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影片剪辑

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Aronofsky's jumping editing style makes the film keep a sense of mystery. Three parts that seem irrelevant finally become one point in the end. Tom puts himself in the universe and lives with his wife who transform into a tree. The time of getting immortal life finally comes, form upgrades into spirit. It keeps Tomas from being killed by the gate keeper and also let him to experience the meaning of being "eternity" after being greed of immortality.

阿朗诺夫斯基的跳跃式剪辑手法使影片保持著一份神秘感,三段看似不相关的支线,终於在最后交集成为一点,在汤姆将自己置身於宇宙中,而和妻子转化而成的大树共生,获得永恒生命的时机终於到来,形体升华成了精神,它让托玛斯幸免於被守门人杀死,也让他在贪婪於长生不老后亲身体验「永恒」的涵义。

Film strongly from the outset to create an atmosphere of a strange dark, horse-long extension of the path. Scarecrow's Pumpkin head with a dagger that there have been shrouded in a layer of fog with the tricky, Scheduling strong rapid camera, editing, pure and simple, static, one between the heads gone, and the killer has disappeared. When the survivors jumped out of the cart that moment, it will mean that he will not escape the fate of decapitation. and the director so that he could have a symbolic meaning in the next pumpkin head, which passed the sword and decapitated. a blood filter out the first upheaval in the face of the pumpkin, so the people have lost their lives can not do anything about it.

影片从开始就极力营造一种诡异阴暗的氛围,马车、悠长延伸的小路、还有那个手持匕首的南瓜头稻草人,都被笼罩在一层带有迷雾的诡异之中,镜头调度有力快速,剪辑干净利索,一动一静之间,人头已经消失,而杀人者却不见踪影,当幸存者慌乱的跳下马车的那一瞬间,就意味着他也将逃不掉断头的宿命,而导演让他死在那个具有象征意义的南瓜头旁边,利剑滑过,身首异处,喷出的一滤鲜血荡在了南瓜头的脸上,人就这么的失去了生命却无能为力。

If the director can't respect true of hour, time according to person's emotion, it is impossible for time to engraves between the lens and the director can't also shear Ji and create a film.

如果导演不能尊重真实的时间、符合人情感的时间,时间就不可能刻印在镜头之间,导演也无法剪辑和制作出影片。

James Horner's score never intrudes but subtlety eggs the action on while the editing attributed to Cameron, Stephen Rivkin and John Refoua maintains a breathless pace that exhilarates rather than fatigues.

James Horner's 的score?从未有生硬之感而是巧妙地产生了这些动作而影片的剪辑则帮助维持了令人窒息般愉悦而不是疲倦的节奏感。

A young, unemployed film-maker's 20-minute internet parody of Chen Kaige's latest movie The Promise has delighted China's online audiences and raised the hackles of the country's most prestigious - and pompous - film director.

一名年轻且没有固定工作的电影制作人通过剪辑影片《无极》制作了一部20分钟长的喜剧短篇,该短片既娱乐了中国众多的网民,同时也激怒了制作《无极》的大导演陈凯歌。

A young, unemployed film-maker's 20-minute internet parody of Chen Kaige's latest movie The Promise has delighted China's online audiences and raised the hackles of the country's most prestigious - and pompous - film director.

一名年轻且没有固定工作的电影制作人通过剪辑影片《无极》制作了一部20分钟长的喜剧短篇,该

The film is to be cleaned up and reedited.

这部影片应剔除糟粕,重新进行剪辑。

Clips of scripted bits from television are some of the most popular videos on the Internet.

剪辑的脚本的钻头从电视的一些最热门的影片在互联网上。

Jennifer passed away, and their son have been to go to school age. Gan to send his son on a school bus, sitting in the bus stop bench, recalled the experiences of his life.

阿甘正传》获1995年第67届奥斯卡最佳影片、最佳男主角、最佳导演、最佳剧本改编、最佳剪辑、最佳视觉动机六项大奖。

As the representative of the second-generation director, Hou Xiaoxian is creative in his treatment of the film preamble, making it the best footnote to a film. This footnote either expresses the dream about harmonious nature, or becomes a plot metaphor with striking meta-narrative feature, or forms a hologram construction of scatter perspective, etc. Li An, a representative of the third-generation directors, once lived in the U.S. and influenced by Hollywood films, attaches great importance to plot and rhythm in his treatment of film preambles, and favors classical narration. All this is clearly manifested in his "father" trilogy. Cai Mingliang, another famous third generation director, sticks to the artistic philosophy of modernism and displays an arbitrary style.

作为第二代导演代表,侯孝贤创造性地处理片头,使之成为影片的最佳注脚:或传达和谐的自然理想,或成为一个情节隐喻而颇具&元叙事&特征,或构建散点透视的全息式结构;第三代导演的李安因置身异域文化,借助好莱坞电影在中产阶级中的优势,对片头进行了一种重情节、重节奏的剪辑处理,积极靠近古典叙事,这在他的&父亲三部曲&中尤为明显;同为第三代导演的蔡明亮执着于现代主义的艺术理念,透露出个人专断的风格。

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