形象塑造

Molds in Shakespeares tragedy to the female figure has lost reality, either is the frailty, either is the lasciviousness, either is the male gender woman image.

在莎士比亚的悲剧中对妇女形象的塑造有失真实，要么是脆弱者，要么是淫荡者，要么是雄性化的女人形象。

The cosmogonic figure of man as the centre of the earth and the extremity of its parturition is recast as catastrophic literalism.

作为世界的中心和极端的产物，人的宇宙起源形象被重新塑造成灾难性的文字形象。

Part I :the definition of officialdom novels ,the insightful discussion of the development of them ,and the primary analysis of the reasons of their flourishing ;Part II :the construction of subject matters of officialdom novels by probing analysis into official corruption ,official and social psychologies ;Part III: the of artistic features of characters and narrative (i.e. narrative perspective constructions ,discourse and ironical narration ),which are illustrated by the positive characters with personalities ,negative ones with complex characteristics ,more importantly ,the vulgar existence ofgray characters ,the discovery of features of narrative methods with the contract of two types of novels ; Part IV: the positive comment on the realistic rules of officialdom novels and the surpassing of the previous ones ,the shortcomings from the artistic perspective : the adoption to the reality seriously fetters artistic imagination of literature works ,it also reads to the lacking of insightful thinking ,the simple characters fail to reveal artistic glamour ,the routinized narrative methods also degrades the artistic savor of works .

第一部分，界定官场小说的内涵，并对它的历史发展，对其在当下繁荣的原因做初步的探析；第二部分，从官场小说对官场腐败、官员内心世界和社会文化心理等方面的揭示考察其主题构成；第三部分，从人物形象、叙事方式(叙事视角、叙事结构、反讽叙事、叙事话语)等分析官场小说的艺术表现特征，指出官场小说不仅塑造了性格鲜明的正面人物，也真实刻画了具有复杂人性的反面角色，更重要的是展现了官场灰色人物的庸俗生存，并通过两类不同类型小说的对比，揭示其各自不同的叙事特征；第四部分，充分肯定官场小说的现实主义价值，及其对前期官场小说的超越，并从小说艺术角度指出其存在的严重不足：小说对现实的屈从束缚了作品的艺术想象力，使小说缺乏深厚的思想内蕴；人物形象也显得单薄，无法产生感人的艺术魅力；叙事的模式化也大大降低了作品的艺术品位。

As a figure to represent his aestheticism in drama, Salome is in nature different from the previous characters.

莎乐美就是王尔德企图在戏剧中塑造的体现其艺术主张的唯美形象，但与此前的艺术形象已经有着本质的不同。

Similarly, making use of the tactics, satirically mimics, Zhang Ailing's novel Red Rose and White Rose subverts the myth of the powerful males who are supposed to manufacture the model "angel/devil".

庐隐的小说《父亲》以别具匠心的双重性别叙事，在一个看似普通的子恋父妾的反封建故事中寄予了丰富而深刻的文化内涵，讽刺性地模拟并拆穿男性文本对女性形象"天使/魔鬼"式塑造的心理内幕；张爱玲的《红玫瑰与白玫瑰》也成功利用这一策略，对制造这种女性形象的男性"强者"神话进行了有力的颠覆。

By the special narrative means, double-gender narrating, Lu Yin's short novel The Father not only satirically mimics but also subverts the traditional model of the female characters "angel/devil" in male writers' texts.

庐隐的小说《父亲》以别具匠心的双重性别叙事，在一个看似普通的子恋父妾的反封建故事中寄予了丰富而深刻的文化内涵，讽刺性地模拟并拆穿男性文本对女性形象"天使/魔鬼"式塑造的心理内幕；张爱玲的《红玫瑰与白玫瑰》也成功利用这一策略，对制造这种女性形象的男性"强者"神话进行了有力的颠覆。

He is a XuYunFeng shaping, consistency composure, awe-inspiring living art, vivid image, the communist revolution of solid and death of noble and sterling integrity, the image, is embedded in the socialist movie screen of pearl, has the power to conquer the audience.

他塑造的许云峰，是一个坚毅沉着、正气凛然，有血有肉的活生生的艺术形象，表现了共产党人坚不可摧的革命意志和视死如归的高风亮节，这些形象，都是镶嵌在社会主义电影银幕上的明珠，具有征服观众的力量。

The mirror image of the self:facing a dilemma where self-construction and self-destruction coexist;2. It displays the solitariness motif through the relationship between the women figure and opposite sex,the same sex and the self.

陈染小说以带有强烈女性主义色彩的话语方式塑造了一系列女性主体形象，通过这类形象与异性、同性及自我的关系来呈现"孤独"这一母题。

Novel, the author appear at the beginning of the volume,"Introduction "There's Note:" Li Zi Cheng is a central figure in the novel, I have in shaping the image of his hero, in character, largely based on his own deeds in the prototype, but other characters will also be the ancient qualities and talent to his focus on body, a lot of moving fictional plot, so that the image of his plump and typification."

小说作者在一卷卷首的《前言》有个说明："李自成是小说中的中心人物，我在塑造他的英雄形象时，在性格事迹方面基本上根据他本人原型，但也将古代别的人物的优秀品质和才干集中到他的身上，虚构了许多动人的情节，好使他的形象丰满而典型化。"

It is doubtlessly successful that "Huniu", this virago's image was made in Rickshaw. There are many such kind of characters in Laoshe's other works. But there is a disagreement in the researcher's evaluation toward"Huniu". Either from the angle of politics, or the art, what is more important is likes and dislikes of a kind of person, or we can say, is a male's norm request for female.

骆驼祥子》中对"虎妞"这一泼妇形象的塑造无疑是十分成功的，在老舍先生的其他作品当中泼妇形象也屡见不鲜，但是研究者对于"虎妞"的评价历来分歧较大，有从政治的角度出发，也有从艺术的角度出发，更重要的是一种个人好恶，或者说是男性对女性的规范要求。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。