彼得

Pete wrote to condole with his friend on the death of his mother .

彼得写信给他的朋友，对其母亲的去世表示哀悼。

His house is noble, its spectrum can be traced back to the 16th century, when the conferment BiDeYiShi obtained from the ancestor.

他家是名门贵族，其谱系可以追溯到16世纪，远祖从彼得一世时获得封爵。

Upon graduation from the Conservatoire, he was invited to St. Petersburg Theater of Musical Comedy as Head Conductor.

在他从公立音乐学校毕业时，他作为首席指挥被邀请到彼得斯堡剧院指挥歌舞喜剧。

Peter Borwein is Professor of Mathematics at Simon Fraser University and the Associate Director of the Centre for Experimental and Constructive Mathematics.

彼得Borwein在西蒙·弗雷泽大学和实验和有建设性数学的中心的副主管是数学的教授。

They threaten the Apostles, and charge them not to speak at all or teach in the name of Jesus; Peter and John contemn the threat, calling upon the council to judge whether it be right to hearken unto the council rather than unto God.

他们威胁著使徒，并负责他们不说话，或者教的名义，耶稣；彼得和约翰鄙夷的威胁，要求安理会来判断它是否是正确的倾听给安理会，而不是你们的上帝。

Then Peter raised a topic that had been of interest to us for many years, namely contortion.

然后彼得提出了一个话题，已经有兴趣的我们多年，即

Peter de Luna is again accused of contumacy and an inquiry about him is established.

彼得德月球又是被告的contumacy并询问有关他的，是既定的。

He's copying Peter's paper.

他在抄彼得的报告。

Indeed both Corelli who served as orchestra director between 1690 and 1714 and Alessandro Scarlatti were employed by Cardinal Pietro Ottoboni, who lavishly financed musical events in his Pallazzo della Cancelleria as well as writing many libretti for opera and oratorios.

事实上，无论是谁科雷利乐团1690至1714年和亚历山德罗斯卡拉蒂担任董事是由枢机主教彼得奥托博尼，谁资助了他的华丽Pallazzo德拉音乐活动Cancelleria以及写歌剧和清唱剧许多利布雷蒂就业。

Peter Pace, has a televised interview with a People's Liberation Army corespondent at Shenyang training base, China, Mar.

2007年3月24日，美国参谋长联席会议主席彼得·佩斯陆战队上将在沈阳训练基地接受中国人民解放军记者的电视采访。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。