形象塑造

In my thesis, it outlines the background and process of the story, the style and feature of Merimee and the the script which abridged and developed contents and characters. The second aims at the musical analysis of the opera "Carmen" by Bizet, mainly according to the order of the opera and attaching the important music scores. The third is the character analysis of Carmen, the heroine of the opera, and Escamillo, the toreador which has been enriched and magnified by the author of the script. And the focus is the analysis, understanding and figure of the toreador which I have performed. In the last part of the thesis, it tells the scene of the opera and the relationship with the figures of the roles in the opera. And it also compares a variety of famous singers who has performed the toreador and puts on some of my points of view.

文中概述了小说产生的历史背景及经过、梅里美的风格特色及脚本对原作情节上、人物设置上的增删及发展等；其次为对出诸比才天才手笔的歌剧《卡门》音乐的分析，基本上按幕顺序论述并附重要的谱例；第三个重点是对剧中女主人公卡门及由脚本作者丰富、放大了的斗牛士埃斯卡米欧的人物性格分析，而把重点放在作者学习过的斗牛士形象的剖析、理解和塑造上；最后简要地阐述了歌剧场景与人物形象塑造的关系，前者对后者所可能产生的帮助，并对不同歌唱家所演绎的斗牛士形象作了比较和评价，提出了自己的看法。

This paper starts from the concept of professional image shaping. Then come the approaches of communication of professional image shaping, which mainly includes: vision, language and gesture.

本文从职业形象塑造的概念和特点出发，指出职业形象塑造的三种基本传通方式：视觉形象、肢体语言、言谈方式。

This paper is divided in 4 parts. It first puts emphasis on analysis of the reason why the musician Giuseppe Verdi decided to create the tragical image-Violetta; then it deals with the creation of the tragical image from the perspective of musical images. The third part explores the creation of the tragical image through the analysis of the dramatic contradiction. Part four illustrates:thearts innovetion and character of opera LA TRAVIATA.

本文分四部分，第一部分，重在分析音乐家威尔第选择塑造薇奥列塔这个悲剧形象的原因；第二部分，从音乐形象方面分析歌剧《茶花女》的悲剧形象塑造；第三部分从戏剧矛盾冲突音乐分析的角度分析歌剧《茶花女》悲剧形象塑造；第四部分论述歌剧《茶花女》艺术上的革新及特点。

This essay selects the Queen's image in the Gloriana as the study object, through analysis of the libretto and opera music to strive to be comprehensive and detailed to show the drama queen of the arts to shape the characteristics of the image to explore the Britten's Musical-Dramatic techniques, and hope that further study for the academic writing Britten opera, especially in the opera characters to provide help to shape.

本文选取《格洛里阿纳》中的女王形象作为研究对象，通过对歌剧脚本和歌剧音乐的分析，力求全面、细致的展现剧中女王形象塑造的艺术特点，探究布里顿音乐戏剧手法，希望为学界进一步研究布里顿歌剧创作，特别是在歌剧人物形象塑造方面提供帮助。

Once it has the attempts to carry out identity strategies effectively, promote its own identity levels, one scientific, standardized systematic, well-aimed and well-operated identity construction frame must be built, and scientific arrangement, analysis and study by aiming at the existing problems in real situation on the basis of present situation should be made, too.

该部分以外部公众和内部公众为调查对象，实施问卷调查，并根据统计数据，分析了重庆市北碚区中等职业学校形象现状及其存在的问题，为形象塑造奠定了基础。第三部分，重庆市北碚区中等职业学校形象塑造的策略。

This paper tries to discuss black women images created in Their Eyes Were Watching God and The Color Purple to express the idea that both writers create new women images in American literature. It also tries to explore the inheriting and developing relationship between the two novels by analyzing the symbolic meaning of the major images of mules, pear tree and the color purple, especially to explore the concrete reflection of womanist philosophy in the two novels.

