彼得

Chewing his blade of hay he laid the coffinlid by and came to the doorway. There he tilted his hatbrim to give shade to his eyes and leaned against the doorcase, looking idly out.

康米神父想到黑、棕、黄色人种的灵魂啦，他所做的有关耶稣会的圣彼得·克莱佛尔[30]和非洲传教事业的宣讲啦，传播信仰啦，还有那数百万黑、棕、黄色的灵魂。

Peter Ackroyd has written more than two dozen books, both fiction and non-fiction, short and long (his "Dickens" is as good a doorstop as any).

彼得。埃克罗伊德写过二十多部小说和非小说作品，既有短篇，也有长篇（他的《狄更斯》就像其它相关入门级作品一样的出色）。

All the widows stood around him, crying and showing him the robes and other clothing that Dorcas had made while she was still with them.

众寡妇都站在彼得旁边哭，拿多加与她们同在时，所做的里衣外衣给他看。

And all the widows stood by him, weeping and showing him tunics and garments, all of which Dorcas had made while she was with them.

众寡妇都站在彼得旁边哭，拿多加与她们同在时所作的里衣外衣给他看。

And when he had come, they took him into the room: and all the widows were there, weeping and putting before him the coats and clothing which Dorcas had made while she was with them.

到了，便有人领他上楼。众寡妇都站在彼得旁边哭，拿多加与她们同在时，所做的里衣外衣给他看。

When he was come, they brought him into the upper chamber: and all the widows stood by him weeping, and shewing the coats and garments which Dorcas made, while she was with them.

到了，便有人领他上楼。众寡妇都站在彼得旁边哭，拿多加与他们同在时，所做的里衣外衣给他看。

When he was come, they brought him into the uer chamber: and all the widows stood by him weeping, and shewing the coats and garments which Dorcas made, while she was with them.

到了，便有人领他上楼。众寡妇都站在彼得旁边哭，拿多加与他们同在时，所做的里衣外衣给他看。

St. Peter checks his dossier and says,"Ah, you're an engineer --you're in the wrong place."

圣彼得查看了他的档案后说，"啊，你是工程师--你来错地方了。"

They only have one room left: you'll have to double up with Peter.

他们只剩下一个房间，你只好与彼得合住了。

"They're not ours," said Peter doubtfully.

彼得犹豫不决地说。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。