往往

Passion immediately assumes a heat that goes beyond good sense and stability; and rank, fame, and power have come under fairly heavy criticism for at least a century.

激情蕴含了强烈的欲望，往往超越理性和常态。同时，至少一个世纪以来，地位、名誉和权力遭到了猛烈的抨击。

His works, which blend comedy and drama, often focus on jealousy, betrayal, and ***ual politics, but it is his dialogue—and the lack of dialogue—for which he is known.

他的作品，其中融合喜剧和戏剧，往往侧重于嫉妒，背叛，性政治，但它是他的对话，以及缺乏对话，在这方面，他是众所周知的。

Scientific scandals, which are as old as science itself, tend to follow similar patterns of hubris and comeuppance.

科学丑闻与科学本身的发展亦步亦趋，并且往往遵循着类似的规律，即自以为是必然会受到惩罚。

And most of all, I will laugh at myself for man is most comical when he

我笑自己，因为自视甚高的人往往显得滑稽。

And most of all, I will laugh at myself for man is most comical when he takes

我笑自己，因为自视甚高的人往往显得滑稽。

In addition, the various countries for each other respect, the contact are convenient and the friendship and cooperation, often mutually between also adopts each kind of comity of nations.

此外，各国为了彼此尊重，交往方便和友好合作，往往相互之间也采取各种国际礼让。

People tend to lose interest in life, so there are a lot of people choose to commit suicide.

生活往往让人失去兴趣，所以有很多的人选择了自杀。

Special program has much difference with the common program both in the content and form.

特别节目往往在内容和形式上都和日常节目有着很大不同，总体上呈现出系列化、适合全家观看等特点。

Magazine often served for politics at the very beginning, but now, acting as one of the public media, magazine serves for social commonalty, and magazine has the feature to amusement popular.

杂志在初始阶段往往都是为政治服务的，其艺术风格受政治因素的影响较大。

In fact, what mathematic models can offer is either commonsensical knowledge or outdated and even wrong ideas.

实际上，当前那些数学模型所能揭示的往往是一般性常识或者过时乃至错误的观点。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。