本文分析了《他们眼望上苍》中对珍妮的形象塑造和《紫颜色》中西丽亚的形象塑造，探讨了赫斯顿和沃克如何在作品中塑造全新的黑人妇女形象，并通过对两部作品中的中心意象骡子、梨树和紫颜色的象征意义的分析，揭示两部作品之间的传承关系，特别是"妇女主义"思想在两部作品中的具体体现。

The new year concerts of Vienna have been rebroadcasted for almost twenty years. The music of Johann Strauss family has widely been well known by the professional musicians and the music amateurs. Although there are some simply introductive and short articles about the operetta "Die Fledermaus" at present, the music analysis of Adele in the operetta "Die Fledermaus" and the research of role image building of her are scarce. The present paper try to not only deepen the understanding of the image of the classical character of Adele, but also help the recreation of the image, through the research and exploration about the music image building of Adele.

在中国，现场转播维也纳新年音乐会也已近20年，约翰·斯特劳斯家族的音乐已为音乐界内外的许多人们熟知，对于《蝙蝠》这部轻歌剧，目前国内已经有一些简单、介绍性的、篇幅短小的文章，而令人遗憾的是，《蝙蝠》中经典角色阿黛莉的音乐分析和角色形象塑造的研究则尚未见到，本文试图通过对阿黛莉这个角色的音乐形象塑造问题的研究探索，使我们对这个经典人物形象的认识更加深入，同时也有益于该形象的再创作。

Except the foreword, this paper is divided into four chpaters:Chapter One: the common vivid featrues of dramatic personae in the phyletic biography of people in Shiji. The charater accords with the described methods, it has the obvious feature of kindred, It leans to the type of the figural creation in our country's later gerneration novels.Chapter Tw phyletic biography of people not extrudes the common featrue of drmatic personae but also emphersizes the personality description. The figural creation turns personal description from typical description gradually in the later generation novels, although the same typical charaters have the differnt lookings.Chapter Three: phyletic biography of people stands out the charaters with the typical events, the same charater can appears the differnt phyletic biography of people, it shows the differnt features (This is the commuteritive incarnate in Shiji). The later generation novels figure the charaters with their action, the same character lean to the differnt points, they show their differnt characteristics.Chapter Four: phyletic biography of people has the multiform modality, it includes paratactic description, coherend interclude, cascade rising and so on. The later generation novels use for reference the paratactic in the arrange of polt structure.

除引言外，全文分为四部分：第一章：《史记》各&类传&中&传主&的共同特征鲜明，人物选择符合以类相从、连类相及的方法，&类&的特色极为明显；我国后世小说中人物形象塑造呈现出类型化的倾向；第二章：&类传&在突出传主共同特征的基础上也注重人物的个性描写，传中人物在符合&类属&的前提下自身的特色同时显现出来：后世小说中人物形象塑造逐步由类型化向个性化发展，即便是同一群体的人物也具有各自不同的面目；第三章：&类传&选取传中人物的典型事件来突出人物形象；同一人物可以进入不同的类传中，表现出不同的特性(这是《史记》全书人物塑造上的&互现法&的典型体现)；后世小说中注重选择具有行动性特征的细节来塑造人物形象；同一人物在不同作品中有不同的侧重，呈现出不同的面目；第四章：&类传&结构安排的多样形式，主要有并列分叙、联贯穿插、层叠上升等几种形式；后世小说在情节结构安排上对&类传&的借鉴。

This paper tries to discuss black women images created in Their Eyes Were Watching God and The Color Purple to express the idea that both writers create new women images in American literature. It also tries to explore the inheriting and developing relationship between the two novels by analyzing the symbolic meaning of the major images of mules, pear tree and the color purple, especially to explore the concrete reflection of womanist philosophy in the two novels.

本文分析了《他们眼望上苍》中对珍妮的形象塑造和《紫颜色》中西丽亚的形象塑造，探讨了赫斯顿和沃克如何在作品中塑造全新的黑人妇女形象，并通过对两部作品中的中心意象骡子、梨树和紫颜色的象征意义的分析，揭示两部作品之间的传承关系，特别是&妇女主义&思想在两部作品中的具体体现。

The authors probe into the role of cross-cultural communication in China's national image building in Africa, analyzing the interplay of China's policy on Africa and its national imag e building in the region.

本文从跨文化传播的视角阐述了中华文化在非洲的传播对中非合作以及国家形象塑造的战略含义，分析了中国在非洲的国家形象塑造所面临的诸多挑战并提出了国家形象塑造的文化传播的应对措施。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。