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形象塑造

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Viewed from the angle of maneuvers of the field headquarters of the Eighth Route Army in and around Shanxi, with the national conflicts between China and Japan as the thread and the anti-Japanese battles in North China as the setting--fleshed out with combats, episodes and anecdotes of the General Headquarters of the Eighth Route Army, the Big Three divisions of the Eighth Route Army, military sub-areas and anti-Japanese base areas,"The Eighth Route Army" gives a panoptic, unbiased and vivid account of the history of the Eighth Route Armys anti-aggression war.

八路军》以在中央军委正确领导下的八路军前方指挥部在山西境内及其周边地区的活动为主视角,以中日双方民族矛盾为主线,立足于华北抗战,通过八路军总部,三大主力师,各个军分区,以及敌后抗日根据地等点与面贯穿与辐射,全面、客观、形象地反映了八路军的抗战史,突出了共产党领导下的八路军在抗日战争中发挥的中流砥柱作用,讴歌了中国人民坚强不屈、同仇敌忾、不怕牺牲、敢于胜利的伟大民族精神,雄辩地证明了以毛泽东为首的党中央和中央军委制定的正确的战略方针和政策,艺术性地反映了朱德、彭德怀等八路军总部主要领导人杰出的军事指挥才能,突出地表现了八路军各部首长灵活多变的战略战术,成功地塑造了红军战士赵栓柱、农民王铁锤、护士冯玉兰、归国华侨刘茜茜以及出家人智能和尚等五个栩栩如生的人物。

Either in the respect of novels' narrative skills or in the respect of the modeling of self-images, parodic autobiographical novel can easily be distinguished from traditional autobiography and ordinary autobiographical novels.

戏谑型自传体小说是一种特殊形式的自传体小说,它在叙事技巧和塑造自我形象方面都有别于传统自传和一般的自传体小说。

When it comes to novels' narrative skills, parodic autobiographical novel can make full use of the advantages of narrative skills in traditional autobiography, such as by employing narrators' reliability of the first person, the authors of parodic autobiographical novels can control or manipulate their potential readers' visions.

在叙事技巧上,戏谑型自传体小说征用了自传文体的第一人称叙述者来反映非真实的内容,它既利用了自传传主的可靠性和权威性来操纵和影响读者的阅读视野,同时也借机与读者建立了良好的人际关系,克服了读者在阅读一般作品时那种事不关己的冷漠态度;作为小说的一种形式,戏谑型自传体小说可以大肆虚构情节来塑造别样的主人公形象,也有随意编造一些无中生有的心理状态的自由。

To reveal the implication of the petrous pictures and to make the human's past time recur is the work to figure out the age of the petrous pictures and it is very hard work.

在漫长的悠悠岁月中,通过对岩画的题材、构思、形象、色彩的塑造和选择,培养了他们的审美情趣和

She broke the language, deliberately so that people can not help but shape the image of the fantasy associated Pina.

她爆出的语言,刻意塑造的形象让别人不禁幻想联翩。

He was born, some said, in the Paris acting school in 1947, bred byJean-Louis Barrault in "Les Enfants du Paradis" and raised at the tiny Théatrede Poche in Montparnasse.

巴黎署理学校,让-路易斯·巴伦特在电影《天堂的孩子》中塑造了他的形象,并把他搬上了蒙帕那斯的

He was born, some said, in the Paris acting school in 1947, bred byJean-Louis Barrault in " Les Enfants du Paradis " and raised at the tiny Th é atrede Poche in Montparnasse.

有人说毕普1947年诞生于巴黎署理学校,让-路易斯·巴伦特在电影《天堂的孩子》中塑造了他的形象,并把他搬上了蒙帕那斯的 tiny Théatre de Poche 。

He was born, some said, in the Paris acting school in 1947, bred by Jean-Louis Barrault in " Les Enfants du Paradis " and raised at the tiny Th é atre de Poche in Montparnasse.

有人说毕普1947年诞生于巴黎署理学校,让-路易斯·巴伦特在电影《天堂的孩子》中塑造了他的形象,并把他搬上了蒙帕那斯的 tiny Th é atre de Poche 。

Consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.

作家在对这两类型女性的描写时,都因作者有意或无意的女性意识而走向极端化,实际上是走上了两个无法交汇的极端,使女性形象的塑造过于偏激,不是&淫恶&到极端,就是&男性化&到极点,写淫妇恶婆,写尽其淫,狠,毒;写女英雄,则写尽其行侠仗义,巾帼不让须眉。

Novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.Consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.

作家在对这两类型女性的描写时,都因作者有意或无意的女性意识而走向极端化,实际上是走上了两个无法交汇的极端,使女性形象的塑造过于偏激,不是&淫恶&到极端,就是&男性化&到极点,写淫妇恶婆,写尽其淫,狠,毒;写女英雄,则写尽其行侠仗义,巾帼不让须眉。

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Finally, according to market conditions and market products this article paper analyzes the trends in the development of camera technology, and designs a color night vision camera.

最后根据市场情况和市面上产品的情况分析了摄像机技术的发展趋势,并设计了一款彩色夜视摄像机。

Only person height weeds and the fierce looks stone idles were there.

只有半人深的荒草和龇牙咧嘴的神像。

This dramatic range, steeper than the Himalayas, is the upturned rim of the eastern edge of Tibet, a plateau that has risen to 5 km in response to the slow but un stoppable collision of India with Asia that began about 55 million years ago and which continues unabated today.

这一引人注目的地域范围,比喜马拉雅山更加陡峭,是处于西藏东部边缘的朝上翻的边框地带。响应启始于约5500万年前的、缓慢的但却不可阻挡的印度与亚洲地壳板块碰撞,高原已上升至五千米,这种碰撞持续至今,毫无衰退。