更像皮肤证明以往的住户家具们相处很和睦尽管有灰尘披覆却一点也不见凌乱顽固地记着从前弹琴的手指已改嫁琴键仍飘散着芬芳爱情已在别的屋檐下像册里谁的脸在闪光世界地图像圣徒坚守在显著的一隅隐秘的小路和窗户永远不可能标出孤独与沉思做伴没有留下一页书朋友们来诉苦和祝愿带走了烟缸和酒壶别的季节会来临微笑会鲜艳在雨里插满半旧的花瓶而封面占据着四壁会有镜子消受美貌会有双肩扛着头脑在洗面奶和雪花膏后面会有面孔半隐半现帆的时代已经过去但还有航线要开辟玻璃将得到面具空房也将再孕育

From an early age, children like these in Winnipeg become as comfortable on blades as in boots.

从很小的时候，像这些在温尼伯的儿童就像适应靴子一样适应冰刀了。

Hot Chip have always been the sort of band happy to flaunt their intelligence, but the smartest trick they pull on Made in the Dark is to show a little wisdom, too. 2006's The Warning was a fine record, albeit one sometimes difficult to ake seriously thanks to its taste for pop pastiche--here's the Prince track, there's a 2-step garage track--or the ccasional ironic wisecrack. On their third album, though, it's satisfying to report Hot Chip sound like no one but themselves. hat is, shuffling, synthesizer-smeared electro-pop with a gooey emotional core and, in the shape of Alexis Taylor, one of the greatest white-boy soul voices since that of his hero, Green Gartside of Scritti Politti.

Hot Chip 是那种能够乐于显示自己的聪明才智的乐团，但是在这张 Made in the Dark 当中他们玩的最聪明的花招就是将他们的智慧显露了一点。2006年的"The Warning"是张尚可的专辑，虽然一般人很难不把这张专辑的成功归功于对各种流行音乐的模仿——这个是 Prince 式的曲目，那个是2步舞曲——经常会有这样尖酸的俏皮话；他们的第三张专辑让人满意的地方就在于他们谁都不像，就像他们自己，这种轻灵跳动、带着合成器风格的电子流行乐再加上甜的发腻的情绪核；在主唱 Alexis Taylor，这个从他的偶像"Scritti Politti"的"Green Gartside"以来有着最好的白人灵魂歌手声线的男孩的刻意追求下，"Ready for the Floor"听起来介于 Detroit 的电子音乐和任天堂的RPG原声配乐。

She's a little bit loco a little bit coco a little bit tall yo a little bit small yo a little latino a lilttle europio a little bit choco exotic marocco she's a good girl she's a little mean nice body from the covers of the magazines eyes like deep green lips like angeline the most beautifulGirl that you've ever seen hey, loca, give me, give me your boca you're my girl you're my loca you're breaking my heart wowowowo hey, loco, please, espera un poco and i'll give you my choco do you want it or not?

她有点发疯有点椰子有点高溜溜有点小溜溜有点拉丁 1 lilttle europio 有点巧克力异国摩洛哥她是一个好姑娘她有点意思身体很好的涵盖杂志眼睛就像深绿色嘴唇像angeline 最beautifulGirl 你见过嘿，位置，给我，给我你的博卡你是我的女孩你是我的位置你打破我的心wowowowo 嘿，疯子，请埃斯佩拉取消波苏和我给你我的巧克力你想它呢？

The following results are made from this research: Assessing data quality and band combination of different bands in line with geo-target features in desertification areas, and determining basic bands for desertification monitoring. And understanding and studying the spectral features and variation rules of geo-targets in the experimental area, raising that it is the basis of geo-targets information collection with imaging spectrometer data to understand spectral features and variation rules of geo-targets, realizing that in a great extent spectral-integrated-form-based classification method can remove the phenomenon of "different spectrum with same objects" resulted from reflection ratio curve translation because of the angle change among sensor, targets and observation direction, and the average and variance images can be introduced to solve the problem of two kinds of geo-target with similar spectral forms and much different values of whole reflectionratio. It is suggested that "red edge" range bands of vegetation, which has close relationship with vegetation cover and biomass, is the main characteristic bands and important basis for careful vegetation classification and quantitative retrieval, and pixel-based derivative spectral analysis is very useful for removing the effects of soil background values and quantitatively retrieving vegetation biomass and cover. The remote sense quantitative retrieval model is developed for main appraisable factors of desertification monitoring assessment with imaging spectrometer data and then the applicability of model is analyzed.

研究结果如下：首先针对荒漠化地区的地物特征，对高光谱数据不同波段的数据质量、波段组合进行了评价，提出了适用于荒漠化监测的基本波段选择集；初步了解和掌握了研究地区的地物光谱特性及变异规律，进一步明确了掌握地物光谱特征和变异规律是用成像光谱仪数据提取地物信息的基础；发现了基于光谱整体形状的分类方法在很大程度上能够消除由于传感器、地物目标观测方向之间的角度变化引起的反射率曲线整体平移的&同物异谱&现象，对于谱形相似而整体反射率的值相差较大的两类地物，通过引入均值和方差图像参与分类得到解决；研究还表明在植被&红边&范围内的波段是进行荒漠化监测的主要特征波段，这些波段与植被生物量和盖度都有密切的关系，是开展精细植被分类研究和植被定量反演的重要基础；像元的导数光谱分析可以消除土壤背景的影响，是进行植被生物量和盖度定量反演的有力工具；建立了荒漠化监测主要评价因子的定量反演模型，并分析了模型的适用性。

He masturbate so much he had to roc a wristband you got guns pointed my way he's so played out i thought he was the old school joint of the day i got fans across the country jin is who they feelin' last time he had a fan it was spinnin on the ceilin' i go online, and check my hotmail he go on the internet lookin for hot males you aint a hustler your man's coppin the work he be at the club, like tweet, droppin his skirt oops, i didn't know my freestyle teared up you up on stage but it's a pity though don't make me spit in your mouth like missy's old video im nice with it

你想打败我？别费劲了，你就是个唱OLD SCHOOL的最傻的傻大个我的粉丝遍布全国。你最近的一个粉丝现在再天花板上吊着呢我上网是为了查邮件他上网是为了找GAY 你不是拉皮条的你的同志们再夜总会工作，看起来就像TWEET脱裙子一样滑稽（tweet好象是那个坐椅子上的胖子）哦！不好意思，我什么也没说，我让你再台上一败涂地尽管你很不幸，但也别惹我，当心我像MISSY当年的MV一样吐痰在你嘴里

It is concluded that black and white angiogram is able to help images from various views to complement each other, offer fuller anatomic structure and functions of heart, and deserves recommen- dation for clinical use.

因此新型磁共振成像多平面成像互补，更全面显示心脏的解剖结构，测量心功能指标，是一种临床实用价值很高的技术。

"Give us the ballot" now sounded like a call from an age long gone, but throughout the four decades following King's assassination, his 1966 demand for a guaranteed annual income seemed like a plea from a time that had barely existed and could never imaginably return.

&给我们选举权&现在看来更像是过去很久的时代的呼声，而在自马丁路德金被暗杀后的这四十年来，他1966年呼吁确保人均收入的口号像一个一去不复返的请求。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。