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Although the ancient sects did not survive, aspects of the Gnostic world view have periodically reappeared in many forms: the ancient dualistic religion called Manichaeism and the related medieval heresies of the Albigenses, Bogomils, and Paulicians; the medieval Jewish mystical philosophy known as Cabala; the metaphysical speculation surrounding the alchemy of the Renaissance; 19th-century theosophy; 20th-century existentialism and nihilism; and the writings of the 20th-century Swiss psychologist Carl Jung.

虽然古老的教派没有生存,方面的gnostic的世界观,有定期重新出现在许多形式:古代二元宗教所谓的摩尼教和相关的中世纪的异端邪说的比根斯派,波果米尔人,和paulicians ;中世纪的犹太神秘哲学称为cabala ;形而上的投机周围的炼金术的文艺复兴;十九世纪的theosophy ;二十世纪的存在主义和虚无主义;著作20世纪的瑞士心理学家卡尔容。

The acuteness and foresight of Lu Xun's thoughts, the exceptionality, paradox of his way of thinking, and fighting between ultimate and intermediate, between nothingness and being, which reflect his wisdom, doubtlessly have contemporary significance.

生逢千年之交的中国人正与一个独特的时代相遇,面对各种"终结"说,面对"永远"的消解和形而上的消解,鲁迅思想的犀利性、前瞻性,他思维方式的独异性、悖论性以及他在"终结"与"中间物"、"虚无"与"实有"之间所做的抗争和所表现的智慧正凸显出当代意义。

I would call him a metaphysical artist, in the way that the 17th-century English poet John Donne is a metaphysical poet.

我认为他是一个"形而上学派"的画家,就像17世纪英国诗人John Donne 是"形而上学派"诗人一样。

But the author believe that metaphysic spirit is the essence of people, and also the essence of philosophy, so there is metaphysic spirit in life-world of western modern philosophy .

笔者认为形而上精神是人的根本精神,也是哲学的根本精神,在"生活世界"中同样蕴涵着人的形而上精神。

Deleuze claimed himself as a 'pure metaphysician', in his mind, Immanuel Kant is a representative of the pure metaphysicians. The deleuzian ambition of philosophy is to construct a new classical philosophy, an open philosophical system.

德勒兹自称是一位"纯粹的形而上学家",而康德是他心目中的纯粹形而上学家的代表,其哲学雄心就是重新构建一种新的古典哲学、一种开放的哲学体系。

Perhaps say it and the fundamental difference of all old philosophy not to go up in common sense, pure with " ego "," self-awareness "" preexistence " set beforehand for " see before theory " the establish that carries out a viewpoint, the philosophy that adopts pair of countryman economics however is critically, from go up at all broke through those who regard everything as old philosophy " see before theory " a variety of superorganic are set beforehand," actual individual ", of actual individual " activity of perceptual object sex " the premise that regards the mankind as the history, the historical dimension of the real life world that opened a person constitutionally is spent, present the life world of real person before people thereby.

本文认为:马克思哲学变革的实质,或者说它与一切旧哲学的根本差异不在一般意义上的、单纯的以"自我"、"自我意识"的"先在"预设为"理论前见"的实践观点的确立,而是通过对国民经济学的哲学批判,从根本上突破了作为一切旧哲学之"理论前见"的种种形而上的预设,把"现实的个人"、现实的个人的"感性对象性活动"作为人类历史的前提,本质地打开了人的现实生活世界的历史维度,从而把现实的人的生活世界呈现在人们面前。

He has theconsciousness of the death innerly, the childhood girlfriend's deathmade Humbert think the death uniquely;the death is unique to him, Lolita is the "time" for him. the death to him is not dread anymore and itchanges into metaphysical power;he heads for the death with the relationto Lolita, because in the relation he clearly feels that the being'sabsurd and brutal, he inevitably loses the past and the future ,so thedeath is not only the release but also the surpass for Humbert.To Lolita , she finally loses her meaning when trying to use thetime. The trip to the death is the certain result for her looking downon the rule of the time;she is most interested in the future;but herexperience with Humbert in fact have killed her who should be morevigorous, she just dies on the "now" time;and it also snatches herfuture, so Lolita is just from one nothingness-condition to another;Lolita can not grow in the right meaning and her life is not full enoughbecause she can not use the time rightly. Lolita costs too much for herlife just because she bantered the time and wanted to use the time toexceed all the control.So finally, the two people's fate is the death, with the time's pushing forward.

