影片的

This year "Juno," the only PG-13 best picture nominee and the only one in which nobody dies a violent death, is also the only one to have topped $100 million in gross receipts.

今年的《朱诺》，是最佳影片提名之中唯一一部十三岁以下儿童需父母指导观看的影片、唯一一部无人死于暴力的影片、也是唯一一部总收入超过一亿美元的影片。

Terrorist in 1997's The Devil's Own, and a passable Germanic accent as Austrian journeyer Heinrich Harrar in Seven Years in Tibet, a performance many have credited as the best of his career.

brogue ：爱尔兰人；1997年，皮特在影片"魔鬼同行"中出演一名爱尔兰共和军战士，在影片"西藏七年"中演达赖喇嘛的教师，这两部影片都广获好评。

The performance of film images can be divided into the performance of static painting lattice and the PHI phenomenon of painting lattices.As for the research on the performance of static painting lattice, it should make reference of the relationship between the sun, and the main body of paternity, the main background of the relations between viewers and painting, the main characters include the size, shape, color, sense of space and so on.

在对静态画格的表现力研究时，根据画框与主体的关系，主体与陪体的关系、主体与背景的关系以及观众与画格的关系，主体本身的性质：大小、形状、色彩、空间感等因素，分别对画格的构图的表现力、景别的表现力、角度的表现力进行研究，把运动镜头整合为两个大的类别，分析了这两类运动镜头的表现性；最后，建立一个模型来论证，一部影片的表现性是在大量的具有表现力画格感应出一个表现力场的过程中完成的。

Fortunately, the young boys had gained the ability to have free thoughts, finally, when Mr. Keating left the classroom, majority of the students stood on their desks to send off their well-beloved Captain, ignoring the warnings their schoolmaster made.

在影片的最后5分钟，我哭了，为一群年轻而真挚的孩子们敢于违抗校规站在桌子上目送自己信赖的优秀老师离开，他们的船长，他们的 Keating 老师，他们的思想启蒙者，他们就站在课桌上，无视校长的威胁，真挚地送走他们的 Keating 老师，如果你就是当时的 Keating 老师，你的心里会作何感想？

Judging from the artistic representation that we may expect, the creators concentrate on the expression of elegant and spiritualistic inner world; the images are extremely beautiful; music refreshingly touching; human behavior and spiritual movement are manifested with fairy-tale like movie art, reenacting Anderson fairy tale in reality in front of the audiences; bringing the great spiritual heritage left by the great Danish fair-tale master, echoing and manifesting with the most in harmony in the new-wave Chinese movie.

从预期艺术表现手法来看，创作者们濯墨于表达优美而灵性的内心世界，画面将是无以伦比的美丽，音乐将是沁人心脾的动听，把人物的行为及其心灵的异动，以童话般的电影艺术手段加以表现，让安徒生式的童话以真实再现的面目出现在欣赏影片的观众面前，让丹麦的这位童话大师给我们留下的精神上的伟大遗产，在中国的这部新派优秀电影中给予最充分的和最和谐的共鸣与体现。

The film's theme - that, in the words of the heroine Miyoe, the image of the geisha as "symbol of Japanese beauty" is "all lies"–is expressed visually in the superb scene where she is assaulted by a prospective patron and escapes his attentions by violently biting his tongue. There follows a startling near-close-up of a stunned Miyoe staring into the camera in full geisha regalia, her immaculate white make-up broken by a bloody stain around her lips.

本部影片的主题（即女主角荣子所言之、艺妓形象是&日本之美的象征&这一点是&彻头彻尾的谎言&）在一个出色的场景中得到了视觉上的直观表达：在此场景中，荣子被一位未来的资助者施暴，她通过痛咬对方的舌头方才逃脱其注意；随之而来的是一个令人震惊的近距离特写，着艺妓全套盛装、处于惊愕之中的荣子凝视着镜头，她那完美的白色妆饰被唇边的一缕血迹破坏。

As the representative of the second-generation director, Hou Xiaoxian is creative in his treatment of the film preamble, making it the best footnote to a film. This footnote either expresses the dream about harmonious nature, or becomes a plot metaphor with striking meta-narrative feature, or forms a hologram construction of scatter perspective, etc. Li An, a representative of the third-generation directors, once lived in the U.S. and influenced by Hollywood films, attaches great importance to plot and rhythm in his treatment of film preambles, and favors classical narration. All this is clearly manifested in his "father" trilogy. Cai Mingliang, another famous third generation director, sticks to the artistic philosophy of modernism and displays an arbitrary style.

作为第二代导演代表，侯孝贤创造性地处理片头，使之成为影片的最佳注脚：或传达和谐的自然理想，或成为一个情节隐喻而颇具&元叙事&特征，或构建散点透视的全息式结构；第三代导演的李安因置身异域文化，借助好莱坞电影在中产阶级中的优势，对片头进行了一种重情节、重节奏的剪辑处理，积极靠近古典叙事，这在他的&父亲三部曲&中尤为明显；同为第三代导演的蔡明亮执着于现代主义的艺术理念，透露出个人专断的风格。

The centerpiece of the film will be bringing to life the Smithsonian Institution, which houses the world's largest museum complex with more than 136 million items in its collections, ranging from the plane Amelia Earhart flew on her non-stop solo flight across the Atlantic and Al Capone's rap sheet and mug shot to Dorothy's ruby slippers, Fonzie's jacket from Happy Days, the still from M*A*S*H and Archie Bunker's lounge chair from All in the Family.

影片的核心会带来生命的史密森学会，里面有超过136万件收藏品中从飞机阿米莉亚亚埃尔哈特不等，是世界上最大的博物馆群飞到她不停整个单飞大西洋和Al Capone的饶舌负债表及面部照片的多萝西的红宝石拖鞋，方兹从幸福的日子，奥特曼和阿尔奇邦克的休闲椅仍然夹克从家庭所有。

Steven saw the rough cut," Lucas says, sitting at home at a table in his kitchen."I felt I needed to show it to Steven to figure out what the reality was, because we'd earlier had a rough-cut screening for ILM to test the film, and some of the people had strong opinions about things that were contrary to the way I was going.

斯蒂芬看了粗剪版，&卢卡斯坐在自家厨房的桌子后面说，&我觉得我需要把影片放给斯蒂芬看，以了解真相到底如何，因为我们早前把影片粗剪版放给ILM成员看以对影片做检验时，一些人对我在影片里采取的方式产生了极强烈的抵触情绪。

The opening voiceover undermines the documentary qualities of the sequence by evoking the colour of objects and furnishings which, since the film is in black and white, the viewer cannot see. By contrast, the stylisation of the later scenes does not preclude an emotional response: the scenes where the prison officers re-enact the now amnesiac protagonist's upbringing and crime to remind him of his guilt are grimly hilarious.

开篇部分的画外音通过再现观影者原本由于影片的黑白色调而无法看到的、物品与室内陈设的颜色，使得这一段落的纪录片特质受到了削弱；相反，之后场景中的程式化也没有排除情感上的反应：那些监狱看守通过再现这位如今已经失去记忆的主角的幼年经历和所犯罪行、令他回忆起自身罪孽的场景，是一幕幕狰狞的喧闹景象。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。