往往

Farce: A type of comedy based on a ridiculous situation, often with stereotyped characters. The humor in a farce is largely slapstick-that is, it often involves crude physical action.

闹剧：闹剧是戏剧的一种，它以搞笑的情节为基础，往往使用典型化的人物，闹剧中的幽默很大程度上都是打闹--它往往会有比较激烈的肢体动作。

Self built house Can represent shanty towns or favelas that form in urban areas to house low-income people, or earth-built homes of natural materials such as adobe, straw.

这主要是指当地居民以传统方式建造的房屋。他们往往就地取材--节约资源，设计上充分利用了当地的地理环境--节约能源。虽然在城市地区，往往是略贫困的人们住在那堙A但我们的著眼点是它对环境友善的一面。

Solo Instrumental recordings launched successful labels like Windham Hill and Narada, ushering in a whole movement oriented toward impressionistic, often folk-inspired originals for piano, guitar, Celtic harp, and even hammered dulcimer.

提起器乐独奏作品，人们往往会想到Windham Hill和Narada两家公司，它们出的专辑往往凭借着民乐带来的灵感，用钢琴，吉他，爱尔兰竖琴甚至洋琴等乐器的演奏贯穿整个专辑，给人留下深刻的印象。

The bank usually requires a B/L made out to order and blank endorse.

银行往往要求空白抬头，银行往往要求空白抬头，空白背书的提单。

Someone who has bounced between two parents will not marry with the thought that "we can always get a divorce if it doesn't work." Someone who has viewed the nightmarish results of political policies and recreational activities that were rather innocently begun will be more careful to consider the implications of new seductions at the outset .

那些经历过父母离异的人绝不会带着&大不了离婚&的想法结婚；那些见识过错误的政策（往往在一开始被认为是明智的决策）和歌舞升平（往往一开始被认为是太平盛世的标志）所带来的梦魇般的恶果的人在面对新的诱惑时会更加谨慎。

In the former, such research often goes under the rubrics of satisfaction and/or customer lifetime value research, while in B2B and/or services marketing, it is often known as relationship marketing or service quality research.

在前者，这种研究往往得不到满意下和/或客户终身价值研究的评鉴指标，而在B2B和/或服务营销，往往是被称为关系营销或服务质量的研究。

The pedigreed chicks are treated like royalty, but the luxury comes at a heavy price.

小鸽子往往享受着皇宫的待遇，好待遇必然得付出代价，对它们的苛求往往到了极致。

In the whole market development, there are also a lot of places: 1、decoration personnel, decentralization, spare no good management system, not by most decoration of professional training and lack of effective knowledge in the cases of housing decoration, the quality of the crisis, cut corners, crude abuse of engineering quality is low, no guarantee after-sale, etc. 2、in the industry, many designers unspoken rules, and for his own benefit subcontracted, the owner of this link purchase materials, a rake-off extraction. 3、decoration materials, the source of confusion, very small workshop of small companies selling certificates of poor quality material, often without the use of security, and short, etc.

在整个市场的发展中，也存在很多不规范的地方：1、装修人员的业余化，分散化，没有良好的管理系统，打多数装修人员没有受到过良好的专业培训，在缺乏有效的知识的情况下，往往对住房的装修质量带来不小的影响，偷工减料，粗制滥共工程质量低下，售后无保障等等。2、行业中潜规则，不少的设计师和施工者，为了自身的利益，在业主购买材料的这一环节中，提取着回扣。3、装修材料的来源非常混乱，小作坊，无证件的小商家兜售的材料，往往质量差，无保障，使用年限短等等。

See a butterfly wing flap, tend to foresee the Mississippi River basin will be a storm, or a month later, Texas, there is a tornado, which is a lot of mainstream economists as well as the institutions most analysts Often do.

看到蝴蝶的机翼，往往能预见到密西西比河流域将是一场风暴，或一个月后，得克萨斯州，有一个龙卷风，这是很多主流经济学家以及机构大多数分析师往往。

With the re-exposure of a certain layer-such as a painting that is not visible but can in fact be extremely well conserved underneath several layers of lime - a critical question must always be addressed: what is the goal of the restoration of a monument that, as so often is the case, is composed of very different historical layers which are all part of the monument and are all evidence of its history with its various traces of age.

至於像重现某一时代的壁画层这件事—往往一幅隐藏在表面下看不出来的壁画，实际上在好几层石灰下获得极佳的维护—我们得面对一个极重要的问题，那就是：修复古迹的目的是什麼？因为古迹本身往往是由不同的历史层所组成，整个古迹就是不同历史阶段证据的总和。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。