亨勃特的内心世界早已产生了深深的、终生受影响的&死亡&意识,童年女友的早夭使其过早地对&死亡&有了超越世俗想像的理解;&死亡&对于亨勃特是独特的;死亡对于亨勃特来讲不再恐惧,这种影响进而上升为一种强大的、形而上的力量;洛丽塔对他是种时间形式,在与洛丽塔的纠葛中他清醒地感受到了这种存在方式的荒诞与残酷,在灵魂与欲望的碰撞中亨勃特必然地失掉了&过去&和&现在&乃至&将来&,死亡对于亨勃特不仅是种解脱更是种超越,因此可以说在与洛丽塔的两性关系中亨勃特走向了时间之路的必然发展——死亡。

If his previous work could be categorized by being in between illustration and Contemporary art, his recent work can be described as shifting and committing completely to the presets of Contemporary art. Deva Loka, an epic project Amano eagerly created with much drive. Deva Loka, a work that was crystallized through much time and imagination, carries significance because it encompasses Amano's world of art. The main concept for this project is the Big Bang, a phenomenon that brought about all the planets in space.

如果说之前的作品是游走於动画与现代艺术的中间地带,那麼,2008年创造的 Ddeva Loka<天界>则是开天辟地的艺术史诗,充满形而上的美丽华滋和未来主义的斑斓表现,天野喜孝发挥了他前所未有的想像力,倾注了大量的心血和时间,淋漓尽致呈现他的艺术观,创造一个过去与未来并存,存在各种不可预知的可能与光怪陆离持续在酝酿变化的奇异想像空间,那是一个充满无限生机和爆发力的混沌空间,是宇宙万物的源头,天神的居所,未来的寄托,更是梦幻的渊薮。

Daxue briefly concluded Confucian humanism as three guiding principles and eight items, prepared ideologically and theoretically for the action of proscribing all non-Confucianism and esteeming Confucianism as the orthodox ideology which was put forward by Dong Zhongshu. The "Humane Laws" is the core of Zhongyong, and "Being Honest" is the first principle of it. Zhongyong has a positive guiding significance for advocating humanism. Yizhuan extended "heavenly laws" into "humane laws" and took the former as the noumenon of the latter, it also systematized humanity study and provides ontological foundation for it. Its influence goes far beyond the range of the Confucian humanism.

大学》以&三纲领&、&八条目&的形式提纲挈领地总结了儒家的人学思想,为董仲舒提出的&罢黜百家、独尊儒术&作了思想上和理论上的准备;《中庸》以&人道&为核心原则,以&诚&为人道之第一原则,对人学思想的宣扬具有积极的指导意义;《易传》由&天道&引申至人道,以&天道&作为人道之本体,使人学思想更加系统化,更加具有形而上的含义,为儒家人学思想提供了哲学本体论的依据,其影响力已远远超出儒家人学思想自身的范围。

There are stories about Confucianism, Buddhism, Taoism, myths and legends; there are water birds, sea water, mountains, pine and plum, Buddha, beautiful ladies, dragon and tiger ...... After reading all the works, you will feel the painter is particularly drawn to the image of the metaphysical level. Yes. Mr. Xingjie's purpose of art is very concerned about the level of the spirit; according to the theory of Poetry in Song and Ming Dynasties, he has reached the "artistic" state and got rid of the fetters of "real quality".

这里有儒释道及神话传说故事,有水鸟、海水、峰峦、松梅、佛像、仕女、龙虎……,看过所有作品,你会感觉到绘者特别钟爱形而上的形象,不错,兴杰先生的艺术旨趣十分关注精神层面的东西,如果借用宋明词学的理论来说,他已达到&空灵&的境界而摆脱了&质实&的羁绊。

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