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The first impression is war, the second is peace, the antitheses are the bases of studying metal materials, and also the first step of introducing the yin-yang theory into this field.

一是战争——积极,刚的形象,二是和平——消极,阴的形象,这两种极具对立性的形象被视为对金属材料了解的基础,而它们同时也是把阴阳理论体系引入本领域的第一步。

The thesis attempts to find the inherent national image formation mechanisms through national image theory parsing, trying to strip systematically the influential variables on national image with level analysis and dialyze its essence as well as inner logic, affiliating with reality and analyzing the "Spiral of Silence" of China threat theory , putting forw.

本文试图通过国家形象的理论解析,从中发现国家形象的内在形成机制,并应用层次分析的思考模式对影响国家形象的变量进行有条理的剥离,透析其实质与内在逻辑关系,进而联系现实,分析&中国威胁论&的&沉默螺旋&,为我国对美公共外交工作提出相应的对策和建议。

The third part elaborated the Dong Fang shuo story main characteristic: 1st, the Dong Fang shuo story evolution path from simply to complex again tends to quietly, the character image from to is really unreal. 2nd, the story both carries on the history and to have violates, creates the character image intrinsic contradictory. 3rd, and Martial emperor of Han dynasty's subtle relationship is complex. 4th, the real Dong Fang shuo compares with the history in, in novel image although all-resourceful, slightly reveals actually frailly, insufficiently is plentiful.

第三部分论述了东方朔故事的主要特点:1、东方朔故事演变轨迹由简单到复杂再趋向于沉寂,人物形象由真实到虚幻。2、故事既承袭历史又有所违背,造成人物形象的内在矛盾性。3、与汉武帝的关系微妙复杂。4、与历史中真实的东方朔相比,小说中的形象虽然神通广大,却略显单薄,不够丰满。

The third part elaborated the Dong Fang shuo story maincharacteristic: 1st, the Dong Fang shuo story evolution path from simply to complex again tends to quietly, the character image from to is really unreal. 2nd, the story both carries on the history and to have violates, creates the character image intrinsic contradictory. 3rd, and Martial emperor of Han dynasty's subtle relationship is complex. 4th, the real Dong Fang shuo compares with the history in, in novel image although all-resourceful, slightly reveals actually frailly, insufficiently is plentiful.

第三部分论述了东方朔故事的主要特点:1、东方朔故事演变轨迹由简单到复杂再趋向于沉寂,人物形象由真实到虚幻。2、故事既承袭历史又有所违背,造成人物形象的内在矛盾性。3、与汉武帝的关系微妙复杂。4、与历史中真实的东方朔相比,小说中的形象虽然神通广大,却略显单薄,不够丰满。

The composition sees relations with the portraits in Sir Zhang's Graveyard Temple; in fact, part of the song is a literary description of some of the portraits in the Temple. Some 'textual figures'bear the characteristics of 'pictorial art': the meaning in the literary sense could be transformed into imagistic compositions. The language observes such features as the structures and images, color and tincture, dynamic and static stokes in a picture.

其写作与&张公&墓地祠堂画像存在联系,部分章节内容是对祠堂画像相关画面的文学性描述,某些&文本形象&具有&图像艺术要素&的性质和特点,其文学意义上的情境单元,能够转化为一种图像意义上的画面构成;在语言运用上注意到了表现画面构图与画面形象、画面色彩与光泽、画面动态与静态形象的特征等问题。

As a session of Olympic Games' vivid ambassador, widely appears in Olympic Games each domain, adds the image lovably, the disposition is bright, deeply the people in particular young people child's affection, becomes the all previous years Olympic Games most sink deep into the hearts of the people the image.

作为一届奥运会的形象大使,广泛出现在奥运会各个领域,加之形象可爱、性格鲜明,深受人们尤其是青少年儿童的喜爱,成为历届奥运会最深入人心的形象

This text analyzed the process of figuring the image of Naren Gaowa, explored the skill of singing in opera and figuring the image about the actress in Chinese opera by the analyse about the only woman----- Naren Gaowa in this appear, deeply understanding the status and the influence in the history of Chinese opera., which would enhance the intellect and expressive force of me in vocality.

本文通过对剧中唯一女主角——娜仁高娃的歌剧形象的分析,在前人时贤的有关《苍原》的研究基础之上,挖掘娜仁高娃这一形象的塑造过程,探索中国歌剧中女性人物的演唱技巧和形象塑造,进而深层认识《苍原》在中国歌剧发展史上的地位和作用,同时也能提高笔者在声乐演唱上的理解力和表现力。

At the same time, as a kind of autobiographical novels, parodic autobiographical novel can not only unrestrainedly fabricate some stories to mold an odd hero or heroine but also freely work out some purely fictitious psychology to serve their own aims.

在自我形象方面,虽然戏谑型自传体小说叙述人将自己塑造成与世隔绝的&我&、分裂变幻的&我&、玩世不恭的&我&、自暴自弃的&我&几种反传统的自我形象,但是这些形象或许只是叙述者用来掩饰真实自我的一种姿态而已,在叙述者玩世不恭的面具下读者也可以窥见一个始终与虚无作战的执着的灵魂。

Pantagruelisme " is the well and plenitudinous expresses of the giant spirit and the giant ideal of the giant ages;But Quixote who is a worried look knight and facetious and ridiculous image in this cultural transformation era, has already reared the clues of the "anti-hero image in the future literature.

庞大固埃主义&是对巨人时代的巨人精神与巨人理想的形象而充分的表述;而堂吉诃德这位文化转型时期脱离实际的愁容骑士和滑稽可笑的叛逆形象,已显露出后世文学中&反英雄形象的端倪。

Chapter three point out how to propagandize and spread the city image on the basis of the design of the city image.

第四章:城市形象的塑造。具体剖析了在城市形象设计的基础上进行城市形象塑造的战略。

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