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This thesis deeply discusses the unique technique of musical representation and using of musical language by analyzing the musical image-building of the three female roles Donna Anna, Zerlina and Donna Elvira in Don Giovanni.

本论题从三位女性角色的人物刻画入手,对莫扎特的歌剧《唐·璜》中安娜、采琳娜、埃维拉这三个音乐形象展开分析,从而进一步了解作曲家在塑造人物形象时运用的独特的音乐表现手法和富于特色的音乐语言。

The search of symbolic meanings of animal images in Women in Love and otherworks by D. H. Lawrence, pursued almost excludingly by all scholars interested in the study of these images, falls far short of comprehensive understanding of their functions and meanings.

内容提要国内外研究者通常从象征意义的角度研究劳伦斯小说《恋爱中的女人》以及其他作品中的动物形象,但笔者认为这一研究视角远不能揭示动物形象在这部作品中的意义与作用。

The people and objects floating through Gao Bo's works are without roots - perhaps they come from a momentary memory or a spark of interest. Looking at Gao Bo's works brings pictorial information stored deep in the mind to light, yet within a second these mind-images fade again, leaving behind a memory of all the images that lie underneath Gao Bo's warm and languid sketching. In Gao Bo's consciousness, these images don't stop at realism or simply exposit like some historical legend - in the end they reach towards the fringes of nothingness.These images can call up rich associations in our minds yet often these are false associations. For example, in "Gray Face" this is not the mystical dog of the god Erlang in Journey to the West; the rickety bridge in "River Bed" is certainly not a reference to a rainbow in Heaven; the story of "Contest" is not about two dogs running and pretending to be in love but a story of race dogs controlled by humans.

散漫在高波作品中的人与物没有根源,也许它们是源于个人瞬间的兴趣和记忆,有关知识的、情感的和在脑子里存储的图象信息随之而来,也可以随之而去,只是在温和缓慢的描绘背后还有一丝对所有形象匆匆停留过后的怀念,它们在高波的意识之中并不是一次停留于现实或者历史神话般司空见惯的陈述,它们的结果最终都是通向虚无的边缘,尽管那些形象似乎可以唤起我们丰富的联想,比如《灰色的脸》,它绝不是西游记中二郎神的天犬,在《河床》中不牢靠的拱桥,肯定不是寓指天堂里的彩虹,《竞赛》讲述的故事并不是两只在假装为爱情奔跑的狗,而是被人为所驱使的赛狗。

Most fanciable, richest, most widely imitated on prime-time comedy sketch shows: Jose has somehow managed to smuggle the grim business of football management into previously uncharted areas of the popular imagination.

何赛在黄金档喜剧小品中成为了最受欢迎的,最富有的,被模仿得最多的形象。这一切都表明,他已经成功地将一个足球教练的形象拓展到了公众印象从未涉及的领域。

The text adopts plain languages and narrates in view of civilians. However, the Little Women's Prose is not always a real expression of urban civilians, but an imagination, pursuit and spurn of the first generation of cultivated white-collar urban feminie in the modernization, which strongly expresses their self identification and thus forms a new positive imagine of metropolitan and builds the image of early generation of petty bourgeois.

文本使用朴实的话语,平民化的视角娓娓叙谈,但小女人散文并非都市平民的真实表达,而是现代化最先培养出的一批都市白领女性对中产生活的想象,追求和摒弃,表达出她们强烈的自我身份认同,形成了一种都市的崭新乐观向上的新形象,塑造出早期的小资形象

The text adopts plain language and narrates in view of civilians.However,the Little Little Women's Prose is not always a real expression of urban civilians, but an imagination, pursuit and spurn of the first generation of cultivated white-collar urban feminie in the modernization, which strongly expresses their self identification and thus forms a new positive imagine of metropolitan and builds the image of early generation of petty bourgeois.

文本使用朴实的话语,平民化的视角娓娓叙谈,但小女人散文并非都市平民的真实表达,而是现代化最先培养出的一批都市白领女性对中产生活的想象,追求和摒弃,表达出她们强烈的自我身份认同,形成了一种都市的崭新乐观向上的新形象,塑造出早期的小资形象

"Figural:Of, relating to, consisting of, or forming a pictorial composition or design of human or animal figures."

&具有人或动物的形象的:属于、关于或形成人物或动物的组织或形象的,或由此构成的。&

The second chapter points out the characteristic and failure in figural portrayal through the analysis on the traits of the reformers that have the most artistic characters.

第二章通过对改革题材小说中最富有艺术光彩的改革者形象特质的分析,指出此类小说在人物形象塑造上的特点与不足。

SWOT analysis of constructing Three Gorges Area Sport Tourism Circle;2. In order to reveal the evolution process of Three Gorges area,a geomorphy evolution modeling is set up on the basis of DEM by using GIS technology,and a visual method of geomorphy evolution simulation is presented.

为揭示三峡地区地貌演化过程,利用GIS技术,基于DEM,建立起了地貌演化模型,提出了一种可形象直观地进行地貌演化模拟的方法,形象再现了50×104a前三峡地区的地貌形态,并对50×104a以来三峡地区地貌演化进行了过程模拟,结果表明50×104a以来,中部抬升幅度最大。

To 230 A.D. Directly in front of the entrance to the mausoleum was a stately, cloaked figure, probably representing Herma's father or grandfather.

在陵墓入口的正前方是一个形象庄严、披着斗篷的人物形象,它很可能代表了赫尔马的父亲或者祖父。

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However, as the name(read-only memory)implies, CD disks cannot be written onorchanged in any way.

然而,正如其名字所指出的那样,CD盘不能写,也不能用任何方式改变其内容。

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