形象塑造

Explain with a lot of tactics of internal and foreign image-building mainly among this part.

在这一部分中主要以内层形象塑造和外层形象塑造的多个策略来进行阐述。

At the same time, it states that the instantaneity of international radio brings barriers to nation image building and how to handle them.

第四部分研究国际广播在塑造国家形象中独有的作用，即发挥便利性、声音特性、多语言传播等特点，同时指出国际广播的瞬时性给国家形象塑造带来的障碍以及应对措施。

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是"淫恶"到极端，就是"男性化"到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

Romaunt is stand by "grow the brand partners" for the company positioning, and based on national advertising standards and domestic well-known major brand management company operate to help the client to carry out brand planning, brand image creation, brand image promotion, brand management and brand shape all-round job, to creat maximize value for customers.

融智以"品牌成长伙伴"为公司定位，并在引鉴国内广告专业标准与国内知名品牌管理公司运作工具的基础上，帮助客户开展品牌形象规划、品牌形象创建、品牌形象推广、品牌形象管理等全方位品牌形象塑造工作，最大化为客户创造价值。

Thirdly, scar literature breaks the visual figure criterion: the common people come forth as front and focus figure; not only traditional methods but some modernism methods such as stream of consciousness, superrealism and free-association are applied to represent mentality; a set of complex characters are coming up with complex composing and movement.

第三，"伤痕文学"打破了以往形象塑造的规范，出现了一些新的特点：普通人物作为正面形象大量涌现，成为文学表现的焦点；从外部视角开始转向内在视角，不仅使用传统的心理描写方法，而且开始使用意识流、超现实、自由联想等现代主义的表现手法；出现了一批具有复杂性格的人物形象，揭示了他们性格构成的复杂性和性格运动。

This text analyzed the process of figuring the image of Naren Gaowa, explored the skill of singing in opera and figuring the image about the actress in Chinese opera by the analyse about the only woman----- Naren Gaowa in this appear, deeply understanding the status and the influence in the history of Chinese opera., which would enhance the intellect and expressive force of me in vocality.

本文通过对剧中唯一女主角——娜仁高娃的歌剧形象的分析，在前人时贤的有关《苍原》的研究基础之上，挖掘娜仁高娃这一形象的塑造过程，探索中国歌剧中女性人物的演唱技巧和形象塑造，进而深层认识《苍原》在中国歌剧发展史上的地位和作用，同时也能提高笔者在声乐演唱上的理解力和表现力。

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是&淫恶&到极端，就是&男性化&到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

Chapter three point out how to propagandize and spread the city image on the basis of the design of the city image.

第四章：城市形象的塑造。具体剖析了在城市形象设计的基础上进行城市形象塑造的战略。

Therefore, this paper has brought in the ecological development concept of "Man and nature in harmony" after analyzing the elements of its city image from the perspec tives o f its history and natural mechanism, and further repositioned and shaped the city image of Yangzhong.

首先回顾了扬中市以往规划建设过程中对城市形象塑造的探索和实践，认为扬中市的城市特色仍未得到充分彰显，并从扬中市的历史发展和自然机理出发解析扬中市城市形象的元素，引入天人合一的生态发展观，对扬中市城市形象进行重新定位和塑造。

Chapter 2"the male image mold of back ground":According to"inside life experience" and"outside and sexual current of thought" wait for two sections, the resolution Eileen Change's family and marriage in of male, 54 exercise new culture and sexual and even power consciousness upsurge a factor gradually down, mold the influence of male image.

第二章「男性形象塑造的背景」：依「内在生活经验」和「外在两性思潮」等两节，解析张爱玲家族和婚姻中的男性、五四运动新文化及两性平权意识逐渐高涨因素下，塑造男性形象的影响。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。